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Exhibition - Between Heaven and Hades

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Book of Revelation: Adoration of the Lamb (Ch. 14)

1527
16th Century
4 3/4 x 2 7/8 in. (12.1 x 7.3 cm)

Attributed to Hans Sebald Beham, German, (1500–1550)
Attributed to Woensam Anton, German, (c. 1500–1541)
After Lucas Cranach, the Elder, German, (1472–1553)

Object Type: PRINTS
Creation Place: Europe
Medium and Support: Woodcut
Accession Number: 86-B-689(2)
Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017:

At the beginning of the Book of Revelation, John has a vision of a Lamb descending from the heavens. It is a symbol for Christ and his sacrifice for humankind. Surrounding the lamb are four beasts – a lion, an ox, an angel and an eagle – who represent the four Gospel-writers. Below the vision is a ruinous city, a sign of the destruction to come.

These woodcut illustrations, after those of Lucas Cranach the Elder, are from "Das Nau Testament" (Dresden: Wolfgang Stockel, 1527) with polemical notes by Jerome Esmer for use by German Roman Catholics.
Current Location: In Storage

Exhibitions


- Between Heaven and Hades: Journeys in Renaissance and Baroque Prints, Curated by Dr. Klare Scarborough and Dr. Susan Dixon, La Salle University Art Museum, September 13 - December 15, 2017.

- Apocalypse, Curated by Br. Daniel Burke, F.S.C. and Caroline Wistar, La Salle University Art Museum, Spring 1997.

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