{ "objects" : [ { "embark_ID" : 1335, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1335", "Disp_Access_No" : "70-G-296", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1634", "_Disp_Start_Dat" : "1629", "_Disp_End_Date" : "1639", "Disp_Title" : "Laughing Man in a Gorget", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Georg van Vliet", "Sort_Artist" : "Vliet, Jan Georg van", "Disp_Dimen" : "8 7/8 x 7 1/2 in. (22.5 x 19.1 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>The man wears a gorget, a metal breastplate with a col­lar that functions as armor. Van Vliet’s portrayal is much like that of the laughing cavalier, or a mounted soldier of a high rank. The cavalier was popular subject in the 17th century. At the time, there was concern about re­turning or off-duty soldiers in civil society. In paintings and prints of the day, the soldier is shown as possessing a devil-may-care attitude. He drinks too much, smokes too much, loses at card games, cheats at card games, se­duces local girls, and visits brothels Van Vliet’s soldier, caught in a spontaneous mid-laugh, conveys something of this attitude. The manic expression might also elicit some anxiety from the 17th-century viewer. The myste­rious shadow serves to deepen that anxiety. <BR/><BR/>The print is one of a series of “tronies” popular in the Baroque period. Van Vliet used a now-lost painted self-portrait of Rembrandt in costume as a model for the head. After this figure was paired with another of Van Vliet’s heads, that of a grieving man, the two earned the title of the Laughing Democritus and the Weeping Her­aclitus, two ancient Greek philosophers.<BR/><BR/>Kelly Sheehan, '15</SPAN><SPAN STYLE="font-family:'Goudy Oldstyle Std';font-size:10pt"><BR/><BR/></SPAN><SPAN STYLE="font-family:'Goudy Oldstyle Std'"><BR/></SPAN></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70-G-296.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70-G-296.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70-G-296.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70-G-296.jpg", "IsPrimary" : "1", "_SurrogateID" : "842", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1731, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1731", "Disp_Access_No" : "76-G-587", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Descent from the Cross by Torchlight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "8 1/8 x 6 3/8 in. (20.6 x 16.2 cm)", "Disp_Height" : "8 1/8 in.", "Disp_Width" : "6 3/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving, etching", "Support" : "", "Disp_Medium" : "Engraving, etching", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>In most versions of the Descent from the Cross, the body of Christ is upright, having just been separated from the cross. In this harrowing image, He is horizontal and the Cross is barely visible. The focus is shifted to the men do­ing the tough but necessary work of deposing and burying the body. A man with his back to the viewer supports the body, while another struggles to disentangle the white cloth cradling it. Still another begins to remove the last nail from the foot of Christ, still pinioning Him to the cross. Below, Joseph of Arimathea prepares the awaiting shroud. The light emitted from a torch held by one of the men highlights these actions. From the shadows, the grieving Mary reaches up towards her son. <BR/><BR/>By 1654, Rembrandt was commanding high prices for his etchings. He created original compositions, rather than copies of his paintings. In addition, he made efforts to make prints somewhat “uncommon” or distinct in order to enhance their desirability to collectors. For example, he dramatically altered his plates by reworking them, by inking them in different ways, and by printing on dif­ferent types of papers. In this case, he created only one state of the print, thus ensuring limited copies and the print’s value to collectors.<BR/><BR/>Susan Dixon<BR/></SPAN><SPAN STYLE="font-size:10pt">Associate Professor and Chair, Department of Fine Arts</SPAN><SPAN STYLE="font-size:10pt"><BR/><BR/></SPAN></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-G-587.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-G-587.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-G-587.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-G-587.jpg", "IsPrimary" : "1", "_SurrogateID" : "871", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1736, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1736", "Disp_Access_No" : "76-G-593", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Adoration of the Shepherds with the Lamp", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "4 1/8 x 5 1/8 in. (10.5 x 13 cm)", "Disp_Height" : "4 1/8 in.", "Disp_Width" : "5 1/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-G-593.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-G-593.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-G-593.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-G-593.jpg", "IsPrimary" : "1", "_SurrogateID" : "873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1739, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1739", "Disp_Access_No" : "76-G-596", "_AccNumSort1" : "", "Disp_Create_DT" : "1634", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1634", "Disp_Title" : "Self-Portrait With Raised Sabre", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "4 3/4 x 3 7/8 in. (12.1 x 9.8 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "3 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>Over the course of his life, Rembrandt produced over 70 self-portraits in both paintings and etchings. While artists’ self-portraits were common in 17th-century Netherlands, the number and variety of Rembrandt’s set him apart from his fellow artists. As with many of his self-portraits before 1648, Rembrandt is dressed in a costume. Rembrandt was an avid collector of fanciful paraphernalia, which he kept in his studio for costum­ing models, including himself. His identities included a courtier, a beggar, a soldier and a saint. Here he has donned an ermine stole and a crown, and regally raises a saber as he stares authoritatively at the viewer. Re­cent scholars have understood these self-portraits not as expressions of a complex inner life, but as strategies to establish his identity and to distinguish himself as an artist. <BR/><BR/>Kelly Sheehan, '15<BR/></SPAN><SPAN STYLE="font-family:'Goudy Oldstyle Std'"><BR/></SPAN></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-G-596.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-G-596.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-G-596.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-G-596.jpg", "IsPrimary" : "1", "_SurrogateID" : "874", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2434, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2434", "Disp_Access_No" : "82-G-1222", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Christ at Emmaus: the larger plate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "8 1/4 x 6 1/4 in. (21 x 15.9 cm)", "Disp_Height" : "8 1/4 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "Image", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "<SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>Rembrandt depicts the resurrected Christ at the table after breaking bread. His two companions have hereto­fore not recognized Him. One suddenly figures it out and reacts by getting on his feet, hands together in prayer. The other, who is the object of Christ’s direct gaze, is just beginning to understand. This man falls back, his hat falling from his head. A third character, probably the innkeeper’s son, walks down a staircase in the fore­ground. He is curious about what is happening but es­sentially remains unaware of the revelation. <BR/>The light, emanating from the body of Christ, and par­ticularly from his halo, falls on the figures in meaningful ways. The man in prayer is almost fully in light, while the boy is nearly fully in shadow. Light and shadow dap­ple the startled man. <BR/><BR/>Rembrandt revisited this subject of the Supper at Em­maus a number of times, as he often did with other bibli­cal stories. He sometimes responded to other artist’s ver­sions of the stories and sometimes to his own. This habit allowed him to explore fresh insights into the biblical stories.<BR/><BR/>-Olivia Abney, '15<BR/>-Susan Dixon, Associate Professor and Chair, Department of Fine Arts</SPAN>", "Dedication" : "Gift of Dr. & Mrs. William K. Sherwin", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82-G-1222.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82-G-1222.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82-G-1222.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82-G-1222.jpg", "IsPrimary" : "1", "_SurrogateID" : "926", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2518, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2518", "Disp_Access_No" : "83-G-1232", "_AccNumSort1" : "", "Disp_Create_DT" : "1636", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1636", "Disp_Title" : "The Return of the Prodigal Son", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "6 1/8 x 5 3/8 in. (15.6 x 13.7 cm)", "Disp_Height" : "6 1/8 in.", "Disp_Width" : "5 3/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83-G-1232.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83-G-1232.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83-G-1232.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83-G-1232.jpg", "IsPrimary" : "1", "_SurrogateID" : "929", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2829, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2829", "Disp_Access_No" : "87-G-2953", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "The Flight into Egypt: Crossing a Brook", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "3 5/8 x 5 5/8 in. (9.2 x 14.3 cm)", "Disp_Height" : "3 5/8 in.", "Disp_Width" : "5 5/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87-G-2953.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87-G-2953.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87-G-2953.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87-G-2953.jpg", "IsPrimary" : "1", "_SurrogateID" : "931", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3293", "Disp_Access_No" : "95-G-3191", "_AccNumSort1" : "", "Disp_Create_DT" : "1641", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1641", "Disp_Title" : "Landscape with a Cottage and Hay Barn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "4 1/2 x 12 1/2 in. (11.4 x 31.8 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "Etching, drypoint", "Support" : "", "Disp_Medium" : "Etching, drypoint", "Info_Page_Comm" : "", "Dedication" : "Gift of Ann Chahbandour and Jay Robert Stiefel", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95-G-3191.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95-G-3191.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95-G-3191.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95-G-3191.jpg", "IsPrimary" : "1", "_SurrogateID" : "933", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3337", "Disp_Access_No" : "96-G-3200", "_AccNumSort1" : "", "Disp_Create_DT" : "1630", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "Beggar Man and Woman Conversing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "2 1/2 in. (6.4 cm)", "Disp_Height" : "", "Disp_Width" : "2 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "<SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>The elderly man and woman, dressed in ragged clothes, interact in a civil manner with one another. The satchel around his waist and the basket on her arm suggest that despite their poverty, they have a place in the economy of 17th-century Netherlands. <BR/><BR/>Impoverished peasants were popular subjects in the 17th century. But beggars, society’s marginalized citi­zens, were less frequently represented in art. Attitudes towards social outcasts in the Protestant Dutch society were complex. The good beggar was one who was the recipient of generous community charity. Different from the roaming vagrant, he/she was known to a commu­nity, but was expected to be invisible to it. In the early 1630s, Rembrandt van Rijn, who came to be known just as Rembrandt, illustrated them in a compassionate way. The artist may have identified with beggars because, throughout was life, he was anxious about his finances.<BR/><BR/>Irene Martinez, '14, and Kelly Sheehan, '15</SPAN>", "Dedication" : "Gift of Ann Chahbandour and Jay Robert Stiefel", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96-G-3200.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96-G-3200.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96-G-3200.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96-G-3200.jpg", "IsPrimary" : "1", "_SurrogateID" : "935", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3342", "Disp_Access_No" : "96-P-429", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1752", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1757", "Disp_Title" : "Christ Healing The Sick", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Christian Wilhelm Ernst Dietrich", "Sort_Artist" : "Dietrich, Christian Wilhelm Ernst", "Disp_Dimen" : "21 x 28 1/2 in. (53.3 x 72.4 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "28 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : " Dietrich studied painting first with his father, Johann George, a court painter in Weimar, then with Alexander Thiele, a landscape painter in Dresden. He became a court painter for the Electors of Saxony in the 1730s and was based in Dresden for most of his career. He served as inspector of the royal painting gallery in the late 1740s, and he later taught painting at the Dresden art academy. He was a versatile and prolific artist who drew inspiration from a range of European styles. He was also adept at imitating works by other artists, and his interpretations of Old Master paintings were widely disseminated in prints during the 18th century. In this painting of <i>Christ Healing the Sick</i>, he depicts a subject made famous by Rembrandt in his <i>Hundred Gilder Print</i> (c. 1649), which Dietrich would have seen in the Dresden royal print cabinet. Here he includes elements from this etching, along with a second etching by Rembrandt entitled <i>Christ Preaching ("La Petite Tombe")</i>. Dietrich’s painting depicts Christ in the Temple, after he cast out the moneylenders, following Matthew 21:14: “And the blind and the lame came to him in the temple; and he healed them.” ", "Dedication" : "Purchased with funds provided by Benjamin D. Bernstein and the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96-P-429.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96-P-429.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96-P-429.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96-P-429.jpg", "IsPrimary" : "1", "_SurrogateID" : "277", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }