{ "objects" : [ { "embark_ID" : 3052, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3052", "Disp_Access_No" : "91-P-390", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Le Palais des Doges, Venice, circa 1906", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri Le Sidaner", "Sort_Artist" : "Le Sidaner, Henri", "Disp_Dimen" : "5 3/4 x 7 3/8 in. (14.6 x 18.7 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "7 3/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "Panel", "Disp_Medium" : "Oil on Panel", "Info_Page_Comm" : "Gallery Label: Le Sidaner trained with the academic painter Alexandre Cabanel but went on to work in an intimiste, symbolist style that was also influenced by Neo-Impressionism. He was especially known for creating still, urban landscapes devoid of human figures. This small study employs the distinct pointillist dots of complementary colors that were a hallmark of Neo-Impressionism. Le Sidaner traveled to Venice in 1905 and thereafter created several views of Venice like this one of the Ducal Palace. In a practical and imaginative move, he utilized a cigar case as the panel upon which he painted. ", "Dedication" : "Gift of Richard M. Thune", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91-P-390.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91-P-390.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91-P-390.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91-P-390.jpg", "IsPrimary" : "1", "_SurrogateID" : "255", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }