{ "objects" : [ { "embark_ID" : 1866, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1866", "Disp_Access_No" : "77-G-708b", "_AccNumSort1" : "", "Disp_Create_DT" : "1493", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1493", "Disp_Title" : "“The Creation of the World” the 7th day, from Nuremberg Chronicle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Michael Wolgemut", "Sort_Artist" : "Wolgemut, Michael", "Disp_Dimen" : "17 1/2 x 11 3/4 in. (44.5 x 29.8 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut, water-based paint", "Support" : "", "Disp_Medium" : "Woodcut, water-based paint", "Info_Page_Comm" : " Label from "Between Heaven and Hades: Journeys in Renaissance and Baroque Prints", La Salle University Art Museum, September 13 - December 15, 2017: Our conception of how the universe is structured changed dramatically between 1400 and 1750. In this early image from the <i>Nuremburg Chronicle</i>, God and the hosts of heavenly angels and saints surround the starry firmament, at the center of which celestial orbs—including the sun and the moon—circle the planet earth and its four constituent parts: fire, air, water and earth. The outer ring contains the 12 signs of the Zodiac.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77-G-708b.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77-G-708b.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77-G-708b.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77-G-708b.jpg", "IsPrimary" : "1", "_SurrogateID" : "1971", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1016", "Disp_Access_No" : "14-G-3616", "_AccNumSort1" : "", "Disp_Create_DT" : "1728", "_Disp_Start_Dat" : "1728", "_Disp_End_Date" : "1728", "Disp_Title" : "Creation of Heaven and Earth, from "Figures de la Bible" by Pieter de Hondt", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gerard Hoet", "Sort_Artist" : "Hoet, Gerard", "Disp_Dimen" : "13 1/2 x 8 1/4 in. (34.3 x 21 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving with Hand Coloring", "Support" : "", "Disp_Medium" : "Engraving with Hand Coloring", "Info_Page_Comm" : "Genesis 1:1, "In the beginning God created the heaven and the earth." Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: Thanks to Copernicus and others, the planet earth was eventually dislodged from its position in the universe’s center. In the top half of this illustration, the planets now encircle the sun, and satellite moons orbit some individual planets. Below, a fiery molten core activates the formation of the earth’s crust. This image illustrates the biblical story of the creation of the universe through the perspective of 18th-century scientific knowledge.", "Dedication" : "Purchased with funds provided by William and Klare Scarborough", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14-G-3616.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14-G-3616.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14-G-3616.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14-G-3616.jpg", "IsPrimary" : "1", "_SurrogateID" : "970", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1019, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1019", "Disp_Access_No" : "14-G-3619", "_AccNumSort1" : "", "Disp_Create_DT" : "1703", "_Disp_Start_Dat" : "1703", "_Disp_End_Date" : "1703", "Disp_Title" : "Cum necdum Stella Haec Exorta... (Frontispiece for Part III of Henrich Scherer's "Atlas Novus")", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Johannes Degler", "Sort_Artist" : "Degler, Johannes", "Disp_Dimen" : "9 1/2 x 7 3/4 in. (24.1 x 19.7 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "7 3/4 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving with Hand Coloring", "Support" : "", "Disp_Medium" : "Engraving with Hand Coloring", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: In this frontispiece to an early 18th-century atlas, an angel at the top of the globe directs the light emanating from the Christian heaven to various places on the planet: America, Europe, and Asia. The outer ring also includes the 12 Zodiac signs, represented in naturalistic detail. ", "Dedication" : "Purchased with funds provided by Susan M. Dixon", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14-G-3619.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14-G-3619.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14-G-3619.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14-G-3619.jpg", "IsPrimary" : "1", "_SurrogateID" : "973", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1006", "Disp_Access_No" : "14-G-3606", "_AccNumSort1" : "", "Disp_Create_DT" : "1729-1740", "_Disp_Start_Dat" : "1729", "_Disp_End_Date" : "1740", "Disp_Title" : "Elijah and the Chariot of Fire", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Le Sueur", "Sort_Artist" : "Le Sueur, Nicolas", "Disp_Dimen" : "17 5/8 x 12 1/4 in. (44.8 x 31.1 cm)", "Disp_Height" : "17 5/8 in.", "Disp_Width" : "12 1/4 in.", "Dimen_Extent" : "Image", "Medium" : "Chiaroscuro woodcut", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut", "Info_Page_Comm" : " This print by Nicolas Le Sueur is after a fresco by Paolo Farinati in the Marogna family chapel in the church of San Paolo in Campo Marzio, Verona. The image depicts Elijah the prophet lifted up to Heaven in a whirlwind by a chariot of fire and horses (2 Kings 2:3-9). The print has also sometimes been described as depicting Phaeton and Helios (or Apollo) in the chariot of the sun, from Greek Mythology. Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: The Second Book of Kings 2:11 relates how the Old Testament prophet Elijah was speaking with his follower Elisha when “behold, there appeared a chariot of fire, and horses of fire; which parted them both asunder; and Elijah went up by a whirlwind into heaven.” Here, Elijah is represented in a dynamic pose, with his hands clasped together in prayer. He stands behind an angelic driver, who leans forward and lifts his whip to hurry the four horses upwards into the light-filled heavens. ", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14-G-3606.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14-G-3606.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14-G-3606.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14-G-3606.jpg", "IsPrimary" : "1", "_SurrogateID" : "2580", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2433, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2433", "Disp_Access_No" : "82-G-1221", "_AccNumSort1" : "", "Disp_Create_DT" : "1541", "_Disp_Start_Dat" : "1541", "_Disp_End_Date" : "1541", "Disp_Title" : "The Chariot of Diana", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Agostino Veneziano", "Sort_Artist" : "Veneziano, Agostino", "Disp_Dimen" : "11 3/4 x 15 1/8 in. (29.8 x 38.4 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "15 1/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: Diana, the Roman goddess of the moon, travels across the sky at dusk, her hunting dog-drawn chariot soaring far above an earthly village. She is accompanied by her sister virgin goddesses Vesta and Minerva. The three of them together represent the months of winter. ", "Dedication" : "Gift of Dr. & Mrs. William K. Sherwin", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82-G-1221.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82-G-1221.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82-G-1221.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82-G-1221.jpg", "IsPrimary" : "1", "_SurrogateID" : "778", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5347, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5347", "Disp_Access_No" : "16-G-3760", "_AccNumSort1" : "", "Disp_Create_DT" : "1733 (1754 edition)", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1733", "Disp_Title" : "The Fall of Icarus, from The Temple of the Muses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernard Picart", "Sort_Artist" : "Picart, Bernard", "Disp_Dimen" : "13 3/4 x 10 in. (34.9 x 25.4 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching and Engraving", "Support" : "", "Disp_Medium" : "Etching and Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: In Greek mythology, King Minos confines the inventor Daedalus (architect of the Labyrinth) and his son Icarus to the island of Crete. Determined to escape, Daedalus crafts handmade wings of feathers bound together with wax. He warns his son to fly midway between the sun and the sea, and he leads the youth upwards into the sky. As Ovid describes in Chapter 8 of his <i>Metamorphoses</i>, “Proud of his success, the foolish Icarus forsook his guide, and, bold in vanity, began to soar, rising upon his wings to touch the skies; but as he neared the scorching sun, its heat softened the fragrant wax that held his plumes.” In this illustration, Icarus falls tragically from the sky, losing feathers as the wax melts from his handmade wings. His astounding flight, and that of his father depicted in the distance, is witnessed by fishermen in their boats. ", "Dedication" : "Gift of Susan M. Dixon", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16-G-3760.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16-G-3760.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16-G-3760.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16-G-3760.jpg", "IsPrimary" : "1", "_SurrogateID" : "6355", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1501, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1501", "Disp_Access_No" : "73-G-464", "_AccNumSort1" : "", "Disp_Create_DT" : "1729-1764", "_Disp_Start_Dat" : "1729", "_Disp_End_Date" : "1764", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Le Sueur", "Sort_Artist" : "Le Sueur, Nicolas", "Disp_Dimen" : "12 x 9 5/8 in. (30.5 x 24.4 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "9 5/8 in.", "Dimen_Extent" : "Image", "Medium" : "Aquatint", "Support" : "", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: After Mary’s death, in Christian belief, she is lifted bodily into heaven by a host of angels. Here she is represented on a bed of clouds, evoking popular associations between the Assumption and the Dormition (falling sleep) of Mary. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73-G-464.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73-G-464.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73-G-464.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73-G-464.jpg", "IsPrimary" : "1", "_SurrogateID" : "977", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1015", "Disp_Access_No" : "14-G-3615", "_AccNumSort1" : "", "Disp_Create_DT" : "1728", "_Disp_Start_Dat" : "1728", "_Disp_End_Date" : "1728", "Disp_Title" : "Jacob's Ladder, from "Figures de la Bible" by Pieter de Hondt", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernard Picart", "Sort_Artist" : "Picart, Bernard", "Disp_Dimen" : "13 5/8 x 8 1/2 in. (34.6 x 21.6 cm)", "Disp_Height" : "13 5/8 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving with Hand Coloring", "Support" : "", "Disp_Medium" : "Engraving with Hand Coloring", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: While resting on his journey to find a wife, the Old Testament prophet Jacob dreams that the sky opens up, a ladder appears, and angels busily shuttle between heaven and earth. Jacob interprets the miraculous vision as a portent to build a temple to God on this site. ", "Dedication" : "Purchased with funds provided by John D. Rilling ('87) and Maureen Ryan Rilling ('88)", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14-G-3615.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14-G-3615.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14-G-3615.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14-G-3615.jpg", "IsPrimary" : "1", "_SurrogateID" : "969", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2885, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2885", "Disp_Access_No" : "88-G-3003", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "The Ascension of Christ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Juan Antonio Salvador Carmona", "Sort_Artist" : "Salvador Carmona, Juan Antonio", "Disp_Dimen" : "10 x 6 1/2 in. (25.4 x 16.5 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: The moments of the Assumption of Mary and the Ascension of Christ reveal essential connections between heaven and earth in Christian belief. Three days after his death, burial, and resurrection, Christ raises himself up to Heaven—a transcendent event witnessed by his mother Mary and the apostles. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88-G-3003.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88-G-3003.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88-G-3003.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88-G-3003.jpg", "IsPrimary" : "1", "_SurrogateID" : "2597", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1018", "Disp_Access_No" : "14-G-3618", "_AccNumSort1" : "", "Disp_Create_DT" : "1733", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1733", "Disp_Title" : "Phaeton Struck Down by Jupiter's Thunder, from The Temple of the Muses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernard Picart", "Sort_Artist" : "Picart, Bernard", "Disp_Dimen" : "13 3/4 x 10 in. (34.9 x 25.4 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: According to Greek mythology, the sun god Helios (Sol) daily draws the sun across the sky in his golden chariot. One day, his strong-willed son Phaeton borrows his vehicle. But Phaeton loses control of the horses, and the fiery chariot threatens the world below. The sky god Zeus (Jupiter) intervenes and strikes down the wayward youth, who plunges to his death. ", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14-G-3618.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14-G-3618.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14-G-3618.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14-G-3618.jpg", "IsPrimary" : "1", "_SurrogateID" : "972", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2564", "Disp_Access_No" : "84-G-1262", "_AccNumSort1" : "", "Disp_Create_DT" : "1612", "_Disp_Start_Dat" : "1612", "_Disp_End_Date" : "1612", "Disp_Title" : "Jupiter and Mercury in the House of Philemon and Boucis", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goudt", "Sort_Artist" : "Goudt, Hendrick", "Disp_Dimen" : "8 x 8 1/2 in. (20.3 x 21.6 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: The Roman gods Jupiter and Mercury (Hermes) come to earth disguised as mortals. They visit the rustic house of the impoverished elderly couple Baucis and Philemon, who tend graciously to their visitors. According to the Roman poet Ovid, Baucis and Philemon were rewarded for their generous hospitality when their lives were spared during a cataclysmic flood.", "Dedication" : "Purchased with funds provided by Benjamin D. Bernstein", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84-G-1262.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84-G-1262.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84-G-1262.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84-G-1262.jpg", "IsPrimary" : "1", "_SurrogateID" : "930", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1732, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1732", "Disp_Access_No" : "76-G-588", "_AccNumSort1" : "", "Disp_Create_DT" : "1594", "_Disp_Start_Dat" : "1594", "_Disp_End_Date" : "1594", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "19 x 14 in. (48.3 x 35.6 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: The close connections between heaven and earth are often highlighted in Christian stories. In this image of <i>The Annunciation</i>, the angel Gabriel, lily in hand, appears to the youthful Mary to announce that she will become the mother of the Christ Child. At the same time, the Holy Spirit in the form of a dove descends from heaven to bless Mary. As in many Renaissance and Baroque renditions of this scene, Mary is depicted kneeling in prayer with a book, with her sewing basket in the foreground. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-G-588.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-G-588.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-G-588.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-G-588.jpg", "IsPrimary" : "1", "_SurrogateID" : "1886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2082", "Disp_Access_No" : "79-G-869", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1653-1657", "_Disp_Start_Dat" : "1653", "_Disp_End_Date" : "1657", "Disp_Title" : "The Rest on the Flight into Egypt with an Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sébastien Bourdon", "Sort_Artist" : "Bourdon, Sébastien", "Disp_Dimen" : "7 1/8 x 8 3/4 in. (18.1 x 22.2 cm)", "Disp_Height" : "7 1/8 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: An angel directs St. Joseph’s attention to the road ahead, while his family rests on its journey to Egypt. According to Matthew 2:13-15, after the Three Kings visited Jesus’ birthplace in Bethlehem, an angel appeared to Joseph in a dream and instructed him to take Mary and Jesus to Egypt to evade the brutal actions of King Herod, who plotted the Child’s death. Following artistic tradition, here the angel continues to guide the family on their journey. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79-G-869.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79-G-869.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79-G-869.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79-G-869.jpg", "IsPrimary" : "1", "_SurrogateID" : "905", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1633", "Disp_Access_No" : "76-B-1(F)214", "_AccNumSort1" : "", "Disp_Create_DT" : "1607", "_Disp_Start_Dat" : "1607", "_Disp_End_Date" : "1607", "Disp_Title" : "The Nativity (In Nocte Natalis Domini)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hieronymus Wierix", "Sort_Artist" : "Wierix, Hieronymus", "Disp_Dimen" : "9 1/8 x 5 5/8 in. (23.2 x 14.3 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "5 5/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: At the nativity of Christ, hosts of angels descend to celebrate the event. Some praise the Child himself, while others proclaim the good news to the shepherds, to the Three Kings, and to those awaiting salvation in Purgatory. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-B-1(f)214.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-B-1(f)214.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-B-1(f)214.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-B-1(f)214.jpg", "IsPrimary" : "1", "_SurrogateID" : "3064", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1352", "Disp_Access_No" : "71-G-320", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1621", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1626", "Disp_Title" : "St. Jerome Hearing the Trumpet of the Last Judgement ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jusepe de Ribera", "Sort_Artist" : "Ribera, Jusepe de", "Disp_Dimen" : "12 1/4 x 9 in. (31.1 x 22.9 cm)", "Disp_Height" : "12 1/4 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "Image", "Medium" : "Drypoint, etching", "Support" : "", "Disp_Medium" : "Drypoint, etching", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: Angels descend from heaven frequently to intervene in mortal life. A trumpet-blowing angel startles St. Jerome, represented here as a hermit in contemplation in the desert. The scene alludes to a passage in St. Jerome’s <i>Commentary</i>, stating that a trumpet will announce the Second Coming of Christ and the Last Judgment. Represented in the lower left corner of the scene is a lion, a symbol often associated with St. Jerome. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71-G-320.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71-G-320.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71-G-320.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71-G-320.jpg", "IsPrimary" : "1", "_SurrogateID" : "843", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2613", "Disp_Access_No" : "84-G-1287", "_AccNumSort1" : "", "Disp_Create_DT" : "1504 (1511 version)", "_Disp_Start_Dat" : "1504", "_Disp_End_Date" : "1504", "Disp_Title" : "Life of the Virgin: Joachim and the Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11 3/4 x 8 1/4 in. (29.8 x 21 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: An angel visits St. Joachim, the elderly husband of the barren St. Anne, to inform him that they will have a daughter. The unborn child is Mary, who will become the mother of Jesus. The celestial visitation is witnessed by shepherds and their flocks. ", "Dedication" : "Purchased with funds provided by the Marjorie M. and Irwin Nat Pincus Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84-G-1287.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84-G-1287.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84-G-1287.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84-G-1287.jpg", "IsPrimary" : "1", "_SurrogateID" : "790", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1886, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1886", "Disp_Access_No" : "77-G-730", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1579", "_Disp_Start_Dat" : "1574", "_Disp_End_Date" : "1584", "Disp_Title" : "Life of Christ: The Transfiguration", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gerard de Jode", "Sort_Artist" : "Jode, Gerard de", "Disp_Dimen" : "8 x 27 3/4 in. (20.3 x 70.5 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "27 3/4 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: In <i>The Transfiguration<i>, the Old Testament prophets Moses and Elijah descend to earth to flank Christ, who reveals his divinity for the first time. His awestruck disciples, Peter, James and John, witness the event. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77-G-730.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77-G-730.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77-G-730.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77-G-730.jpg", "IsPrimary" : "1", "_SurrogateID" : "742", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2149", "Disp_Access_No" : "80-G-1079(2)", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1641", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1641", "Disp_Title" : "The Story of Tobias, Plate 2: Tobias Catching the Fish", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van de Velde, II", "Sort_Artist" : "Velde, Jan van de, II", "Disp_Dimen" : "6 5/8 x 7 7/8 in. (16.8 x 20 cm)", "Disp_Height" : "6 5/8 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching and Engraving", "Support" : "", "Disp_Medium" : "Etching and Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: A guardian angel accompanies the Old Testament character Tobias on his mission to retrieve resources to help with his family’s financial well-being and his father’s health. In this image, the angel instructs Tobias to catch the fish that will provide medicine for his father Tobit. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80-G-1079(2).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80-G-1079(2).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80-G-1079(2).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80-G-1079(2).jpg", "IsPrimary" : "1", "_SurrogateID" : "909", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2150", "Disp_Access_No" : "80-G-1079(3)", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1641", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1641", "Disp_Title" : "The Story of Tobias, Plate 3: Tobias and the Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van de Velde, II", "Sort_Artist" : "Velde, Jan van de, II", "Disp_Dimen" : "6 5/8 x 8 in. (16.8 x 20.3 cm)", "Disp_Height" : "6 5/8 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching and Engraving", "Support" : "", "Disp_Medium" : "Etching and Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: A guardian angel accompanies the Old Testament character Tobias on his mission to retrieve resources to help with his family’s financial well-being and his father’s health. In this image, Tobias and the angel, accompanied by a loyal dog, return from their journey. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80-G-1079(3).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80-G-1079(3).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80-G-1079(3).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80-G-1079(3).jpg", "IsPrimary" : "1", "_SurrogateID" : "910", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5348, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5348", "Disp_Access_No" : "16-G-3754", "_AccNumSort1" : "", "Disp_Create_DT" : "1733", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1733", "Disp_Title" : "Tantalus's Torment, from The Temple of the Muses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernard Picart", "Sort_Artist" : "Picart, Bernard", "Disp_Dimen" : "13 3/4 x 9 3/4 in. (34.9 x 24.8 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching and Engraving", "Support" : "", "Disp_Medium" : "Etching and Engraving", "Info_Page_Comm" : " See the interpretive label written by Victoria Ketz, Ph.D., <i>Professor and Chair, Department of Global Languages, Literatures, and Perspectives</i>, for the exhibition <i>Teaching and Le See the interpretive label written by Victoria Ketz, Ph.D., <i>Professor and Chair, Department of Global Languages, Literatures, and Perspectives</i>, for the exhibition <i>Teaching and Learning in the Art Museum: La Salle University Faculty Selections</i> in the online exhibition <a href="https://digitalcommons.lasalle.edu/faculty_selections_2018/23/">HERE</a>. Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: After Tantalus steals food from the table of the Olympian gods, Zeus punishes him for his excessive greed. He is doomed to be eternally hungry and thirsty in the lowest regions of the Underworld. Here he stands in a pool of water yet is unable to drink from it, and he is within arm’s reach of a fruit-bearing tree but is unable to eat the fruit. His name is the source for the word “tantalize,” to tempt or tease without satisfaction.arning in the Art Museum: La Salle University Faculty Selections</i> in the online exhibition <a href="https://digitalcommons.lasalle.edu/faculty_selections_2018/23/">HERE</a>. Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: After Tantalus steals food from the table of the Olympian gods, Zeus punishes him for his excessive greed. He is doomed to be eternally hungry and thirsty in the lowest regions of the Underworld. Here he stands in a pool of water yet is unable to drink from it, and he is within arm’s reach of a fruit-bearing tree but is unable to eat the fruit. His name is the source for the word “tantalize,” to tempt or tease without satisfaction.", "Dedication" : "Purchased with funds provided by Emily Rose Levy, '13", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16-G-3754.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16-G-3754.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16-G-3754.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16-G-3754.jpg", "IsPrimary" : "1", "_SurrogateID" : "6351", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 939, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/939", "Disp_Access_No" : "13-G-3553", "_AccNumSort1" : "", "Disp_Create_DT" : "c.1654", "_Disp_Start_Dat" : "1649", "_Disp_End_Date" : "1659", "Disp_Title" : "Aeneas in the Underworld from Scenes from Virgil", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wenceslaus Hollar", "Sort_Artist" : "Hollar, Wenceslaus", "Disp_Dimen" : "11 5/8 x 7 5/8 in. (29.5 x 19.4 cm)", "Disp_Height" : "11 5/8 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: Chapter 6 of Virgil’s <i>Aeneid</i> describes the journey of Aeneas, the warrior prince of Troy and founder of Rome, as he descends into the Underworld. He encounters many who have died, including his wife Dido. Here, Virgil relates, demonic beasts menace the hero, including “Centaurs and bi-formed Scylla, and hundred-armed Briareus, and the Lernean Hydra, hissing fiercely, and the Chimaera armed with flame, Gorgons, and Harpies, and the triple bodied shade, Geryon.” The scene is framed on the top by a cave-like Hellmouth with two monstrous staring eyes. ", "Dedication" : "Gift of Dr. Klare Scarborough", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13-G-3553.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13-G-3553.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13-G-3553.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13-G-3553.jpg", "IsPrimary" : "1", "_SurrogateID" : "829", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8082", "Disp_Access_No" : "16-G-4986", "_AccNumSort1" : "", "Disp_Create_DT" : "1733", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1733", "Disp_Title" : "Hell, from The Temple of the Muses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernard Picart", "Sort_Artist" : "Picart, Bernard", "Disp_Dimen" : "13 1/2 x 10 in. (34.3 x 25.4 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: According to Greek mythology, after death, mortals are ferried to the Underworld by Charon and brought before the god Hades. In this fiery landscape full of flying demons, tormented individuals hang from trees. Others attempt to flee by commandeering Charon’s boat.", "Dedication" : "Gift of Dr. Klare Scarborough", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "Netherlands", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16-G-4986.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16-G-4986.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16-G-4986.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16-G-4986.jpg", "IsPrimary" : "1", "_SurrogateID" : "9338", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2161, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2161", "Disp_Access_No" : "80-G-1089", "_AccNumSort1" : "", "Disp_Create_DT" : "1510", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1510", "Disp_Title" : "The Large Passion: Christ in Limbo (The Harrowing of Hell)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "15 1/2 x 11 in. (39.4 x 27.9 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: After Christ’s death and resurrection, he walks on earth for three days before his final ascent into heaven. During this time, he descends towards Hell (or Limbo), which is guarded by fantastic demons. There he breaks open the gates and releases all of the just people who were born before his time, including Adam and Eve, redeeming them from original sin. Representations of this scene were popular in the Medieval and Renaissance periods, particularly in Byzantine art, where the Harrowing of Hell was also known as the Anastasis (Greek for “Resurrection”). ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80-G-1089.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80-G-1089.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80-G-1089.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80-G-1089.jpg", "IsPrimary" : "1", "_SurrogateID" : "768", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2055, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2055", "Disp_Access_No" : "79-G-1047", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "“Noli Me Tangere”", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Aegidius Sadeler II", "Sort_Artist" : "Sadeler, Aegidius, II", "Disp_Dimen" : "11 x 8 5/8 in. (27.9 x 21.9 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: According to John 20: 11-18, during the three-day period between Christ’s death and ascension, Christ also meets Mary Magdalene, who stands crying outside the entrance to his empty tomb. She mistakes him for a gardener until she sees his wounds. She offers to treat them, but he refuses her ministrations, saying “Don’t touch me” (“Noli me tangere” in Latin), and instructing her to share the news of his coming ascension with the apostles. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79-G-1047.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79-G-1047.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79-G-1047.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79-G-1047.jpg", "IsPrimary" : "1", "_SurrogateID" : "762", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1978", "Disp_Access_No" : "78-G-801", "_AccNumSort1" : "", "Disp_Create_DT" : "1518", "_Disp_Start_Dat" : "1518", "_Disp_End_Date" : "1518", "Disp_Title" : "The Temptation of Christ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lucas Van Leyden", "Sort_Artist" : "Van Leyden, Lucas", "Disp_Dimen" : "6 3/4 x 5 1/8 in. (17.1 x 13 cm)", "Disp_Height" : "6 3/4 in.", "Disp_Width" : "5 1/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: While Christ fasts for 40 days in the desert, the devil visits him. Satan flatters Christ and attempts to convince him to reveal his supernatural powers, to entice him to forsake his difficult task. Here, the devil tempts Christ to break his fast by turning stone into bread. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78-G-801.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78-G-801.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78-G-801.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78-G-801.jpg", "IsPrimary" : "1", "_SurrogateID" : "759", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2156", "Disp_Access_No" : "80-G-1083", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1539", "_Disp_Start_Dat" : "1534", "_Disp_End_Date" : "1544", "Disp_Title" : "The Triumph of Death over Time, from Triumphs of Petrarch", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georg Pencz", "Sort_Artist" : "Pencz, Georg", "Disp_Dimen" : "5 3/4 x 8 1/4 in. (14.6 x 21 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: Death makes his appearance here in the form of a skeleton. Riding in a chariot drawn by oxen, and touting his life-snuffing scythe, he strikes down men from all walks of life: popes, bishops, kings, soldiers and peasants alike. In the background are allusions to the fate of the dead. To the left, the multitudes rise to heaven; to the right, they enter the Hellmouth, the monstrous gate to Hades. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80-G-1083.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80-G-1083.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80-G-1083.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80-G-1083.jpg", "IsPrimary" : "1", "_SurrogateID" : "766", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1014, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1014", "Disp_Access_No" : "14-G-3614", "_AccNumSort1" : "", "Disp_Create_DT" : "1765", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1765", "Disp_Title" : "Der Tod (Death)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Johann Martin Will", "Sort_Artist" : "Will, Johann Martin", "Disp_Dimen" : "10 3/4 x 14 5/8 in. (27.3 x 37.1 cm)", "Disp_Height" : "10 3/4 in.", "Disp_Width" : "14 5/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: Death is a gracious skeleton at the base of a catafalque, a temporary structure erected in a church to hold a coffin. Draped in a black cloak, Death graciously greets mourners of the Holy Roman Emperor Francis I as they enter the church. Below, the elaborate funerary procession of the ruler is represented. ", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14-G-3614.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14-G-3614.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14-G-3614.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14-G-3614.jpg", "IsPrimary" : "1", "_SurrogateID" : "1923", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5641, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5641", "Disp_Access_No" : "16-G-3763", "_AccNumSort1" : "", "Disp_Create_DT" : "1753", "_Disp_Start_Dat" : "1753", "_Disp_End_Date" : "1753", "Disp_Title" : "The Bishop, plate no 8, from Der Sogenannte Todentanz [Dance of Death]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Michael Heinrich Rentz", "Sort_Artist" : "Rentz, Michael Heinrich", "Disp_Dimen" : "10 x 6 3/8 in. (25.4 x 16.2 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "6 3/8 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: The Dance of Death was a popular form of artistic imagery in the Renaissance and Baroque periods, as it had been in Medieval times. In this series of prints, the figure of Death unexpectedly interrupts the lives of various people. Here, he sneaks up behind a Bishop.", "Dedication" : "Purchased with funds provided by Susan M. Dixon", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16-G-3763.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16-G-3763.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16-G-3763.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16-G-3763.jpg", "IsPrimary" : "1", "_SurrogateID" : "6867", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5642, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5642", "Disp_Access_No" : "16-G-3764", "_AccNumSort1" : "", "Disp_Create_DT" : "1753", "_Disp_Start_Dat" : "1753", "_Disp_End_Date" : "1753", "Disp_Title" : "The Queen, plate no 19, from Der Sogenannte Todentanz [Dance of Death]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Michael Heinrich Rentz", "Sort_Artist" : "Rentz, Michael Heinrich", "Disp_Dimen" : "10 x 6 5/8 in. (25.4 x 16.8 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "6 5/8 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: The Dance of Death was a popular form of artistic imagery in the Renaissance and Baroque periods, as it had been in Medieval times. In this series of prints, the figure of Death unexpectedly interrupts the lives of various people. Here, he confronts a reluctant Queen.", "Dedication" : "Purchased with funds provided by Susan M. Dixon", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16-G-3764.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16-G-3764.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16-G-3764.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16-G-3764.jpg", "IsPrimary" : "1", "_SurrogateID" : "6868", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1394, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1394", "Disp_Access_No" : "72-G-355", "_AccNumSort1" : "", "Disp_Create_DT" : "1511", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1511", "Disp_Title" : "Apocalypse: The Vision of the Seven Candlesticks", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "15 3/8 x 11 in. (39.1 x 27.9 cm)", "Disp_Height" : "15 3/8 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: The Book of Revelation, also known as the Apocalypse, is an important Christian text that narrates the prophetic vision of St. John, describing the fabulous and terrifying events that lead to the end of time. In one of John’s first visions, Christ appears with eyes like flames of fire, and from his mouth emerges a two-edged sword. He is surrounded by seven candlesticks representing the seven major Christian churches of the day, whose congregations are called upon to repent in preparation for the Second Coming of Christ. In his right hand, he holds seven stars representing the angels who carry out the major events of the Apocalypse.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72-G-355.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72-G-355.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72-G-355.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72-G-355.jpg", "IsPrimary" : "1", "_SurrogateID" : "1881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5356, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5356", "Disp_Access_No" : "16-G-3757", "_AccNumSort1" : "", "Disp_Create_DT" : "1702", "_Disp_Start_Dat" : "1702", "_Disp_End_Date" : "1702", "Disp_Title" : "Apocalypse, Plate from a Dutch Bible", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Romeyn de Hooghe", "Sort_Artist" : "Hooghe, Romeyn de", "Disp_Dimen" : "5 3/4 x 7 1/8 in. (14.6 x 18.1 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "7 1/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: Chapters 14-19 of the Book of Revelation describe the fall of Babylon, here illustrated with a series of vignettes surrounding a central image of the Whore of Babylon, riding a beast with seven heads, and holding a “golden cup full of abominations.” ", "Dedication" : "Purchased with funds provided by Thomas Blum", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16-G-3757.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16-G-3757.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16-G-3757.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16-G-3757.jpg", "IsPrimary" : "1", "_SurrogateID" : "6352", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16-G-3757_verso.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16-G-3757_verso.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16-G-3757_verso.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16-G-3757_verso.jpg", "IsPrimary" : "0", "_SurrogateID" : "6353", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5640, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5640", "Disp_Access_No" : "16-G-3762", "_AccNumSort1" : "", "Disp_Create_DT" : "1700", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1700", "Disp_Title" : "De Vrouw en de Draak [The Woman and the Dragon]; Woman of the Apocalypse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Luyken", "Sort_Artist" : "Luyken, Jan", "Disp_Dimen" : "4 1/2 x 6 in. (11.4 x 15.2 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: Chapter 12 of the Book of Revelation describes a woman descending from heaven, “clothed with the sun, the moon under her feet,” and on her head, a crown of twelve stars. As she prepares to give birth, she is confronted by a red dragon with seven heads who wants to devour her child. At the top left, her newborn child rises safely up to heaven. ", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16-G-3762.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16-G-3762.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16-G-3762.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16-G-3762.jpg", "IsPrimary" : "1", "_SurrogateID" : "6869", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3969", "Disp_Access_No" : "76-B-1(g)11", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Book of Revelation: Woman Clothed with the Sun (Ch. 12)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lucas Cranach, the Elder", "Sort_Artist" : "Cranach, Lucas, the Elder", "Disp_Dimen" : "4 3/4 x 3 in. (12.1 x 7.6 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "3 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: The dragon menaces and spews water out of its mouth in an attempt to destroy the good woman of the Apocalypse. Her newborn child, however, is already in heaven. These woodcuts were probably from a Luther Bible and show a close connection to Lucas Cranach the Elder’s Apocalypse illustrations for the first printed edition of Luther’s German translation of The New Testament, Wittenberg, 1522. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-B-1(g)11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-B-1(g)11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-B-1(g)11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-B-1(g)11.jpg", "IsPrimary" : "1", "_SurrogateID" : "822", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3970, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3970", "Disp_Access_No" : "76-B-1(g)12", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Book of Revelation: Adoration of the Lamb (Ch. 14)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lucas Cranach, the Elder", "Sort_Artist" : "Cranach, Lucas, the Elder", "Disp_Dimen" : "4 3/4 x 3 in. (12.1 x 7.6 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "3 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: At the beginning of the Book of Revelation, John has a vision of a Lamb descending from the heavens. It is a symbol for Christ and his sacrifice for humankind. Surrounding the lamb are four beasts – a lion, an ox, an angel and an eagle – who represent the four Gospel-writers. Below the vision is a ruinous city, a sign of the destruction to come. These woodcuts were probably from a Luther Bible and show a close connection to Lucas Cranach the Elder’s Apocalypse illustrations for the first printed edition of Luther’s German translation of The New Testament, Wittenberg, 1522. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-B-1(g)12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-B-1(g)12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-B-1(g)12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-B-1(g)12.jpg", "IsPrimary" : "1", "_SurrogateID" : "823", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3971", "Disp_Access_No" : "76-B-1(g)13", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Book of Revelation: Whore of Babylon (Ch. 17)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lucas Cranach, the Elder", "Sort_Artist" : "Cranach, Lucas, the Elder", "Disp_Dimen" : "4 3/4 x 3 in. (12.1 x 7.6 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "3 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: One of the great villains of the Book of Revelation is the Whore of Babylon, a wanton figure who stands for extreme vice in the world. Holding a golden chalice filled with sin, she rides the seven-headed dragon. The kings who adore her destroy in her name. These woodcuts were probably from a Luther Bible and show a close connection to Lucas Cranach the Elder’s Apocalypse illustrations for the first printed edition of Luther’s German translation of The New Testament, Wittenberg, 1522. Note that the Whore of Babylon wears a papal tiara. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-B-1(g)13.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-B-1(g)13.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-B-1(g)13.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-B-1(g)13.jpg", "IsPrimary" : "1", "_SurrogateID" : "824", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3631, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3631", "Disp_Access_No" : "86-B-689(1)", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "Book of Revelation: Woman Clothed with the Sun (Ch. 12)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Sebald Beham", "Sort_Artist" : "Beham, Hans Sebald", "Disp_Dimen" : "4 3/4 x 2 7/8 in. (12 x 7 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "2 7/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: The dragon menaces and spews water out of its mouth in an attempt to destroy the good woman of the Apocalypse. Her newborn child, however, is already in heaven. These woodcut illustrations, after those of Lucas Cranach the Elder, are from "Das Nau Testament" (Dresden: Wolfgang Stockel, 1527) with polemical notes by Jerome Esmer for use by German Roman Catholics.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-B-689(1).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-B-689(1).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-B-689(1).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-B-689(1).jpg", "IsPrimary" : "1", "_SurrogateID" : "9368", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3642, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3642", "Disp_Access_No" : "86-B-689(2)", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "Book of Revelation: Adoration of the Lamb (Ch. 14)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Sebald Beham", "Sort_Artist" : "Beham, Hans Sebald", "Disp_Dimen" : "4 3/4 x 2 7/8 in. (12.1 x 7.3 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "2 7/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: At the beginning of the Book of Revelation, John has a vision of a Lamb descending from the heavens. It is a symbol for Christ and his sacrifice for humankind. Surrounding the lamb are four beasts – a lion, an ox, an angel and an eagle – who represent the four Gospel-writers. Below the vision is a ruinous city, a sign of the destruction to come. These woodcut illustrations, after those of Lucas Cranach the Elder, are from "Das Nau Testament" (Dresden: Wolfgang Stockel, 1527) with polemical notes by Jerome Esmer for use by German Roman Catholics.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-B-689(2).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-B-689(2).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-B-689(2).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-B-689(2).jpg", "IsPrimary" : "1", "_SurrogateID" : "9369", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3653", "Disp_Access_No" : "86-B-689(3)", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "Book of Revelation: Whore of Babylon (Ch. 17)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Sebald Beham", "Sort_Artist" : "Beham, Hans Sebald", "Disp_Dimen" : "4 3/4 x 2 7/8 in. (12.1 x 7.3 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "2 7/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: One of the great villains of the Book of Revelation is the Whore of Babylon, a wanton figure who stands for extreme vice in the world. Holding a golden chalice filled with sin, she rides the seven-headed dragon. The kings who adore her destroy in her name. These woodcut illustrations, after those of Lucas Cranach the Elder, are from "Das Nau Testament" (Dresden: Wolfgang Stockel, 1527) with polemical notes by Jerome Esmer for use by German Roman Catholics. Here, the papal tiara worn by the Whore of Babylon in the example from a Lutheran Bible, has been removed. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-B-689(3).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-B-689(3).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-B-689(3).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-B-689(3).jpg", "IsPrimary" : "1", "_SurrogateID" : "9370", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3732, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3732", "Disp_Access_No" : "86-B-689(4)", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "Book of Revelation: The Fifth Trumpet (Ch 9: 1-11)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Sebald Beham", "Sort_Artist" : "Beham, Hans Sebald", "Disp_Dimen" : "4 3/4 x 3 in. (12.1 x 7.6 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "3 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: At the blowing of trumpets, various plagues descend upon the unfaithful. After the fifth trumpet is sounded, a bottomless pit opens and locusts emerge to torment humankind for five months. These fantastic insects have men’s faces, women’s hair, lions’ teeth, and scorpions’ tails and wings whose batting creates a thunderous noise. These woodcut illustrations, after those of Lucas Cranach the Elder, are from "Das Nau Testament" (Dresden: Wolfgang Stockel, 1527) with polemical notes by Jerome Esmer for use by German Roman Catholics.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-B-689(4).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-B-689(4).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-B-689(4).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-B-689(4).jpg", "IsPrimary" : "1", "_SurrogateID" : "9371", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3743, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3743", "Disp_Access_No" : "86-B-689(5)", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "Book of Revelation: The Opening of the Seventh Seal (Ch. 8)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Sebald Beham", "Sort_Artist" : "Beham, Hans Sebald", "Disp_Dimen" : "4 3/4 x 3 in. (12.1 x 7.6 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "3 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: When the seventh and last seal is opened, the sounding of seven trumpets begins, heralding the onset of various plagues, including the burning of the earth, the flaming of the sky during meteor showers, and the onset of darkness during eclipses. These woodcut illustrations, after those of Lucas Cranach the Elder, are from "Das Nau Testament" (Dresden: Wolfgang Stockel, 1527) with polemical notes by Jerome Esmer for use by German Roman Catholics.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-B-689(5).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-B-689(5).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-B-689(5).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-B-689(5).jpg", "IsPrimary" : "1", "_SurrogateID" : "9372", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3751, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3751", "Disp_Access_No" : "86-B-689(6)", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "Book of Revelation: The Angel With the Book (Ch. 11: 1-2)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Sebald Beham", "Sort_Artist" : "Beham, Hans Sebald", "Disp_Dimen" : "4 3/4 x 3 in. (12.1 x 7.6 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "3 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: An angel with “a face like the sun, and feet like pillars of fire” presents John with a book that he commands him to devour. The angel declares that it will sour John’s stomach but be sweet in his mouth. The book refers to the Book of Revelations, whose events bring both suffering and bliss. These woodcut illustrations, after those of Lucas Cranach the Elder, are from "Das Nau Testament" (Dresden: Wolfgang Stockel, 1527) with polemical notes by Jerome Esmer for use by German Roman Catholics.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-B-689(6).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-B-689(6).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-B-689(6).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-B-689(6).jpg", "IsPrimary" : "1", "_SurrogateID" : "9373", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3762, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3762", "Disp_Access_No" : "86-B-689(7)", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "Book of Revelation: John Measures the Temple, The Two Witnesses (Ch. 11: 1-12)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Sebald Beham", "Sort_Artist" : "Beham, Hans Sebald", "Disp_Dimen" : "4 3/4 x 2 7/8 in. (12.1 x 7.3 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "2 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: At God’s instruction, John measures the temple, a symbol of the covenant between God and his people. However, John is commanded not to measure the court outside because it will be destroyed. The demonic monster represents the corruption of the temple court, the reason for its fate. These woodcut illustrations, after those of Lucas Cranach the Elder, are from "Das Nau Testament" (Dresden: Wolfgang Stockel, 1527) with polemical notes by Jerome Esmer for use by German Roman Catholics.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-B-689(7).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-B-689(7).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-B-689(7).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-B-689(7).jpg", "IsPrimary" : "1", "_SurrogateID" : "9374", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8097, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8097", "Disp_Access_No" : "86-B-689(8)", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "Book of Revelation: The Angel Casts the Dragon into Bottomless Pit (Ch. 20: 1-3)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Sebald Beham", "Sort_Artist" : "Beham, Hans Sebald", "Disp_Dimen" : "4 3/4 x 2 7/8 in. (12.1 x 7.3 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "2 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: An angel casts a horrible beast into a well. The angel is equipped with keys and chains to secure the beast, who is none other than Satan. He is to be kept locked up for 1000 years. These woodcut illustrations, after those of Lucas Cranach the Elder, are from "Das Nau Testament" (Dresden: Wolfgang Stockel, 1527) with polemical notes by Jerome Esmer for use by German Roman Catholics. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-B-689(8).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-B-689(8).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-B-689(8).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-B-689(8).jpg", "IsPrimary" : "1", "_SurrogateID" : "9375", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8098, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8098", "Disp_Access_No" : "86-B-689(9)", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "Book of Revelation: The New Jerusalem (Ch. 21)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Sebald Beham", "Sort_Artist" : "Beham, Hans Sebald", "Disp_Dimen" : "4 3/4 x 2 7/8 in. (12.1 x 7.3 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "2 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: John and an angel view the aftermath of the destruction of the Apocalypse: the creation of an uncorrupted city, a New Jerusalem. These woodcut illustrations, after those of Lucas Cranach the Elder, are from "Das Nau Testament" (Dresden: Wolfgang Stockel, 1527) with polemical notes by Jerome Esmer for use by German Roman Catholics.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-B-689(9).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-B-689(9).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-B-689(9).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-B-689(9).jpg", "IsPrimary" : "1", "_SurrogateID" : "9376", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3697, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3697", "Disp_Access_No" : "76-B-1(f)22", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "The Last Judgment, Gospel of Matthew", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Luyken", "Sort_Artist" : "Luyken, Jan", "Disp_Dimen" : "13 x 8 5/8 in. (33 x 21.9 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: Christ sits above the chaotic scene of the Last Judgment, surrounded by the apostles, saints and Old Testament prophets. Below, in the great confused mass of people, angels direct the blessed to Christ’s right side, and thus to heaven, and herd the damned to the left towards Hell. In the foreground, the dead emerge from their graves in order to be judged.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-B-1(f)22.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-B-1(f)22.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-B-1(f)22.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-B-1(f)22.jpg", "IsPrimary" : "1", "_SurrogateID" : "3057", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1181, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1181", "Disp_Access_No" : "67-G-117", "_AccNumSort1" : "", "Disp_Create_DT" : "1517", "_Disp_Start_Dat" : "1517", "_Disp_End_Date" : "1517", "Disp_Title" : "St. Madelberta, from Saints Connected with the House of Habsburg", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Leonhard Beck", "Sort_Artist" : "Beck, Leonhard", "Disp_Dimen" : "9 1/4 x 8 3/8 in. (23.5 x 21.3 cm)", "Disp_Height" : "9 1/4 in.", "Disp_Width" : "8 3/8 in.", "Dimen_Extent" : "Image", "Medium" : "woodcut", "Support" : "", "Disp_Medium" : "woodcut", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: A small and delightful demon tries to tempt Saint Madelberta, the abbess of Maubeuge Abbey, a convent in Northern France, to steal her away from her prayers. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67-G-117.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67-G-117.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67-G-117.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67-G-117.jpg", "IsPrimary" : "1", "_SurrogateID" : "706", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5351, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5351", "Disp_Access_No" : "16-G-3755", "_AccNumSort1" : "", "Disp_Create_DT" : "1658", "_Disp_Start_Dat" : "1658", "_Disp_End_Date" : "1658", "Disp_Title" : "Large plate from Alle de Wercken, so ouden als nieuwen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Cats", "Sort_Artist" : "Cats, Jacob", "Disp_Dimen" : "12 3/8 x 17 in. (31.4 x 43.2 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: In this fabulous setting, death reigns supreme. Skeletons stand on pedestals, as if they are rulers of the earth, sporting crowns and scepters. They look over various scenes, in which groups of kings, queens, and soldiers mourn the skeletal remains of their fellow humans. Overhead, God’s hand emerges from the heavenly clouds to announce that the glory of the world of the living has passed away, as the flying angels of Death and the Last Judgment celebrate this message. ", "Dedication" : "Purchased with funds provided by William and Klare Scarborough", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16-G-3755.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16-G-3755.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16-G-3755.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16-G-3755.jpg", "IsPrimary" : "1", "_SurrogateID" : "6348", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5346, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5346", "Disp_Access_No" : "16-G-3759", "_AccNumSort1" : "", "Disp_Create_DT" : "1774", "_Disp_Start_Dat" : "1774", "_Disp_End_Date" : "1774", "Disp_Title" : "Cerberus, chained by Hercules, infects the Earth with his foam, from Ovid's Metamorphoses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Walker", "Sort_Artist" : "Walker, William", "Disp_Dimen" : "7 3/4 x 5 3/4 in. (19.7 x 14.6 cm)", "Disp_Height" : "7 3/4 in.", "Disp_Width" : "5 3/4 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching and Engraving", "Support" : "", "Disp_Medium" : "Etching and Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: Hercules descends to Hades as the last and most challenging of his Twelve Labors, a set of tasks he performs as penance for his earlier bad deeds. He is given the task of kidnapping the vicious guardian of the gates of Hades. Cerberus is represented here as a monstrous beast with three dog heads and a dragon’s tail. When Hercules drags Cerberus into the light of day, the traumatized beast vomits. From that vomit, it is said, infectious diseases enter the world.", "Dedication" : "Gift of Susan M. Dixon", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16-G-3759.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16-G-3759.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16-G-3759.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16-G-3759.jpg", "IsPrimary" : "1", "_SurrogateID" : "6354", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }