{ "objects" : [ { "embark_ID" : 1263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1263", "Disp_Access_No" : "67-P-20", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "House On the Delaware (or in the Country)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "20 1/2 x 32 1/4 in. 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(67.6 x 50.5 cm)", "Disp_Height" : "26 5/8 in.", "Disp_Width" : "19 7/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67-P-21.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67-P-21.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67-P-21.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67-P-21.jpg", "IsPrimary" : "1", "_SurrogateID" : "90", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 992, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/992", "Disp_Access_No" : "13-P-558", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Father's Return", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harriet Cany Peale", "Sort_Artist" : "Peale, Harriet Cany", "Disp_Dimen" : "24 x 19 3/4 in. 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(73.7 x 62.5 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "24 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas, laid down on panel", "Disp_Medium" : "Oil on canvas, laid down on panel", "Info_Page_Comm" : "Gallery Label: James Peale’s early career was interrupted when he was commissioned to serve in the Maryland Regiment during the Revolutionary War. Afterwards, he moved to Philadelphia and worked together with his brother, Charles Willson, creating miniatures while his brother painted large-scale oil portraits. After 1810, failing eyesight forced Peale to abandon miniatures for larger formats. The sitter in this oil portrait is Ann Emily Rush, whose father was Benjamin Rush, a signer of the Declaration of Independence. Peale conveys Ann Emily’s intelligence and self-confidence with her direct gaze and upright posture. ", "Dedication" : "Purchased with funds provided by Philip Reiff, Mansfield W. Williams, and Alexis C. 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(52.7 x 62.9 cm)", "Disp_Height" : "20 3/4 in.", "Disp_Width" : "24 3/4 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gallery Label: Although Schuessele’s style is academic, this ribald tavern scene with its predominantly brown palette is modeled on 17th-century Dutch genre scenes of common folk and everyday merry-making. Gas lights, with clearly visible delivery pipes, illuminate the room. The Franklin Institute awarded this painting the First Premium prize. Schuessele was born in the Alsace region and studied lithography in Paris before settling in Philadelphia around 1848. He became Professor of Painting at the Pennsylvania Academy of Fine Arts in 1868. Schuessele established the Ladies Life Class in 1869, the first course to allow female students to study from the live model. 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(61 x 92.7 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "36 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Penelope P. (& Thomas) Watkins", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/07-P-531.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/07-P-531.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/07-P-531.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/07-P-531.jpg", "IsPrimary" : "1", "_SurrogateID" : "55", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 326, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/326", "Disp_Access_No" : "07-P-532", "_AccNumSort1" : "", "Disp_Create_DT" : "1846", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1846", "Disp_Title" : "Conestoga Valley", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Russell Smith", "Sort_Artist" : "Smith, Russell", "Disp_Dimen" : "27 1/4 x 39 5/8 in. (69.2 x 100.6 cm)", "Disp_Height" : "27 1/4 in.", "Disp_Width" : "39 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Penelope P. Watkins", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/07-P-532.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/07-P-532.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/07-P-532.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/07-P-532.jpg", "IsPrimary" : "1", "_SurrogateID" : "56", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 112, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/112", "Disp_Access_No" : "03-P-493", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : "William Logan Fisher (1781-1862)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Street", "Sort_Artist" : "Street, Robert", "Disp_Dimen" : "29 1/2 x 24 1/2 in. (74.9 x 62.2 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : " See the interpretive label written by Sarah Seraphin, MSLS, CA, <i>Rare Materials Librarian, Connelly Library</i>, for the exhibition <i>Teaching and Learning in the Art Museum: La Salle University Faculty Selections</i> in the online exhibition <a href="https://digitalcommons.lasalle.edu/faculty_selections_2018/2/">HERE</a>. William Logan Fisher (1781-1862) and his second wife, Sarah Lindley Fisher (1785-1865), lived at Wakefield, which was first the home of his parents Thomas Fisher (1741-1810) and Sarah Logan (1751-1796). Sarah Logan had inherited the northeastern portion of the Stenton Estate, which belonged to her grandfather James Logan, Secretary to William Penn; it was on this very land that Thomas Fisher built the Wakefield mansion in 1798. The house once stood at the northeast corner of Ogontz and Lindley Avenues, but was unfortunately destroyed by fire in 1985. In 1807 William Logan Fisher inherited Wakefield estate from his father and lived there with his family. In 1826, Fisher purchased Belfield from neighbor Charles Willson Peale, and gifted the house to his daughter, Sarah Logan Fisher (1806-1891) upon her marriage to William Wister (1801-1881) that same year. Fisher’s son Thomas Rodman Fisher (1802-1861) built “Little Wakefield” in 1829, which still stands today on La Salle University campus as St. Mutien Hall. ", "Dedication" : "Gift of Michael T. Fox", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/03-P-493.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/03-P-493.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/03-P-493.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/03-P-493.jpg", "IsPrimary" : "1", "_SurrogateID" : "2323", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/113", "Disp_Access_No" : "03-P-494", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : "Sarah Lindley Fisher (1785-1865)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Street", "Sort_Artist" : "Street, Robert", "Disp_Dimen" : "29 1/2 x 24 1/2 in. (74.9 x 62.2 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : " See the interpretive label written by Sarah Seraphin, MSLS, CA, <i>Rare Materials Librarian, Connelly Library</i>, for the exhibition <i>Teaching and Learning in the Art Museum: La Salle University Faculty Selections</i> in the online exhibition <a href="https://digitalcommons.lasalle.edu/faculty_selections_2018/3/">HERE</a>. William Logan Fisher (1781-1862) and his second wife, Sarah Lindley Fisher (1785-1865), lived at Wakefield, which was first the home of his parents Thomas Fisher (1741-1810) and Sarah Logan (1751-1796). Sarah Logan had inherited the northeastern portion of the Stenton Estate, which belonged to her grandfather James Logan, Secretary to William Penn; it was on this very land that Thomas Fisher built the Wakefield mansion in 1798. The house once stood at the northeast corner of Ogontz and Lindley Avenues, but was unfortunately destroyed by fire in 1985. In 1807 William Logan Fisher inherited Wakefield estate from his father and lived there with his family. In 1826, Fisher purchased Belfield from neighbor Charles Willson Peale, and gifted the house to his daughter, Sarah Logan Fisher (1806-1891) upon her marriage to William Wister (1801-1881) that same year. Fisher’s son Thomas Rodman Fisher (1802-1861) built “Little Wakefield” in 1829, which still stands today on La Salle University campus as St. Mutien Hall. ", "Dedication" : "Gift of Michael T. Fox", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/03-P-494.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/03-P-494.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/03-P-494.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/03-P-494.jpg", "IsPrimary" : "1", "_SurrogateID" : "2324", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2687, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2687", "Disp_Access_No" : "84-P-298", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "Mary (La Sainte-Marie)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Ossawa Tanner", "Sort_Artist" : "Tanner, Henry Ossawa", "Disp_Dimen" : "34 1/8 x 42 5/8 in. (86.7 x 108.3 cm)", "Disp_Height" : "34 1/8 in.", "Disp_Width" : "42 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>In this unconventional rendering of the Virgin Mary with the Christ child, Mary appears melancholy and lost in thought. The infant is almost completely covered by a shroud-like cloth, suggesting a foreshadowing of Jesus’ death. Tanner paid careful attention to details studied first-hand in Jerusalem, where he first traveled in 1898. Tanner’s style is academic and is distinctive for his use of luminous lighting. The model for Mary was newlywed Tanner’s Swedish-American wife. Tanner studied with Thomas Eakins at the Pennsylvania Academy of Fine Arts in the 1880s before traveling to and eventually settling in Paris, where, from 1894 on, his work appeared in the annual, juried Salon. <SPAN STYLE="font-style:italic">Mary</SPAN> is in its original tabernacle frame with its Salon entry number, 1252, and another label noting Tanner’s previous Salon medal for an earlier painting. While it was common for American artists to travel to Paris to study art and even settle in that art-making capital, Tanner attributed his choice to remain there to the racism he encountered in the United States as an artist of mixed African-, European-, and Native-American ancestry and his ability to be judged simply by his talent in France.<BR/></SPAN>", "Dedication" : "Purchased with funds provided by Regina and Ragan Henry", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84-P-298.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84-P-298.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84-P-298.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84-P-298.jpg", "IsPrimary" : "1", "_SurrogateID" : "196", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 323, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/323", "Disp_Access_No" : "07-P-529", "_AccNumSort1" : "", "Disp_Create_DT" : "1884", "_Disp_Start_Dat" : "1884", "_Disp_End_Date" : "1884", "Disp_Title" : "The Letter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maria Brooks", "Sort_Artist" : "Brooks, Maria", "Disp_Dimen" : "29 1/2 x 24 1/2 in. (74.9 x 62.2 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>Brooks is known primarily for her oil portraits and flower paintings. She studied at the South Kensington and Royal Academy Schools in London before opening a studio in Montreal, then moving to New York. The artist had a knack for evoking emotions from her subjects. <SPAN STYLE="font-style:italic">The Quarterly Illustrator</SPAN> (1893) quoted her as telling one sitter, “You have a hundred faces… Now we will talk awhile until you get around to the one I want.” <BR/><BR/>Exhibition reviews in the Montreal Gazette (April 1885) titled this painting “<SPAN STYLE="font-style:italic">Far, Far Away</SPAN>” because, “It is that of a young girl, who, having just read a letter from her sailor lover, is thinking tenderly of him, and it can be seen at a glance that she is regretting that he is so far, far awa<SPAN STYLE="font-style:italic">y</SPAN>.” Also, Goupil &amp; Co., who printed photogravures of this work, titled it <SPAN STYLE="font-style:italic">“I Wonder if He Really Means It.” <BR/></SPAN><BR/>Emily Levy, '12<BR/>Curatorial Intern</SPAN>", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/07-P-529.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/07-P-529.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/07-P-529.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/07-P-529.jpg", "IsPrimary" : "1", "_SurrogateID" : "53", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3322, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3322", "Disp_Access_No" : "95-P-425", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1890", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1895", "Disp_Title" : "Portrait of a Young Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emil Fuchs", "Sort_Artist" : "Fuchs, Emil", "Disp_Dimen" : "16 1/4 x 13 1/8 in. 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(16.8 x 29.5 cm)", "Disp_Height" : "6 5/8 in.", "Disp_Width" : "11 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78-P-219.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78-P-219.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78-P-219.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78-P-219.jpg", "IsPrimary" : "1", "_SurrogateID" : "169", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3148", "Disp_Access_No" : "92-P-400", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "The Sommer Valley", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernest Parton", "Sort_Artist" : "Parton, Ernest", "Disp_Dimen" : "20 3/4 x 32 in. (52.7 x 81.3 cm)", "Disp_Height" : "20 3/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds provided by Albert J. Crawford", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92-P-400.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92-P-400.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92-P-400.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92-P-400.jpg", "IsPrimary" : "1", "_SurrogateID" : "262", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5093", "Disp_Access_No" : "15-P-585", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Portrait of Helena Lawrence Holmes Penington (1769-1852)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sarah Miriam Peale", "Sort_Artist" : "Peale, Sarah Miriam", "Disp_Dimen" : "24 x 17 1/2 in. 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(25.7 x 36.5 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "14 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "Wood Panel", "Disp_Medium" : "Oil on Wood Panel", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88-P-350.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88-P-350.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88-P-350.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88-P-350.jpg", "IsPrimary" : "1", "_SurrogateID" : "224", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2813", "Disp_Access_No" : "86-P-326", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Italian Landscape with Classical Ruins", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Louis, N.A. 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(54 x 80.3 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "31 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds provided by Dr. William Serri", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-P-326.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-P-326.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-P-326.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-P-326.jpg", "IsPrimary" : "1", "_SurrogateID" : "209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2904, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2904", "Disp_Access_No" : "88-P-347", "_AccNumSort1" : "", "Disp_Create_DT" : "1880's", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "William Merritt Chase's Tenth Street Studio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Grinnell Thomson", "Sort_Artist" : "Thomson, Henry Grinnell", "Disp_Dimen" : "30 1/4 x 44 in. 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Melster, 29th year, Wilmington, Delaware", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sarah Miriam Peale", "Sort_Artist" : "Peale, Sarah Miriam", "Disp_Dimen" : "5 x 3 7/8 in. 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