{ "objects" : [ { "embark_ID" : 381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/381", "Disp_Access_No" : "08-P-538", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1940", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1945", "Disp_Title" : "Wister, Spring Lane, Chestnut Hill", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anton P. Albers", "Sort_Artist" : "Albers, Anton P.", "Disp_Dimen" : "55 x 64 1/2 in. (139.7 x 163.8 cm)", "Disp_Height" : "55 in.", "Disp_Width" : "64 1/2 in.", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Ann Chahbandour and Jay Robert Stiefel", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/08-P-538.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/08-P-538.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/08-P-538.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/08-P-538.jpg", "IsPrimary" : "1", "_SurrogateID" : "61", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2111", "Disp_Access_No" : "79-P-238", "_AccNumSort1" : "", "Disp_Create_DT" : "1971", "_Disp_Start_Dat" : "1971", "_Disp_End_Date" : "1971", "Disp_Title" : "Facade II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Amarotico", "Sort_Artist" : "Amarotico, Joseph", "Disp_Dimen" : "13 1/2 x 10 3/8 in. (34.3 x 26.4 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Acrylic", "Support" : "board", "Disp_Medium" : "Acrylic on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Edward I. Bernstein", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79-P-238.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79-P-238.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79-P-238.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79-P-238.jpg", "IsPrimary" : "1", "_SurrogateID" : "173", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1263", "Disp_Access_No" : "67-P-20", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "House On the Delaware (or in the Country)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "20 1/2 x 32 1/4 in. (52.1 x 81.9 cm)", "Disp_Height" : "20 1/2 in.", "Disp_Width" : "32 1/4 in.", "Dimen_Extent" : "window opening", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67-P-20.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67-P-20.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67-P-20.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67-P-20.jpg", "IsPrimary" : "1", "_SurrogateID" : "2327", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1264", "Disp_Access_No" : "67-P-21", "_AccNumSort1" : "", "Disp_Create_DT" : "Early 19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1832", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "26 5/8 x 19 7/8 in. (67.6 x 50.5 cm)", "Disp_Height" : "26 5/8 in.", "Disp_Width" : "19 7/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67-P-21.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67-P-21.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67-P-21.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67-P-21.jpg", "IsPrimary" : "1", "_SurrogateID" : "90", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2765, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2765", "Disp_Access_No" : "85-P-307", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Cratermen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bo Bartlett", "Sort_Artist" : "Bartlett, Bo", "Disp_Dimen" : "116 x 92 in. (294.6 x 233.7 cm)", "Disp_Height" : "116 in.", "Disp_Width" : "92 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : " This painting focuses on the activities of contemporary construction workers, exploring an underground cavity in the earth. As in <i>Jesus at the Festival of Shelters</i>, it depicts an area in Philadelphia around 8th and Vine streets that is under construction. Early in his painting career, Bartlett executed a number of large-scale paintings devoted to the working-class man that stand as an homage to his common, essential, but often overlooked role in society. Here the strength in the composition comes from the forceful triangle formed by the African American workers, rather than from their white supervisor who bends down on the left. The title reinforces the notion of a monumental and important subject, though one with ambiguous overtones of destruction as well as renewal. One of the earliest sketches for this painting suggests something more somber: the workers are lifting, apparently exhuming, a body from the excavation. The painted and actual blood (accidentally spattered from a cut on the artist’s hand) on the bottom of the supervisor’s pants leaves a provocative and enigmatic symbol. Another small detail is in a lighter vein: the very tip of the supervisor’s pointing finger is reflected in the puddle beside him. <b>About <i>Triptych</i>:</b> Three paintings by American artist Bo Bartlett, though created separately, were installed in the lobby of Olney Hall in fall 1989 as a three-part installation: <i>Triptych,</i> and still hang there today. Born in Columbus, Georgia, Bartlett studied Old Master paintings in Florence, Italy before moving to Philadelphia in 1976. As a student at the Pennsylvania Academy of the Fine Arts he received numerous awards and was taught and inspired by Philadelphia artists Sidney Goodman, Arthur DeCosta, and Morris Blackburn. He later apprenticed under the notable realist painter Nelson Shanks, and followed an anatomy class at The Philadelphia College of Osteopathic Medicine. Bartlett’s work recalls American realist traditions, as defined by artists such as Thomas Eakins and Andrew Wyeth. The familiar subjects of home, family, and friends prevail in his dreamlike, hyper-realist canvases. The commonplace is raised to epic prominence as his monumental paintings subtly blend biblical, political, or social themes and imagery within contemporary settings. The viewer becomes intrigued, almost haunted, by Bartlett’s figures and symbolic situations which suggest tension, vulnerability, and the complexity and mystery of the human soul. The narrative content is often enigmatic, and Bartlett’s works may be interpreted in numerous ways. Barlett’s work expresses his strong commitment to social justice, community engagement, and the transformative power of art. These paintings are well placed within our University, as an institution of higher education that seeks to impart secular knowledge and social involvement in an atmosphere that celebrates spiritual values. See also: <i>Jesus at The Festival of Shelters (Feast of Tabernacles)</i>: http://artcollection.lasalle.edu/Obj2908; and <i>Exodus</i>: http://artcollection.lasalle.edu/Obj2956.", "Dedication" : "Gift of the Artist", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85-P-307.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85-P-307.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85-P-307.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85-P-307.jpg", "IsPrimary" : "1", "_SurrogateID" : "2355", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2769, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2769", "Disp_Access_No" : "85-P-315", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Self-portrait with Father and Son", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bo Bartlett", "Sort_Artist" : "Bartlett, Bo", "Disp_Dimen" : "11 1/4 x 15 3/4 in. (28.6 x 40 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "15 3/4 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Gallery Label: Born in Georgia, Bartlett studied under Sidney Goodman and other realist painters at the Pennsylvania Academy of the Fine Arts. He later apprenticed under Nelson Shanks, founder of Studio Incamminati in Philadelphia. Bartlett’s work recalls American realist traditions, as defined by artists such as Thomas Eakins and Andrew Wyeth. His preference for the familiar subjects of home, family, and friends prevails in his monumental canvases (see Olney Hall Lobby for three examples) and in this intimate self-portrait as well. ", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85-P-315.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85-P-315.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85-P-315.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85-P-315.jpg", "IsPrimary" : "1", "_SurrogateID" : "204", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2908, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2908", "Disp_Access_No" : "88-P-351", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Jesus at The Festival of Shelters (Feast of Tabernacles)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bo Bartlett", "Sort_Artist" : "Bartlett, Bo", "Disp_Dimen" : "144 x 132 in. (365.8 x 335.3 cm)", "Disp_Height" : "144 in.", "Disp_Width" : "132 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : " This large panel painted for the sanctuary of the former St. Luke’s Episcopal Church in Kensington represents a passage from St. John’s Gospel (VII: 1-44) in which Christ visits Jerusalem during the last Jewish festival of the calendar year, the Feast of Tabernacles or Shelters. Here the artist interprets the biblical story in contemporary terms, including painted portraits of St. Luke’s former pastor, the Reverend Clifford Cutler, and several parishioners. As in <i>Cratermen</i>, the background depicts an area in Philadelphia around Eighth and Vine Streets, with the Ukrainian Catholic Cathedral and the steeple of St. Michael’s Church (where La Salle College commenced in 1863). The figure of Christ, who stands on a mound of earth on the far right, is presented as an African American man, a modern rabbi, wearing a Roman clerical collar. This rendering suggests the unity of our diverse humanity. The tents in the background refer to the shelters erected in the desert at the time of the Jews’ exodus from Egypt, while the telephone poles evoke the cross. As in the biblical story of Jesus in the Temple, the people in the crowd here have varied reactions. Some are oblivious to Christ’s presence; others are doubtful; and a few already believe and commit themselves. Despite its complexity, the dynamic grouping of people is directed towards the elevated figure of Christ, isolated against a wide expanse of sky. He preaches amid a scene of industrial destruction, hopefully soon to be followed by renewal. The inclusion of a construction worker by the pool of water in the foreground (a self-portrait of the artist) refers to the words spoken by Christ in St. John’s Gospel (VII: 37-38), “If any man thirst, let him come unto me and drink. He that believeth on me as the Scripture hath said, out of his belly shall flow rivers of living water.” <b>About <i>Triptych</i>:</b> Three paintings by American artist Bo Bartlett, though created separately, were installed in the lobby of Olney Hall in fall 1989 as a three-part installation: <i>Triptych,</i> and still hang there today. Born in Columbus, Georgia, Bartlett studied Old Master paintings in Florence, Italy before moving to Philadelphia in 1976. As a student at the Pennsylvania Academy of the Fine Arts he received numerous awards and was taught and inspired by Philadelphia artists Sidney Goodman, Arthur DeCosta, and Morris Blackburn. He later apprenticed under the notable realist painter Nelson Shanks, and followed an anatomy class at The Philadelphia College of Osteopathic Medicine. Bartlett’s work recalls American realist traditions, as defined by artists such as Thomas Eakins and Andrew Wyeth. The familiar subjects of home, family, and friends prevail in his dreamlike, hyper-realist canvases. The commonplace is raised to epic prominence as his monumental paintings subtly blend biblical, political, or social themes and imagery within contemporary settings. The viewer becomes intrigued, almost haunted, by Bartlett’s figures and symbolic situations which suggest tension, vulnerability, and the complexity and mystery of the human soul. The narrative content is often enigmatic, and Bartlett’s works may be interpreted in numerous ways. Barlett’s work expresses his strong commitment to social justice, community engagement, and the transformative power of art. These paintings are well placed within our University, as an institution of higher education that seeks to impart secular knowledge and social involvement in an atmosphere that celebrates spiritual values. See also: <i>Craterman</i>: http://artcollection.lasalle.edu/Obj2765, and <i>Exodus</i>: http://artcollection.lasalle.edu/Obj2956.", "Dedication" : "Gift of St. Luke's Episcopal Church, Kensington, Philadelphia (Episcopal Diocese of PA)", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88-P-351.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88-P-351.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88-P-351.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88-P-351.jpg", "IsPrimary" : "1", "_SurrogateID" : "2356", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2956, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2956", "Disp_Access_No" : "89-P-360", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Exodus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bo Bartlett", "Sort_Artist" : "Bartlett, Bo", "Disp_Dimen" : "114 x 84 in. (289.6 x 213.4 cm)", "Disp_Height" : "114 in.", "Disp_Width" : "84 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : " The title, <i>Exodus</i>, refers to the Biblical story of the Israelites who fled from their enslavement. The central theme of this painting seems to be the search or journey for secular and spiritual knowledge undertaken by youth, especially during their college years. The successive stages of this journey are referred to by the various poses and expressions of the figures as they move up the hill in a rhythmical swing upwards from the lower right corner: from the bewildered toddler and youths at the bottom; to the young man standing at the top center, who seems captivated or inspired; and finally to the woman in red on the far right, with the glow of light above her head, who has reached the end of her journey toward wisdom. The four older men on the side of the hill serve as the teachers and guides along the journey. The message is one of hope, wonderment, and spiritual renewal for persons of all faiths. This painting was commissioned by La Salle and subjects were gathered to provide a cross-section of the University community: Professors Claude Koch, Joseph F. Flubacher, and Brother Francis McCormick are grouped together on the left; retired counselor Rosa Lee Smith stands at the top of the hill in red; Dr. Joseph Kane, former Dean of the Business School, stands on the left side of the hill with arm pointing; students Rachel Ravasco and Dave Weems stand on the hill in the middle background. Other La Salle students, professors, and staff members portrayed in the far background include Frank McLaughlin, Joanie Hasson, Brother Mike Andrejko, Brother Arthur Bangs, Mary Morrow Farrell, and Ann Shields. The two central figures at the top of the hill and those in the foreground are friends of the artist; his son is in the lower right corner. The composition began with the artist posing and taking photographs of the figures on the lawn of the Peale House one spring day in April 1989. <b>About <i>Triptych</i>:</b> Three paintings by American artist Bo Bartlett, though created separately, were installed in the lobby of Olney Hall in fall 1989 as a three-part installation: <i>Triptych,</i> and still hang there today. Born in Columbus, Georgia, Bartlett studied Old Master paintings in Florence, Italy before moving to Philadelphia in 1976. As a student at the Pennsylvania Academy of the Fine Arts he received numerous awards and was taught and inspired by Philadelphia artists Sidney Goodman, Arthur DeCosta, and Morris Blackburn. He later apprenticed under the notable realist painter Nelson Shanks, and followed an anatomy class at The Philadelphia College of Osteopathic Medicine. Bartlett’s work recalls American realist traditions, as defined by artists such as Thomas Eakins and Andrew Wyeth. The familiar subjects of home, family, and friends prevail in his dreamlike, hyper-realist canvases. The commonplace is raised to epic prominence as his monumental paintings subtly blend biblical, political, or social themes and imagery within contemporary settings. The viewer becomes intrigued, almost haunted, by Bartlett’s figures and symbolic situations which suggest tension, vulnerability, and the complexity and mystery of the human soul. The narrative content is often enigmatic, and Bartlett’s works may be interpreted in numerous ways. Barlett’s work expresses his strong commitment to social justice, community engagement, and the transformative power of art. These paintings are well placed within our University, as an institution of higher education that seeks to impart secular knowledge and social involvement in an atmosphere that celebrates spiritual values. See also: <i>Craterman</i>: http://artcollection.lasalle.edu/Obj2765, and <i>Jesus at The Festival of Shelters (Feast of Tabernacles)</i>: http://artcollection.lasalle.edu/Obj2908", "Dedication" : "Commissioned by La Salle University Art Museum", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89-P-360.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89-P-360.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89-P-360.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89-P-360.jpg", "IsPrimary" : "1", "_SurrogateID" : "2357", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3008", "Disp_Access_No" : "90-P-368", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Studies for La Salle's Triptych: Exodus- "Entire Painting"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bo Bartlett", "Sort_Artist" : "Bartlett, Bo", "Disp_Dimen" : "13 1/4 x 9 3/4 in. (33.7 x 24.8 cm)", "Disp_Height" : "13 1/4 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "wood", "Disp_Medium" : "Oil on wood", "Info_Page_Comm" : "", "Dedication" : "Gift of the Artist", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90-P-368.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90-P-368.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90-P-368.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90-P-368.jpg", "IsPrimary" : "1", "_SurrogateID" : "237", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3225, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3225", "Disp_Access_No" : "93-P-404", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Free Will and Miracle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bo Bartlett", "Sort_Artist" : "Bartlett, Bo", "Disp_Dimen" : "60 1/8 x 48 in. (152.7 x 121.9 cm)", "Disp_Height" : "60 1/8 in.", "Disp_Width" : "48 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gallery Label: Bartlett studied under Sidney Goodman and other realists at the Pennsylvania Academy of the Fine Arts and later apprenticed under Nelson Shanks. In the service of his art, Bartlett also studied anatomy at the Philadelphia College of Osteopathic Medicine and Thomas Jefferson University. Additionally, Bartlett earned a filmmaking degree at New York University and filmed a documentary about painter Andrew Wyeth. Bartlett’s composition suggests the rigid, iconic qualities and disguised symbolism of Early Renaissance Christian altar painting. In Bartlett’s work, however, one cannot straight-forwardly interpret the meaning from a study of iconography. The models for Free Will and Miracle were the artist himself and his wife. ", "Dedication" : "Purchased with funds provided by Benjamin D. Bernstein, Art Angels, and the kind consideration of the artist", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93-P-404.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93-P-404.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93-P-404.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93-P-404.jpg", "IsPrimary" : "1", "_SurrogateID" : "264", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2685, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2685", "Disp_Access_No" : "84-P-296", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1916", "_Disp_Start_Dat" : "1911", "_Disp_End_Date" : "1921", "Disp_Title" : "Portrait of Colonel Leslie Buswell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Cecilia Beaux", "Sort_Artist" : "Beaux, Cecilia", "Disp_Dimen" : "23 3/4 x 17 1/2 in. 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The weary figures are seated in the train benches. The darkness of the windows and the way the people are dressed suggest that it is early evening and that the subjects are on their way home after a laboring day. The individuals depicted are very diverse in ethnicity, featuring an African American man and an Eastern European immigrant couple. 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(55.9 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "resin", "Support" : "board", "Disp_Medium" : "resin on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Rachel Kaplan", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/12-P-553.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/12-P-553.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/12-P-553.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/12-P-553.jpg", "IsPrimary" : "1", "_SurrogateID" : "74", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 79, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/79", "Disp_Access_No" : "01-P-474(1-3)", "_AccNumSort1" : "", "Disp_Create_DT" : "1953", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1953", "Disp_Title" : "Haitian Voodoo Spirits", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul F., Jr. Keene", "Sort_Artist" : "Keene, Paul F., Jr.", "Disp_Dimen" : "69 1/4 x 80 in. (175.9 x 203.2 cm)", "Disp_Height" : "69 1/4 in.", "Disp_Width" : "80 in.", "Dimen_Extent" : "(all three panels)", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Gallery Label: Keene was born in Philadelphia and earned a B.A. and a M.F.A. from Temple University's Tyler School of Art, both in 1948. He served as a Tuskegee Airman in World War II, and then lived several years in Paris and in Haiti before returning to teach at Philadelphia College of Art and Bucks County Community College. Keene’s artworks were inspired by his personal experiences at home and abroad. He was particularly captivated by the religions and musical traditions he encountered in his travels. In this artwork Keene highlights on the themes of religion and music through the incorporation of Haitian Voodoo subjects and ritualistic symbols. Several haloed musicians engage in drumming practices often associated with Haitian rituals and ceremonies. The middle panel features two symbols of Haitian Voodoo gods, Damballah and Ayida. The ancient male and female counterparts, symbolically represented as snakes, embody the cosmos coiled around the world. Keene also symbolically integrates Christianity by including Trinitarian references such as the tripartite composition and the addition of three drummers in the far right panel. - Tricia Sackor, Intern, Class of 2017 ", "Dedication" : "Gift of Benjamin D. Bernstein and Robin J. Bernstein", "Copyright_Type" : "© La Salle University Art Museum/ artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/01-P-474.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/01-P-474.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/01-P-474.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/01-P-474.jpg", "IsPrimary" : "1", "_SurrogateID" : "312", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3040", "Disp_Access_No" : "91-P-377", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "The Sorceress", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul F., Jr. Keene", "Sort_Artist" : "Keene, Paul F., Jr.", "Disp_Dimen" : "23 1/4 x 15 1/4 in. (59.1 x 38.7 cm)", "Disp_Height" : "23 1/4 in.", "Disp_Width" : "15 1/4 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Benjamin D. 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", "Dedication" : "Gift of Robert Chamberlain", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/05-P-518.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/05-P-518.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/05-P-518.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/05-P-518.jpg", "IsPrimary" : "1", "_SurrogateID" : "43", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2951", "Disp_Access_No" : "89-P-354", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "The Artist's Daughter Playing in the Meadow, Wisconsin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Oberteuffer", "Sort_Artist" : "Oberteuffer, George", "Disp_Dimen" : "24 3/8 x 29 3/8 in. 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The house once stood at the northeast corner of Ogontz and Lindley Avenues, but was unfortunately destroyed by fire in 1985. In 1807 William Logan Fisher inherited Wakefield estate from his father and lived there with his family. In 1826, Fisher purchased Belfield from neighbor Charles Willson Peale, and gifted the house to his daughter, Sarah Logan Fisher (1806-1891) upon her marriage to William Wister (1801-1881) that same year. Fisher’s son Thomas Rodman Fisher (1802-1861) built “Little Wakefield” in 1829, which still stands today on La Salle University campus as St. Mutien Hall. ", "Dedication" : "Gift of Michael T. Fox", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/03-P-494.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/03-P-494.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/03-P-494.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/03-P-494.jpg", "IsPrimary" : "1", "_SurrogateID" : "2324", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2687, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2687", "Disp_Access_No" : "84-P-298", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "Mary (La Sainte-Marie)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Ossawa Tanner", "Sort_Artist" : "Tanner, Henry Ossawa", "Disp_Dimen" : "34 1/8 x 42 5/8 in. (86.7 x 108.3 cm)", "Disp_Height" : "34 1/8 in.", "Disp_Width" : "42 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>In this unconventional rendering of the Virgin Mary with the Christ child, Mary appears melancholy and lost in thought. The infant is almost completely covered by a shroud-like cloth, suggesting a foreshadowing of Jesus’ death. Tanner paid careful attention to details studied first-hand in Jerusalem, where he first traveled in 1898. Tanner’s style is academic and is distinctive for his use of luminous lighting. The model for Mary was newlywed Tanner’s Swedish-American wife. Tanner studied with Thomas Eakins at the Pennsylvania Academy of Fine Arts in the 1880s before traveling to and eventually settling in Paris, where, from 1894 on, his work appeared in the annual, juried Salon. <SPAN STYLE="font-style:italic">Mary</SPAN> is in its original tabernacle frame with its Salon entry number, 1252, and another label noting Tanner’s previous Salon medal for an earlier painting. While it was common for American artists to travel to Paris to study art and even settle in that art-making capital, Tanner attributed his choice to remain there to the racism he encountered in the United States as an artist of mixed African-, European-, and Native-American ancestry and his ability to be judged simply by his talent in France.<BR/></SPAN>", "Dedication" : "Purchased with funds provided by Regina and Ragan Henry", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84-P-298.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84-P-298.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84-P-298.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84-P-298.jpg", "IsPrimary" : "1", "_SurrogateID" : "196", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3252", "Disp_Access_No" : "94-P-411", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "Still Life", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alma Thomas", "Sort_Artist" : "Thomas, Alma", "Disp_Dimen" : "23 1/2 x 19 1/2 in. (59.7 x 49.5 cm)", "Disp_Height" : "23 1/2 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Joseph N. Gennett", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-P-411.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-P-411.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-P-411.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-P-411.jpg", "IsPrimary" : "1", "_SurrogateID" : "268", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3253, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3253", "Disp_Access_No" : "94-P-412", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Still Life with Mask and Red Jar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alma Thomas", "Sort_Artist" : "Thomas, Alma", "Disp_Dimen" : "39 1/2 x 27 1/2 in. (100.3 x 69.9 cm)", "Disp_Height" : "39 1/2 in.", "Disp_Width" : "27 1/2 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "Gallery Label: Thomas is best known for large mosaic-like abstractions that are sometimes associated with Color Field Painting. As La Salle’s holdings demonstrate, however, she could also use color for expressionistic effect in figurative work. Despite studying and making art and teaching art to children from young adulthood on, her career as a serious painter really only began at age 60. Her art career accelerated when she retired from public school teaching and had her first single-artist exhibition eight years later in 1960. She went on to become the first African-American woman to have a solo exhibition at the Whitney Museum of American Art in 1972 at age 80. ", "Dedication" : "Gift of Joseph N. Gennett", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-P-412.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-P-412.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-P-412.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-P-412.jpg", "IsPrimary" : "1", "_SurrogateID" : "269", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3254", "Disp_Access_No" : "94-P-413", "_AccNumSort1" : "", "Disp_Create_DT" : "Mid 20th Century", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1966", "Disp_Title" : "Female Nude Standing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alma Thomas", "Sort_Artist" : "Thomas, Alma", "Disp_Dimen" : "40 1/2 x 24 5/8 in. (102.9 x 62.5 cm)", "Disp_Height" : "40 1/2 in.", "Disp_Width" : "24 5/8 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : " Thomas was born in Columbus, GA, grew up in Washington, DC, and earned a B.A. from Howard University in 1921. In 1924, she began a 35 year career teaching art at a D.C. junior high school. Teaching allowed her to support herself while pursuing her own painting part-time. Thomas became an important role model for women, African Americans, and other artists. She was the first African American woman to have a solo exhibition at New York’s Whitney Museum of American Art in 1972, and she exhibited her paintings at the White House three times. In Female Nude Standing, Thomas presents a painterly sketch of a nude woman using white colors surrounded by vibrant patches of reds and oranges. Thomas’ early artworks were representational, though her Howard University professors challenged her to experiment with abstraction. Female Nude Standing was created when Thomas had just begun to experiment with abstraction. It was not until she retired from teaching in 1960 and was able to concentrate on her artistic career full-time, that she finally developed her signature abstract style. -Dominique Adams, Class of 2017 Curatorial Intern ", "Dedication" : "Gift of Joseph N. Gennett", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-P-413.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-P-413.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-P-413.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-P-413.jpg", "IsPrimary" : "1", "_SurrogateID" : "270", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3255, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3255", "Disp_Access_No" : "94-P-414", "_AccNumSort1" : "", "Disp_Create_DT" : "Mid 20th Century", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1966", "Disp_Title" : "Female Nude Sitting (Reclining)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alma Thomas", "Sort_Artist" : "Thomas, Alma", "Disp_Dimen" : "17 1/2 x 23 1/2 in. (44.5 x 59.7 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Joseph N. Gennett", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-P-414.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-P-414.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-P-414.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-P-414.jpg", "IsPrimary" : "1", "_SurrogateID" : "271", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 988, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/988", "Disp_Access_No" : "13-P-554", "_AccNumSort1" : "", "Disp_Create_DT" : "2007", "_Disp_Start_Dat" : "2007", "_Disp_End_Date" : "2007", "Disp_Title" : "Cuarteron de mulata", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Valadez", "Sort_Artist" : "Valadez, Paul", "Disp_Dimen" : "18 x 24 in. (45.7 x 61 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Acrylic", "Support" : "board", "Disp_Medium" : "Acrylic on board", "Info_Page_Comm" : "", "Dedication" : "Gift of the Artist", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13-P-554.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13-P-554.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13-P-554.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13-P-554.jpg", "IsPrimary" : "1", "_SurrogateID" : "75", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3249", "Disp_Access_No" : "94-P-405", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "Misty Morning (North Carolina)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard J. Watson", "Sort_Artist" : "Watson, Richard J.", "Disp_Dimen" : "11 1/2 x 10 1/8 in. (29.2 x 25.7 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "10 1/8 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Gallery Label: Born in a rural area of North Carolina, Watson studied at the Fleisher Art Memorial and the Pennsylvania Academy of the Fine Arts (PAFA). He has worked at the African American Museum in Philadelphia for many years, most recently as Exhibitions Manager and Artist-in-Residence. In 1983, Watson became a member of Recherché, a Philadelphia exhibition group dedicated to showing the diversity of work by African American artists, inclusive of both representational and abstract art. He has painted murals at various institutions, such as the Church of the Advocate in North Philadelphia, which reflect his concern for social justice issues in an urban environment. This painting suggests the artist’s development from representational work to a more abstract personal style evoking feelings and memories.", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-P-405.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-P-405.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-P-405.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-P-405.jpg", "IsPrimary" : "1", "_SurrogateID" : "265", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 853, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/853", "Disp_Access_No" : "12-P-551", "_AccNumSort1" : "", "Disp_Create_DT" : "2004", "_Disp_Start_Dat" : "2004", "_Disp_End_Date" : "2004", "Disp_Title" : "Deluge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roger Weik", "Sort_Artist" : "Weik, Roger", "Disp_Dimen" : "30 x 24 in. (76.2 x 61 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "Unframed", "Medium" : "mica and oxide pigments", "Support" : "canvas", "Disp_Medium" : "mica and oxide pigments on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Artist", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/12-P-551.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/12-P-551.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/12-P-551.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/12-P-551.jpg", "IsPrimary" : "1", "_SurrogateID" : "72", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1837, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1837", "Disp_Access_No" : "76-P-180", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Edward Cornelius O'Leary, Bishop of Portland Maine 1976", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Neil Welliver", "Sort_Artist" : "Welliver, Neil", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "Canvas", "Disp_Medium" : "Oil on Canvas", "Info_Page_Comm" : "Gallery Label: Welliver grew up in Millville, Pennsylvania. After graduating from the Philadelphia College of Art, he studied at Yale University under Joseph Albers, whose abstractions influenced his early work, and whose range of color he employed in his later work. Welliver began teaching at the University of Pennsylvania Graduate School of Fine Arts in 1965, and later became chairman of the department until his retirement in 1989. He is best known for his large-scale landscape paintings of rural Maine, This portrait of the Bishop of Portland, Maine, was commissioned by a committee headed by <i>Philadelphia Inquirer</i> art critic, Victoria Donohoe, and exhibited at the Exhibition of Liturgical Arts, held at the 41st International Eucharistic Congress in Philadelphia in 1976. ", "Dedication" : "Gift of Victoria Donohoe", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-P-180.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-P-180.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-P-180.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-P-180.jpg", "IsPrimary" : "1", "_SurrogateID" : "154", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2022, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2022", "Disp_Access_No" : "78-P-217", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century-19th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1899", "Disp_Title" : "Profile Head- Study", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Benjamin West", "Sort_Artist" : "West, Benjamin", "Disp_Dimen" : "22 1/2 x 17 in. (57.2 x 43.2 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper on board", "Disp_Medium" : "Oil on paper on board", "Info_Page_Comm" : "Gallery Label: Benjamin West was born in a Quaker settlement in Springfield, PA. His parents encouraged his artistic talents, and by the age of 15 he was already known for his portraits. In 1760, West sailed for England where he would soon develop an international reputation like no other American artist. West was the first American to study art in Italy, and he embraced the popular Neoclassical style of Europe. Through his close ties with England and patronage by George III, West became president of the Royal Academy of Arts in London. He was very fond of his American heritage and always kept an open door for American artists who wished to study in Europe. He became the teacher of up-and-coming American artists like Gilbert Stuart and Charles Willson Peale. 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(149.2 x 181.6 cm)", "Disp_Height" : "58 3/4 in.", "Disp_Width" : "71 1/2 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>Marcius-Simons was a Symbolist painter who was greatly influenced by the flowing melody of music. In the publication The Parsifal Tone Pictures, which accompanied this painting’s exhibition in New York in 1904, the artist wrote “Do, re, mi, fa, sol, la, si – are the seven factors of music. Red, orange, yellow, green, blue, indigo, and violet are the factors in painting.” He hoped to translate the sounds of the musical composition into colors on the canvas. <BR/>Symbolists usually chose dramatic subjects to paint. Marcius-Simons was particularly inspired by the operas of Wagner, for which he designed sets in Bayreuth, Germany. This painting presents a compilation of images and characters inspired by Act II of Wagner’s opera <SPAN STYLE="font-style:italic">Parsifal</SPAN>, with its central theme of sacred and profane love. <BR/><BR/>Emily Levy, '12<BR/>Curatorial Intern</SPAN>", "Dedication" : "Purchased with funds provided by Richard M. Throne & James Hanes", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95-P-422.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95-P-422.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95-P-422.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95-P-422.jpg", "IsPrimary" : "1", "_SurrogateID" : "274", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/132", "Disp_Access_No" : "04-P-503", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1930", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1935", "Disp_Title" : "Woman in the Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfred H. Maurer", "Sort_Artist" : "Maurer, Alfred H.", "Disp_Dimen" : "21 1/8 x 18 in. (53.7 x 45.7 cm)", "Disp_Height" : "21 1/8 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "gesso board", "Disp_Medium" : "Oil on gesso board", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Nora M. Pincus Schwarz in Memory of Irwin Nat and Marjorie M. Pincus", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/04-P-503.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/04-P-503.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/04-P-503.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/04-P-503.jpg", "IsPrimary" : "1", "_SurrogateID" : "816", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2023", "Disp_Access_No" : "78-P-219", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Autumn Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward Moran", "Sort_Artist" : "Moran, Edward", "Disp_Dimen" : "6 5/8 x 11 5/8 in. (16.8 x 29.5 cm)", "Disp_Height" : "6 5/8 in.", "Disp_Width" : "11 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78-P-219.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78-P-219.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78-P-219.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78-P-219.jpg", "IsPrimary" : "1", "_SurrogateID" : "169", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3045", "Disp_Access_No" : "91-P-382", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Colorado River", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mychajlo Moroz", "Sort_Artist" : "Moroz, Mychajlo", "Disp_Dimen" : "21 1/2 x 17 1/2 in. (54.6 x 44.5 cm)", "Disp_Height" : "21 1/2 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchased with Endowment Funds", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91-P-382.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91-P-382.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91-P-382.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91-P-382.jpg", "IsPrimary" : "1", "_SurrogateID" : "249", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2822, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2822", "Disp_Access_No" : "86-P-341", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1950", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1955", "Disp_Title" : "Bermeo, Spain", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gerard Negelspach", "Sort_Artist" : "Negelspach, Gerard", "Disp_Dimen" : "46 3/4 x 67 1/2 in. (119 x 171 cm)", "Disp_Height" : "46 3/4 in.", "Disp_Width" : "67 1/2 in.", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Benjamin D. Bernstein", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-P-341.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-P-341.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-P-341.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-P-341.jpg", "IsPrimary" : "1", "_SurrogateID" : "217", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 96, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/96", "Disp_Access_No" : "02-P-481", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Untitled, 1987 (Hydrant and Egg)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fernando de Jesus Oliveira (aka Ferjo)", "Sort_Artist" : "Oliveira, Fernando de Jesus, (aka Ferjo)", "Disp_Dimen" : "23 3/4 x 29 3/4 in. (60.3 x 75.6 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "29 3/4 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Joseph Shein, Esq.", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/02-P-481.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/02-P-481.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/02-P-481.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/02-P-481.jpg", "IsPrimary" : "1", "_SurrogateID" : "17", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 97, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/97", "Disp_Access_No" : "02-P-482", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Madonna", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fernando de Jesus Oliveira (aka Ferjo)", "Sort_Artist" : "Oliveira, Fernando de Jesus, (aka Ferjo)", "Disp_Dimen" : "59 3/4 x 35 3/4 in. (151.8 x 90.8 cm)", "Disp_Height" : "59 3/4 in.", "Disp_Width" : "35 3/4 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Originally from Brazil, Ferjo is inspired by the works of the Old Masters like Leonardo DaVinci and combines them with work by artists such as Salvador Dali and Marc Chegall. After graduating from the Pennsylvania Academy of Fine Arts, Ferjo toured Europe and developed a fascination for DaVinci’s painting of the Mona Lisa. This artwork inspired his series of Mona Lisa paintings that depict her in a variety of fashions ranging from bikinis to traditional Brazilian clothing. This image of Mona Lisa wears distinctly modern clothing and sits casually on the floor. She exists in a realistic world but the window reveals a surrealist landscape, adding complexity by playing with perspective, and the discontinuity of space. Liana Salazar Class of 2022 Curatorial Intern", "Dedication" : "Gift of Joseph Shein, Esq.", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/02-P-482.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/02-P-482.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/02-P-482.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/02-P-482.jpg", "IsPrimary" : "1", "_SurrogateID" : "18", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3039", "Disp_Access_No" : "91-P-376", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Little Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peter Paone", "Sort_Artist" : "Paone, Peter", "Disp_Dimen" : "10 x 8 in. (25.4 x 20.3 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas; Frame is Renaissance style wood frame (gilded-molded) made by the artist", "Disp_Medium" : "Oil on canvas; Frame is Renaissance style wood frame (gilded-molded) made by the artist", "Info_Page_Comm" : "Gallery Label: Paone was born and raised in Philadelphia, where he studied at the Philadelphia College of Art. He taught at several institutions such as the Pratt Institute in New York, The National Academy of Design in New York, and the Pennsylvania Academy of the Fine Arts (PAFA) in Philadelphia. His works have been displayed in the U.S. and abroad, and have been featured in over 60 exhibitions. Growing up in South Philadelphia, Paone was exposed and influenced by the traditional Mummers Parade. <i>Little Girl</i> depicts a child in a clown-like costume with a vibrant background. The saturated tones of blue, orange, and red create a chromatic environment much like one would see in the traditional folk parade. ", "Dedication" : "Gift of Dr. and Mrs. Harold Robinson", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91-P-376.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91-P-376.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91-P-376.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91-P-376.jpg", "IsPrimary" : "1", "_SurrogateID" : "243", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3148", "Disp_Access_No" : "92-P-400", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "The Sommer Valley", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernest Parton", "Sort_Artist" : "Parton, Ernest", "Disp_Dimen" : "20 3/4 x 32 in. (52.7 x 81.3 cm)", "Disp_Height" : "20 3/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds provided by Albert J. Crawford", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92-P-400.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92-P-400.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92-P-400.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92-P-400.jpg", "IsPrimary" : "1", "_SurrogateID" : "262", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5093", "Disp_Access_No" : "15-P-585", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Portrait of Helena Lawrence Holmes Penington (1769-1852)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sarah Miriam Peale", "Sort_Artist" : "Peale, Sarah Miriam", "Disp_Dimen" : "24 x 17 1/2 in. (61 x 44.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>Born in Philadelphia, Sarah Miriam Peale along with her sisters, Margaretta Angelica and Anna Claypoole Peale trained as artists under the tutelage of their father, James Peale, serving as his apprentices. Sarah was known for her portraiture and still-life paintings. She moved to Baltimore for instruction in oil painting and glazing techniques and remained there for 20 years before moving to St. Louis where she was commissioned by various families. She is regarded by many as the first woman in the United States to achieve professional recognition as an artist. In 1824, Sarah and Anna became the first two female members of the Pennsylvania Academy of the Fine Arts. <BR/><BR/>This portrait was probably painted by Sarah at a young age, and was possibly painted together with Anna and instruction from their father.<SPAN STYLE="font-family:'Book Antiqua';font-size:16pt"><BR/></SPAN></SPAN>", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15-P-585.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15-P-585.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15-P-585.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15-P-585.jpg", "IsPrimary" : "1", "_SurrogateID" : "5217", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3050", "Disp_Access_No" : "91-P-387", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Street Hassle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jonathan Podwil", "Sort_Artist" : "Podwil, Jonathan", "Disp_Dimen" : "24 1/4 x 38 1/4 in. 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