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(10.5 x 17.5 cm)", "Disp_Height" : "4 1/8 in.", "Disp_Width" : "6 7/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, with gray wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, with gray wash", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label from</SPAN><SPAN STYLE="font-size:10pt;font-style:italic;color:#222222"> American Originals: Works on Paper from the Permanent Collectio</SPAN><SPAN STYLE="font-size:10pt;color:#222222">n</SPAN><SPAN STYLE="font-size:10pt;font-weight:bold;color:#222222">, </SPAN><SPAN STYLE="font-size:10pt">La Salle University Art Museum, </SPAN><SPAN STYLE="font-size:10pt;color:#222222">December 16, 2015 through March 4, 2016:<BR/><BR/></SPAN><SPAN STYLE="font-size:10pt">Bloch was a prominent German-born Jewish artist who immigrated to Philadelphia with his family in 1893. He studied at the Philadelphia College of Art (now University of the Arts) and PAFA, where he was influenced by Thomas Eakins. He became an important Social Realist artist known for his sympathetic depictions of working class people, particularly African American men. During the Great Depression, he worked for the Federal Art Project and received national attention for his portrayals of poor and oppressed groups of people. He became an instructor at PAFA in 1948. His work was featured in a major retrospective at the Philadelphia Museum of Art in 1983. These two artworks illustrate variations in Bloch’s drawing techniques, from a detailed portrayal of facial features in </SPAN><SPAN STYLE="font-size:10pt;font-style:italic">Study of a Black Man</SPAN><SPAN STYLE="font-size:10pt">, to a sketchier rendering of an outdoor scene in Shoe Shine Boy. </SPAN><BR/></SPAN>", "Dedication" : "Gift of Benjamin D. Bernstein", "Copyright_Type" : "", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-D-323.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-D-323.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-D-323.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-D-323.jpg", "IsPrimary" : "1", "_SurrogateID" : "5786", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3410, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3410", "Disp_Access_No" : "98-D-402", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century-20th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1999", "Disp_Title" : "Planted Field", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Oscar Bluemner", "Sort_Artist" : "Bluemner, Oscar", "Disp_Dimen" : "6 x 10 1/4 in. (15.2 x 26 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor", "Support" : "", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "Gift of Richard M. Thune", "Copyright_Type" : "", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98-D-402.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98-D-402.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98-D-402.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98-D-402.jpg", "IsPrimary" : "1", "_SurrogateID" : "1568", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 83, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/83", "Disp_Access_No" : "02-D-409", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Sage", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sister Helen David Brancato", "Sort_Artist" : "Brancato, Sister Helen David", "Disp_Dimen" : "17 1/2 x 10 in. (44.5 x 25.4 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "window opening", "Medium" : "Watercolor", "Support" : "", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/02-D-409.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/02-D-409.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/02-D-409.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/02-D-409.jpg", "IsPrimary" : "1", "_SurrogateID" : "1594", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 134, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/134", "Disp_Access_No" : "05-D-414", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Might Could", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Moe Brooker", "Sort_Artist" : "Brooker, Moe", "Disp_Dimen" : "30 x 29 1/2 in. (76.2 x 74.9 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "Sheet", "Medium" : "Oil and pastel", "Support" : "paper", "Disp_Medium" : "Oil and pastel on paper", "Info_Page_Comm" : " Brooker approaches art-making as an inventive process of developing and working through ideas. His colorful abstractions express a joyous, spiritual energy and a spontaneity that the artist relates to the harmonies of jazz music. Brooker writes, “Formally, I attempt to create visual harmonies and jazz is often a metaphor. My work is really a celebration of life.” Among other honors, Brooker received the 2010 Governor’s Hazlett Memorial Award for Artist of the Year by the Pennsylvania Council on the Arts. He studied at the Pennsylvania Academy of the Fine Arts and Temple University’s Tyler School of Arts. He is currently a professor emeritus at Moore College of Art in Philadelphia. ", "Dedication" : "Purchased with funds provided by Michael Duffy, Dr. Helen North, Dr. Dennis O'Brien, and the Morrow-Farrell Family (in memory of Theodore Eggleston Morrow)", "Copyright_Type" : "Artwork © Moe Brooker", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/05-D-414.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/05-D-414.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/05-D-414.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/05-D-414.jpg", "IsPrimary" : "1", "_SurrogateID" : "1287", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2027, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2027", "Disp_Access_No" : "79-D-143", "_AccNumSort1" : "", "Disp_Create_DT" : "1978", "_Disp_Start_Dat" : "1978", "_Disp_End_Date" : "1978", "Disp_Title" : ""Head of Boy" from West Catholic Boys Series", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Brother Richard F.S.C. Buccina", "Sort_Artist" : "Buccina, Brother Richard F.S.C.", "Disp_Dimen" : "21 1/8 x 15 5/8 in. (53.7 x 39.7 cm)", "Disp_Height" : "21 1/8 in.", "Disp_Width" : "15 5/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Pencil", "Support" : "", "Disp_Medium" : "Pencil", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79-D-143.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79-D-143.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79-D-143.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79-D-143.jpg", "IsPrimary" : "1", "_SurrogateID" : "1356", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 140, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/140", "Disp_Access_No" : "05-D-420", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Nina’s String Art", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nina Burke", "Sort_Artist" : "Burke, Nina", "Disp_Dimen" : "9 1/8 x 11 7/8 in. (23.2 x 30.2 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "11 7/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Paint", "Support" : "craft paper", "Disp_Medium" : "Paint on craft paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Building Blocks Nursery School", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/05-D-420.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/05-D-420.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/05-D-420.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/05-D-420.jpg", "IsPrimary" : "1", "_SurrogateID" : "1420", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1955", "Disp_Access_No" : "78-D-135", "_AccNumSort1" : "", "Disp_Create_DT" : "1978", "_Disp_Start_Dat" : "1978", "_Disp_End_Date" : "1978", "Disp_Title" : "Springform Pan", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James D. Butler", "Sort_Artist" : "Butler, James D.", "Disp_Dimen" : "23 x 31 1/2 in. (58.4 x 80 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "31 1/2 in.", "Dimen_Extent" : "Sheet", "Medium" : "Pastel on calendored rives paper", "Support" : "", "Disp_Medium" : "Pastel on calendored rives paper", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78-D-135.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78-D-135.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78-D-135.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78-D-135.jpg", "IsPrimary" : "1", "_SurrogateID" : "1854", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 133, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/133", "Disp_Access_No" : "05-D-2", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Nurture", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sandra Camomile", "Sort_Artist" : "Camomile, Sandra", "Disp_Dimen" : "22 1/2 x 30 in. (57.2 x 76.2 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "Sheet", "Medium" : "Silverpoint", "Support" : "gessoed paper", "Disp_Medium" : "Silverpoint on gessoed paper", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/05-D-2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/05-D-2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/05-D-2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/05-D-2.jpg", "IsPrimary" : "1", "_SurrogateID" : "3104", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 136, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/136", "Disp_Access_No" : "05-D-416", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Nature", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sandra Camomile", "Sort_Artist" : "Camomile, Sandra", "Disp_Dimen" : "22 1/2 x 30 in. (57.2 x 76.2 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Silverpoint", "Support" : "gessoed paper", "Disp_Medium" : "Silverpoint on gessoed paper", "Info_Page_Comm" : "", "Dedication" : "Purchased with the Marjorie M. and Irwin Nat Pincus fund for Prints and Drawings", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/05-D-416.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/05-D-416.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/05-D-416.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/05-D-416.jpg", "IsPrimary" : "1", "_SurrogateID" : "3105", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2034", "Disp_Access_No" : "79-D-153", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Harlequin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Carles", "Sort_Artist" : "Carles, Arthur B.", "Disp_Dimen" : "10 1/2 x 8 in. (26.7 x 20.3 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Charcoal", "Support" : "", "Disp_Medium" : "Charcoal", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label from</SPAN><SPAN STYLE="font-size:10pt;font-style:italic;color:#222222"> American Originals: Works on Paper from the Permanent Collectio</SPAN><SPAN STYLE="font-size:10pt;color:#222222">n</SPAN><SPAN STYLE="font-size:10pt;font-weight:bold;color:#222222">, </SPAN><SPAN STYLE="font-size:10pt">La Salle University Art Museum, </SPAN><SPAN STYLE="font-size:10pt;color:#222222">December 16, 2015 through March 4, 2016:<BR/><BR/></SPAN><SPAN STYLE="font-size:10pt">Born in Philadelphia, Carles studied at PAFA from 1900-1907, then spent several years in France from 1907-1910, where he was influenced by the Modernist work of Cézanne and Matisse. Upon his return to the U.S., he exhibited at the New York Armory Show in 1913, and he taught at PAFA from 1917-1928. <BR/><BR/>Harlequin was a popular Post-Impressionist subject. Carles’ drawing of </SPAN><SPAN STYLE="font-size:10pt;font-style:italic">Harlequi</SPAN><SPAN STYLE="font-size:10pt">n is fairly academic and was likely executed prior to his sojourn in France. It does not indicate the Modernist turn his work would later take. After his death, his work was featured in major exhibition retrospectives in Philadelphia and New York.<BR/></SPAN></SPAN>", "Dedication" : "Gift of Edward I. Bernstein", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79-D-153.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79-D-153.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79-D-153.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79-D-153.jpg", "IsPrimary" : "1", "_SurrogateID" : "1476", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4594, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4594", "Disp_Access_No" : "15-D-456", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Chicago Jazz", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Sylvester Carter", "Sort_Artist" : "Carter, William Sylvester", "Disp_Dimen" : "16 x 13 3/8 in. (40.6 x 34 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "13 3/8 in.", "Dimen_Extent" : "", "Medium" : "Gouache", "Support" : "", "Disp_Medium" : "Gouache", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Inscribed "Drawn especially for William McBride"<BR/><BR/>Label from</SPAN><SPAN STYLE="font-size:10pt;font-style:italic;color:#222222"> American Originals: Works on Paper from the Permanent Collectio</SPAN><SPAN STYLE="font-size:10pt;color:#222222">n</SPAN><SPAN STYLE="font-size:10pt;font-weight:bold;color:#222222">, </SPAN><SPAN STYLE="font-size:10pt">La Salle University Art Museum, </SPAN><SPAN STYLE="font-size:10pt;color:#222222">December 16, 2015 through March 4, 2016:<BR/><BR/></SPAN><SPAN STYLE="font-size:10pt">Carter was an African American painter known for his colorful scenes of city life. Born in St. Louis, Missouri, he moved to Chicago in 1930 to study at the Art Institute of Chicago and the University of Illinois. He was involved in the Chicago Renaissance of African American arts during the 1930s, and he also taught at the South Side Community Art Center. In 1940, he exhibited his work at the important Exhibition of the Art of the American Negro (1851-1940) in Chicago, organized by Alonzo Aden and Alain Locke. He also became involved with the WPA mural program during the 1940s.<BR/><BR/>This gouache painting was made for William McBride; another African American artist who trained at the Art Institute who became involved in the Chicago Renaissance. In representing </SPAN><SPAN STYLE="font-size:10pt;font-style:italic">Chicago Jazz, </SPAN><SPAN STYLE="font-size:10pt">Carter combines various musical instruments and figures into a Cubist-inspired assembling of forms.<BR/></SPAN></SPAN>", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15-D-456.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15-D-456.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15-D-456.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15-D-456.jpg", "IsPrimary" : "1", "_SurrogateID" : "3475", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3017, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3017", "Disp_Access_No" : "91-D-341", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Old Man and Candle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jeffrey Casey", "Sort_Artist" : "Casey, Jeffrey", "Disp_Dimen" : "9 7/8 x 4 7/8 in. 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(33 x 43.8 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "17 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor", "Support" : "", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "Gift of Ann Chahbandour and Jay Robert Stiefel", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95-D-371(b).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95-D-371(b).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95-D-371(b).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95-D-371(b).jpg", "IsPrimary" : "1", "_SurrogateID" : "1404", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1656, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1656", "Disp_Access_No" : "76-D-101", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : ""A Farm in Co. Cork"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hovenden", "Sort_Artist" : "Hovenden, Thomas", "Disp_Dimen" : "25 1/8 x 20 1/8 in. (63.8 x 51.1 cm)", "Disp_Height" : "25 1/8 in.", "Disp_Width" : "20 1/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor", "Support" : "", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-D-101.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-D-101.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-D-101.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-D-101.jpg", "IsPrimary" : "1", "_SurrogateID" : "1848", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 608, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/608", "Disp_Access_No" : "11-D-442", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1950s", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1955", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Hultberg", "Sort_Artist" : "Hultberg, John", "Disp_Dimen" : "20 x 23 7/8 in. (50.8 x 60.6 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "23 7/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Ink and gouache", "Support" : "board", "Disp_Medium" : "Ink and gouache on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Elizabeth Russell and Jeff", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/11-D-442.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/11-D-442.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/11-D-442.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/11-D-442.jpg", "IsPrimary" : "1", "_SurrogateID" : "1342", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3231, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3231", "Disp_Access_No" : "94-D-365", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1710", "_Disp_Start_Dat" : "1705", "_Disp_End_Date" : "1715", "Disp_Title" : "Portrait of a Young Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henrietta Johnston", "Sort_Artist" : "Johnston, Henrietta", "Disp_Dimen" : "14 5/8 x 10 5/8 in. (37.1 x 27 cm)", "Disp_Height" : "14 5/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel on paper", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label from</SPAN><SPAN STYLE="font-size:10pt;font-style:italic;color:#222222"> American Originals: Works on Paper from the Permanent Collectio</SPAN><SPAN STYLE="font-size:10pt;color:#222222">n</SPAN><SPAN STYLE="font-size:10pt;font-weight:bold;color:#222222">, </SPAN><SPAN STYLE="font-size:10pt">La Salle University Art Museum, </SPAN><SPAN STYLE="font-size:10pt;color:#222222">December 16, 2015 through March 4, 2016:<BR/><BR/></SPAN><SPAN STYLE="font-size:10pt">Johnston was both the earliest known female artist and the first pastelist in the English colonies of North America. Probably born near Rennes, France, she lived in England and Ireland before moving to Charleston, South Carolina, with her second husband who was a commissary of the Church of England. Johnston supplemented her husband’s limited income by selling modestly-priced portraits in pastel. Only about 40 portraits by Johnston survive, making this </SPAN><SPAN STYLE="font-size:10pt;font-style:italic">Portrait of a Young Woman</SPAN><SPAN STYLE="font-size:10pt"> a rare example. <BR/><BR/>A pastel is a crayon made of loosely-bound powdered pigment bound with a weak adhesive, and part of the pastel portrait’s appeal is its fragility. The French encyclopedist Denis Diderot described the medium as a “precious powder that will fly from its support, half of it scattered in the air and half clinging to Saturn’s long feathers.” Pastel portraits of society’s elites were in high demand in 18th-century France and England, as well as in their colonies. Because of the lack of varnish on their surface, the colors in pastel drawings remain brilliant and fresh, and would have sparkled in 18th-century interiors lit by candlelight and filled with mirrors and gilt furnishings.</SPAN><SPAN STYLE="font-family:'Book Antiqua';font-size:14pt"><BR/></SPAN></SPAN>", "Dedication" : "Gift of Ann Chahbandour and Jay Robert Stiefel", "Copyright_Type" : "", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-D-365.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-D-365.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-D-365.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-D-365.jpg", "IsPrimary" : "1", "_SurrogateID" : "5788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4595, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4595", "Disp_Access_No" : "15-D-457", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1960", "_Disp_Start_Dat" : "1955", "_Disp_End_Date" : "1965", "Disp_Title" : "The Young Fisherman ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick Jones", "Sort_Artist" : "Jones, Frederick", "Disp_Dimen" : "16 x 22 in. (40.6 x 55.9 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "Sheet", "Medium" : "Mixed media on artist board", "Support" : "", "Disp_Medium" : "Mixed media on artist board", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label from</SPAN><SPAN STYLE="font-size:10pt;font-style:italic;color:#222222"> American Originals: Works on Paper from the Permanent Collectio</SPAN><SPAN STYLE="font-size:10pt;color:#222222">n</SPAN><SPAN STYLE="font-size:10pt;font-weight:bold;color:#222222">, </SPAN><SPAN STYLE="font-size:10pt">La Salle University Art Museum, </SPAN><SPAN STYLE="font-size:10pt;color:#222222">December 16, 2015 through March 4, 2016:<BR/><BR/></SPAN><SPAN STYLE="font-size:10pt">Originally from Georgetown, South Carolina, Jones began drawing at five years old. After his family moved to Atlanta, Georgia, Jones continued to develop his artistic skills under the tutelage of noted African American artist Hale Woodruff, who taught at nearby Spelman College. While he pursued training to become a professional artist, he also worked for the Coca-Cola Company to earn a living. The C.E.O. of Coca-Cola, recognizing Jones’ talent, transferred him to the Chicago plant in 1940 and sponsored his studies at the Art Institute of Chicago. From 1943 to 1946, Jones paused his artistic studies to serve in the U.S. Navy. After World War II, he resumed his work at the Coca-Cola factory as well as exhibited and sold his artwork successfully on the side. Around 1973, Jones retired early from Coca-Cola with a full pension in order to devote himself full-time to his art. <BR/><BR/>Jones’ distinctive artistic style is characterized by a Neo-Romanticism that often borders on Surrealism. Like many other African American artists of his time, he looked back to the arts of Africa for inspiration, particularly beginning in the 1950s. With The Young Fisherman, Jones combined biblical references to Mary and the Christ Child, and the symbolism of Christ as a fisherman; with the image of a black Madonna bearing mask-like features resembling Yoruba sculpture from Nigeria, suggestive of a Pan-African aesthetic.<BR/></SPAN></SPAN>", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15-D-457.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15-D-457.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15-D-457.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15-D-457.jpg", "IsPrimary" : "1", "_SurrogateID" : "3476", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1947, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1947", "Disp_Access_No" : "78-D-126", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1916", "_Disp_Start_Dat" : "1911", "_Disp_End_Date" : "1921", "Disp_Title" : "Scribners Magazine Cover, Ram & Shepherd", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wilfred J. Jones", "Sort_Artist" : "Jones, Wilfred J.", "Disp_Dimen" : "20 1/2 x 14 1/4 in. (52.1 x 36.2 cm)", "Disp_Height" : "20 1/2 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Gouache", "Support" : "cardboard", "Disp_Medium" : "Gouache on cardboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Elizabeth Jones Greenhall (artist's daughter)", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78-D-126.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78-D-126.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78-D-126.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78-D-126.jpg", "IsPrimary" : "1", "_SurrogateID" : "1471", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1948, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1948", "Disp_Access_No" : "78-D-127", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Scribners Magazine Cover, August Fiction", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wilfred J. Jones", "Sort_Artist" : "Jones, Wilfred J.", "Disp_Dimen" : "22 5/8 x 15 1/4 in. (57.5 x 38.7 cm)", "Disp_Height" : "22 5/8 in.", "Disp_Width" : "15 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Gouache", "Support" : "cardboard", "Disp_Medium" : "Gouache on cardboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Elizabeth Jones Greenhall (artist's daughter)", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78-D-127.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78-D-127.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78-D-127.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78-D-127.jpg", "IsPrimary" : "1", "_SurrogateID" : "1352", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1949, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1949", "Disp_Access_No" : "78-D-128", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Scribners Magazine Cover, Venetian Gondola Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wilfred J. Jones", "Sort_Artist" : "Jones, Wilfred J.", "Disp_Dimen" : "20 1/2 x 14 1/4 in. (52.1 x 36.2 cm)", "Disp_Height" : "20 1/2 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Gouache", "Support" : "cardboard", "Disp_Medium" : "Gouache on cardboard", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label from</SPAN><SPAN STYLE="font-size:10pt;font-style:italic;color:#222222"> American Originals: Works on Paper from the Permanent Collectio</SPAN><SPAN STYLE="font-size:10pt;color:#222222">n</SPAN><SPAN STYLE="font-size:10pt;font-weight:bold;color:#222222">, </SPAN><SPAN STYLE="font-size:10pt">La Salle University Art Museum, </SPAN><SPAN STYLE="font-size:10pt;color:#222222">December 16, 2015 through March 4, 2016:<BR/><BR/></SPAN><SPAN STYLE="font-size:10pt">Jones was a 20th century Philadelphia painter and illustrator. He was a frequent contributor to </SPAN><SPAN STYLE="font-size:10pt;font-style:italic">Scribner’s Magazine covers</SPAN><SPAN STYLE="font-size:10pt">, producing several images for the popular journal. His illustrations are marked by their bold design, with thick outlining and broad flat areas of color. This painting of a masquerading couple riding in a Venetian gondola down the Grand Canal is suggestive of a romantic European experience and was likely made to illustrate a fiction story in</SPAN><SPAN STYLE="font-size:10pt;font-style:italic"> Scribner’s Magazine.</SPAN><SPAN STYLE="font-size:10pt"><BR/></SPAN></SPAN>", "Dedication" : "Gift of Mrs. Elizabeth Jones Greenhall (artist's daughter)", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78-D-128.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78-D-128.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78-D-128.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78-D-128.jpg", "IsPrimary" : "1", "_SurrogateID" : "1472", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4222", "Disp_Access_No" : "78-D-129", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Scribner's Magazine Cover, Cavalry Soldier", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wilfred J. Jones", "Sort_Artist" : "Jones, Wilfred J.", "Disp_Dimen" : "23 3/4 x 16 1/4 in. 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(47.9 x 31.1 cm)", "Disp_Height" : "18 7/8 in.", "Disp_Width" : "12 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Charcoal, pastel", "Support" : "paper", "Disp_Medium" : "Charcoal, pastel on paper", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label from</SPAN><SPAN STYLE="font-size:10pt;font-style:italic;color:#222222"> American Originals: Works on Paper from the Permanent Collectio</SPAN><SPAN STYLE="font-size:10pt;color:#222222">n</SPAN><SPAN STYLE="font-size:10pt;font-weight:bold;color:#222222">, </SPAN><SPAN STYLE="font-size:10pt">La Salle University Art Museum, </SPAN><SPAN STYLE="font-size:10pt;color:#222222">December 16, 2015 through March 4, 2016:<BR/><BR/></SPAN><SPAN STYLE="font-size:10pt">From 1945-1949 Oakley worked on 10 designs for the series Great Women of the Bible murals for the First Presbyterian Church in Germantown. For each design, she completed a series of preliminary sketches, figure studies, and scaled drawings prior to executing the final mural painting. <BR/><BR/>In the biblical story, Dorcas is described as a </SPAN><SPAN STYLE="font-size:10pt;font-style:italic">mathetria,</SPAN><SPAN STYLE="font-size:10pt"> meaning “female disciple.” She is the only woman in the bible given that title because of her strong family values, commitment to her community, and faithfulness as holy woman. The drawing on bottom depicts the story of her rising from the dead surrounded by friends and family after Saint Peter had visited and prayed over her. After a time, he commands her to waken, extending his hand to help her rise as she opens her eyes.<BR/><BR/>In the late 19th and early 20th centuries, the feminist “New Woman” movement encouraged women to become entrepreneurs in their professional education and careers. Violet Oakley and several other female artists lived together at the Red Rose Inn in Villanova to pursue the creation of “art for art’s sake.” Oakley and her friends later moved to a home in Mount Airy which they called Cogslea, now listed on the National Register of Historic Places. 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Violet Oakley and several other female artists lived together at the Red Rose Inn in Villanova to pursue the creation of “art for art’s sake.” Oakley and her friends later moved to a home in Mount Airy which they called Cogslea, now listed on the National Register of Historic Places. 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Upon her return to Philadelphia, she studied briefly at PAFA in 1896 before joining Howard Pyle's illustration class at Drexel Institute. She was a successful illustrator and muralist whose work reflected the influence of English pre-Raphaelite artists. She was the first woman to be awarded a Gold Medal of Honor from PAFA in 1905. Oakley completed 43 murals in the Pennsylvania State Capital. 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He spent much time traveling and working in Europe and, like his close friend James Abbott McNeill Whistler, he later made his home in London. During his lifetime, Pennell was a prolific artist and produced more than 4,700 drawings, 900 etchings and mezzotints, and 600 lithographs. He had numerous books published, both as an author and as an illustrator, many of them in collaboration with his wife, Elizabeth Robins Pennell. His publications include several books on drawing and printmaking, as well as a biography of Whistler that he wrote with his wife in 1908. 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(75.6 x 112.4 cm)", "Disp_Height" : "29 3/4 in.", "Disp_Width" : "44 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Acrylic on paper", "Support" : "", "Disp_Medium" : "Acrylic on paper", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-D-363.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-D-363.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-D-363.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-D-363.jpg", "IsPrimary" : "1", "_SurrogateID" : "3416", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2174, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2174", "Disp_Access_No" : "80-P-247a", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Study for "Peristedion" painting", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marko Spalatin", "Sort_Artist" : "Spalatin, Marko", "Disp_Dimen" : "15 1/2 x 17 1/4 in. (39.4 x 43.8 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "17 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Oil", "Support" : "", "Disp_Medium" : "Oil", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80-P-247a.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80-P-247a.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80-P-247a.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80-P-247a.jpg", "IsPrimary" : "1", "_SurrogateID" : "1357", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2852, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2852", "Disp_Access_No" : "88-D-328", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "The Burning Harpoon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Benton Murdoch Spruance", "Sort_Artist" : "Spruance, Benton Murdoch", "Disp_Dimen" : "30 1/4 x 22 in. (76.8 x 55.9 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "Sheet", "Medium" : "Charcoal", "Support" : "", "Disp_Medium" : "Charcoal", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label from</SPAN><SPAN STYLE="font-size:10pt;font-style:italic;color:#222222"> American Originals: Works on Paper from the Permanent Collectio</SPAN><SPAN STYLE="font-size:10pt;color:#222222">n</SPAN><SPAN STYLE="font-size:10pt;font-weight:bold;color:#222222">, </SPAN><SPAN STYLE="font-size:10pt">La Salle University Art Museum, </SPAN><SPAN STYLE="font-size:10pt;color:#222222">December 16, 2015 through March 4, 2016:<BR/><BR/></SPAN><SPAN STYLE="font-size:10pt">Spruance was a Philadelphia painter and printmaker based in Germantown. He studied painting at PAFA, and in his senior year he won a scholarship which enabled him to travel to France. He taught at Beaver College (now Arcadia University) and the Philadelphia College of Art, and was known for his innovations in color lithography. This drawing was the basis for a lithograph called The Burning Harpoon, published in 1968 as part of a set of 26 fine art lithographs illustrating Herman Melville’s novel, Moby Dick: The Passion of Ahab. This set of haunting images was among the final works of Spruance, who died before the project was completed. <BR/></SPAN></SPAN>", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88-D-328.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88-D-328.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88-D-328.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88-D-328.jpg", "IsPrimary" : "1", "_SurrogateID" : "1865", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3325, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3325", "Disp_Access_No" : "96-D-379", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "#4 New York- 10th Street Grey Overcast", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Doris Staffel", "Sort_Artist" : "Staffel, Doris", "Disp_Dimen" : "14 3/4 x 11 in. (37.5 x 27.9 cm)", "Disp_Height" : "14 3/4 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor", "Support" : "", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "Gift of Ronald Rumford", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96-D-379.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96-D-379.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96-D-379.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96-D-379.jpg", "IsPrimary" : "1", "_SurrogateID" : "1563", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1657, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1657", "Disp_Access_No" : "76-D-102", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : ""Project-Altar Design"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Stankiewicz", "Sort_Artist" : "Stankiewicz, Richard", "Disp_Dimen" : "11 5/8 x 16 3/4 in. 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", "Dedication" : "Gift of Victoria Donohoe", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-D-102.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-D-102.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-D-102.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-D-102.jpg", "IsPrimary" : "1", "_SurrogateID" : "1451", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4439, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4439", "Disp_Access_No" : "15-D-458", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Cadmus Saw Harmonia", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Virginia Sterrett", "Sort_Artist" : "Sterrett, Virginia", "Disp_Dimen" : "14 1/4 x 10 3/4 in. (36.2 x 27.3 cm)", "Disp_Height" : "14 1/4 in.", "Disp_Width" : "10 3/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Gouache, pen and ink", "Support" : "illustration board", "Disp_Medium" : "Gouache, pen and ink on illustration board", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">"Cadmus beheld a female figure, wonderfully beautiful"<BR/>Frontispiece to "Tanglewood Tales" by Nathaniel Hawthorne (Philadelphia: Penn Publishing, 1921)<BR/><BR/>Label from</SPAN><SPAN STYLE="font-size:10pt;font-style:italic;color:#222222"> American Originals: Works on Paper from the Permanent Collectio</SPAN><SPAN STYLE="font-size:10pt;color:#222222">n</SPAN><SPAN STYLE="font-size:10pt;font-weight:bold;color:#222222">, </SPAN><SPAN STYLE="font-size:10pt">La Salle University Art Museum, </SPAN><SPAN STYLE="font-size:10pt;color:#222222">December 16, 2015 through March 4, 2016:</SPAN><SPAN STYLE="font-size:10pt"><BR/><BR/>From early on in life, Sterrett had a passion for art. While in high school she received a scholarship to attend the Art Institute of Chicago. She received her first commission from the Penn Publishing Company to illustrate </SPAN><SPAN STYLE="font-size:10pt;font-style:italic">Old French Fairy Tales</SPAN><SPAN STYLE="font-size:10pt"> (1920). She was 19 years old and had recently been diagnosed with tuberculosis. She was soon commissioned to make illustrations for another book, Tanglewood Tales, by Nathaniel Hawthorne. Unfortunately, while her art was on the rise, her health was on the decline; and her illness greatly affected the rate at which she could complete her drawings. She left commissions uncompleted at her death in 1931.<BR/><BR/>Sterrett’s illustrations for the </SPAN><SPAN STYLE="font-size:10pt;font-style:italic">Tanglewood Tales</SPAN><SPAN STYLE="font-size:10pt"> reveal the influence of European design styles such as Art Nouveau and Art Deco. Art Nouveau (also known as Jugendstil), which reached the height of its popularity from 1890 to 1910, was inspired by organic forms, such as plants and flowers, and emphasized harmony with nature. In contrast, the Art Deco style, which developed around 1915 and became influential in the 1920s and 1930s, employed a more geometric visual language celebrating industrial order and embracing modern technologies. In Cadmus Saw Harmonia, the vertical columns and the checkerboard-patterned floor emphasize the ordered nature of Cadmus’ palace, while the flowers on Harmonia’s cloak and on the curtain of the arched doorway highlight the beautiful appearance of this royal stranger described in Hawthorne’s story of “The Dragon’s Teeth.”<BR/></SPAN></SPAN>", "Dedication" : "Purchased with funds from the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15-D-458.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15-D-458.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15-D-458.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15-D-458.jpg", "IsPrimary" : "1", "_SurrogateID" : "3417", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4440, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4440", "Disp_Access_No" : "15-D-459", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Prosperpina Refuses the Pomegranate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Virginia Sterrett", "Sort_Artist" : "Sterrett, Virginia", "Disp_Dimen" : "14 1/4 x 10 1/2 in. (36.2 x 26.7 cm)", "Disp_Height" : "14 1/4 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "Sheet", "Medium" : "Gouache, pen and ink", "Support" : "illustration board", "Disp_Medium" : "Gouache, pen and ink on illustration board", "Info_Page_Comm" : ""'I shall not touch it, I assure you,' said she" Page 200, "Tanglewood Tales" by Nathaniel Hawthorne (Philadelphia: Penn Publishing, 1921) Art Nouveau was a short-lived but popular art movement in the late 19th and early 20th century in America and Europe. Prosperina Refuses the Pomegranate characterizes the Art Nouveau style with its asymmetry, contrasting colors, flat yet ornate patterns, and rhythmic movement of the branches that flow and curl in the background. This illustration for the Tanglewood Tales, a children’s mythology book, tells the story of Proserpina, the Roman goddess of spring, who has been kidnapped by Pluto, the god of the Underworld. While the story is hardly a feminist one, Sterrett portrayed her as the femme nouvelle (new woman), the ideal Western woman who rejects traditional femininity. As depicted by a female artist, Proserpina has agency and refuses Pluto’s hand in marriage. The asymmetry places more objects on Proserpina’s side, suggesting her strength. Pluto may have all the riches and the power in the Underworld but Proserpina is the one refusing to give him what he wants most. Liana Rose D. 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Watson", "Sort_Artist" : "Watson, Richard J.", "Disp_Dimen" : "10 x 6 in. (25.4 x 15.2 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "Sheet", "Medium" : "Acrylic and watercolor", "Support" : "paper", "Disp_Medium" : "Acrylic and watercolor on paper", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label from</SPAN><SPAN STYLE="font-size:10pt;font-style:italic;color:#222222"> American Originals: Works on Paper from the Permanent Collectio</SPAN><SPAN STYLE="font-size:10pt;color:#222222">n</SPAN><SPAN STYLE="font-size:10pt;font-weight:bold;color:#222222">, </SPAN><SPAN STYLE="font-size:10pt">La Salle University Art Museum, </SPAN><SPAN STYLE="font-size:10pt;color:#222222">December 16, 2015 through March 4, 2016:<BR/><BR/></SPAN><SPAN STYLE="font-size:10pt">Born in a rural area of North Carolina, Watson studied at the Fleisher Art Memorial and PAFA. 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Searle often listened to jazz as he worked, and music was an integral part of his life. In the 1970s he played percussion with the Afro-American Dance Ensemble in the Ile Ife Cultural Center in Germantown. 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