{ "objects" : [ { "embark_ID" : 79, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/79", "Disp_Access_No" : "01-P-474(1-3)", "_AccNumSort1" : "", "Disp_Create_DT" : "1953", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1953", "Disp_Title" : "Haitian Voodoo Spirits", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul F., Jr. Keene", "Sort_Artist" : "Keene, Paul F., Jr.", "Disp_Dimen" : "69 1/4 x 80 in. (175.9 x 203.2 cm)", "Disp_Height" : "69 1/4 in.", "Disp_Width" : "80 in.", "Dimen_Extent" : "(all three panels)", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Gallery Label: Keene was born in Philadelphia and earned a B.A. and a M.F.A. from Temple University's Tyler School of Art, both in 1948. He served as a Tuskegee Airman in World War II, and then lived several years in Paris and in Haiti before returning to teach at Philadelphia College of Art and Bucks County Community College. Keene’s artworks were inspired by his personal experiences at home and abroad. He was particularly captivated by the religions and musical traditions he encountered in his travels. In this artwork Keene highlights on the themes of religion and music through the incorporation of Haitian Voodoo subjects and ritualistic symbols. Several haloed musicians engage in drumming practices often associated with Haitian rituals and ceremonies. The middle panel features two symbols of Haitian Voodoo gods, Damballah and Ayida. The ancient male and female counterparts, symbolically represented as snakes, embody the cosmos coiled around the world. Keene also symbolically integrates Christianity by including Trinitarian references such as the tripartite composition and the addition of three drummers in the far right panel. - Tricia Sackor, Intern, Class of 2017 ", "Dedication" : "Gift of Benjamin D. Bernstein and Robin J. Bernstein", "Copyright_Type" : "© La Salle University Art Museum/ artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/01-P-474.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/01-P-474.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/01-P-474.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/01-P-474.jpg", "IsPrimary" : "1", "_SurrogateID" : "312", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3040", "Disp_Access_No" : "91-P-377", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "The Sorceress", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul F., Jr. Keene", "Sort_Artist" : "Keene, Paul F., Jr.", "Disp_Dimen" : "23 1/4 x 15 1/4 in. (59.1 x 38.7 cm)", "Disp_Height" : "23 1/4 in.", "Disp_Width" : "15 1/4 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Benjamin D. Bernstein", "Copyright_Type" : "© La Salle University Art Museum/ artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91-P-377.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91-P-377.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91-P-377.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91-P-377.jpg", "IsPrimary" : "1", "_SurrogateID" : "244", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3144", "Disp_Access_No" : "92-P-394", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "A Winter Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis B. Sloan", "Sort_Artist" : "Sloan, Louis B.", "Disp_Dimen" : "10 3/4 x 11 1/2 in. (27.3 x 29.2 cm)", "Disp_Height" : "10 3/4 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "Gallery Label: A native of Philadelphia, Sloan began attending classes at the Fleisher School of Art when he was 11 years of age. He was the first African American to teach painting at the Pennsylvania Academy of the Fine Arts (PAFA), from 1962-1997. During this period, he also worked as a Painting Conservator at the Philadelphia Museum of Art. In his retirement, Sloan devoted much of his time to painting landscapes infused with a poetic and ephemeral atmosphere, but also evocative of a particular season, as in this winter scene in the pine barrens of New Jersey.", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92-P-394.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92-P-394.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92-P-394.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92-P-394.jpg", "IsPrimary" : "1", "_SurrogateID" : "258", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3252", "Disp_Access_No" : "94-P-411", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "Still Life", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alma Thomas", "Sort_Artist" : "Thomas, Alma", "Disp_Dimen" : "23 1/2 x 19 1/2 in. (59.7 x 49.5 cm)", "Disp_Height" : "23 1/2 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Joseph N. Gennett", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-P-411.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-P-411.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-P-411.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-P-411.jpg", "IsPrimary" : "1", "_SurrogateID" : "268", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3253, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3253", "Disp_Access_No" : "94-P-412", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Still Life with Mask and Red Jar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alma Thomas", "Sort_Artist" : "Thomas, Alma", "Disp_Dimen" : "39 1/2 x 27 1/2 in. (100.3 x 69.9 cm)", "Disp_Height" : "39 1/2 in.", "Disp_Width" : "27 1/2 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "Gallery Label: Thomas is best known for large mosaic-like abstractions that are sometimes associated with Color Field Painting. As La Salle’s holdings demonstrate, however, she could also use color for expressionistic effect in figurative work. Despite studying and making art and teaching art to children from young adulthood on, her career as a serious painter really only began at age 60. Her art career accelerated when she retired from public school teaching and had her first single-artist exhibition eight years later in 1960. She went on to become the first African-American woman to have a solo exhibition at the Whitney Museum of American Art in 1972 at age 80. ", "Dedication" : "Gift of Joseph N. Gennett", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-P-412.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-P-412.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-P-412.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-P-412.jpg", "IsPrimary" : "1", "_SurrogateID" : "269", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3254", "Disp_Access_No" : "94-P-413", "_AccNumSort1" : "", "Disp_Create_DT" : "Mid 20th Century", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1966", "Disp_Title" : "Female Nude Standing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alma Thomas", "Sort_Artist" : "Thomas, Alma", "Disp_Dimen" : "40 1/2 x 24 5/8 in. (102.9 x 62.5 cm)", "Disp_Height" : "40 1/2 in.", "Disp_Width" : "24 5/8 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : " Thomas was born in Columbus, GA, grew up in Washington, DC, and earned a B.A. from Howard University in 1921. In 1924, she began a 35 year career teaching art at a D.C. junior high school. Teaching allowed her to support herself while pursuing her own painting part-time. Thomas became an important role model for women, African Americans, and other artists. She was the first African American woman to have a solo exhibition at New York’s Whitney Museum of American Art in 1972, and she exhibited her paintings at the White House three times. In Female Nude Standing, Thomas presents a painterly sketch of a nude woman using white colors surrounded by vibrant patches of reds and oranges. Thomas’ early artworks were representational, though her Howard University professors challenged her to experiment with abstraction. Female Nude Standing was created when Thomas had just begun to experiment with abstraction. It was not until she retired from teaching in 1960 and was able to concentrate on her artistic career full-time, that she finally developed her signature abstract style. -Dominique Adams, Class of 2017 Curatorial Intern ", "Dedication" : "Gift of Joseph N. Gennett", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-P-413.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-P-413.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-P-413.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-P-413.jpg", "IsPrimary" : "1", "_SurrogateID" : "270", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3255, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3255", "Disp_Access_No" : "94-P-414", "_AccNumSort1" : "", "Disp_Create_DT" : "Mid 20th Century", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1966", "Disp_Title" : "Female Nude Sitting (Reclining)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alma Thomas", "Sort_Artist" : "Thomas, Alma", "Disp_Dimen" : "17 1/2 x 23 1/2 in. (44.5 x 59.7 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Joseph N. Gennett", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-P-414.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-P-414.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-P-414.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-P-414.jpg", "IsPrimary" : "1", "_SurrogateID" : "271", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3249", "Disp_Access_No" : "94-P-405", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "Misty Morning (North Carolina)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard J. Watson", "Sort_Artist" : "Watson, Richard J.", "Disp_Dimen" : "11 1/2 x 10 1/8 in. (29.2 x 25.7 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "10 1/8 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Gallery Label: Born in a rural area of North Carolina, Watson studied at the Fleisher Art Memorial and the Pennsylvania Academy of the Fine Arts (PAFA). He has worked at the African American Museum in Philadelphia for many years, most recently as Exhibitions Manager and Artist-in-Residence. In 1983, Watson became a member of Recherché, a Philadelphia exhibition group dedicated to showing the diversity of work by African American artists, inclusive of both representational and abstract art. He has painted murals at various institutions, such as the Church of the Advocate in North Philadelphia, which reflect his concern for social justice issues in an urban environment. This painting suggests the artist’s development from representational work to a more abstract personal style evoking feelings and memories.", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-P-405.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-P-405.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-P-405.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-P-405.jpg", "IsPrimary" : "1", "_SurrogateID" : "265", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 57, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/57", "Disp_Access_No" : "00-P-469", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "New Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walter H. Williams", "Sort_Artist" : "Williams, Walter H.", "Disp_Dimen" : "31 5/8 x 35 1/2 in. (80.3 x 90.2 cm)", "Disp_Height" : "31 5/8 in.", "Disp_Width" : "35 1/2 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>Williams was an important African American artist, known for his idyllic images of carefree children and sunflowers. After completing his studies at the Brooklyn Museum School, he traveled to Mexico, London, Rome, and Copenhagen, where he eventually settled and spent the remainder of his life. <SPAN STYLE="font-style:italic">New Da</SPAN>y, painted early in Williams’ career, depicts a salesman at a fruit and vegetable stand, with the orange and red colors of the early morning sun saturating the scene. The painting was exhibited in the Annual Exhibition at the Whitney Museum of American Art in 1955.<BR/><BR/><SPAN STYLE="font-style:italic">This painting was conserved with support from the Stockman Family Foundation in 2012. For details, visit our online conservation exhibit: http://artmuseum.lasalle.edu", "Dedication" : "Gift of Benjamin D. Bernstein", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/00-P-469.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/00-P-469.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/00-P-469.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/00-P-469.jpg", "IsPrimary" : "1", "_SurrogateID" : "8", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8113", "Disp_Access_No" : "17-P-592", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Two Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Robert Searles", "Sort_Artist" : "Searles, Charles Robert", "Disp_Dimen" : "12 x 10 in. (30 x 25 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Matilda Petty", "Copyright_Type" : "Artwork © Searles Spicer Estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/17-P-592.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/17-P-592.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/17-P-592.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/17-P-592.jpg", "IsPrimary" : "1", "_SurrogateID" : "9382", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8304, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8304", "Disp_Access_No" : "17-P-606", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Dancer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Robert Searles", "Sort_Artist" : "Searles, Charles Robert", "Disp_Dimen" : "73 x 49 in. (185 x 124 cm)", "Disp_Height" : "73 in.", "Disp_Width" : "49 in.", "Dimen_Extent" : "", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : " Searles’ first visit to West Africa in 1972 had a major impact on his work. He was intrigued by the way that Africans dressed. They did not pair solid pants with a patterned blouse as we would in Western culture, but instead mixed patterns to create completely unique combinations. By setting patterns next to each other in his paintings and sculptures, Searles incorporated these African influences. Searles often listened to jazz as he worked, and music was an integral part of his life. In the 1970s, he played percussion with the Afro-American Dance Ensemble at the Ile Ife Cultural Center in Germantown. His dancer paintings were inspired by the Ile Ife dancers, with colorful visual repetitions evoking the rhythms of percussion. ", "Dedication" : "Purchased with funds provided by the Art Angels; Partial Gift of Barbara J. Bullock", "Copyright_Type" : "Artwork © Searles Spicer Estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/17-P-606.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/17-P-606.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/17-P-606.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/17-P-606.jpg", "IsPrimary" : "1", "_SurrogateID" : "10351", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3782, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3782", "Disp_Access_No" : "19-P-611", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Untitled (African American Youth)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andrew Turner", "Sort_Artist" : "Turner, Andrew", "Disp_Dimen" : "9 1/2 x 11 1/2 in. (24.1 x 29.2 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Father Thomas Loughrey, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }