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The model for <SPAN STYLE="font-style:italic">Artist in her Studi</SPAN>o is believed to be the artist’s wife, Pauline Croizette, who declared her profession as an artist on their marriage certificate and continued to exhibit works in the Salon after their marriage.<BR/><BR/><BR/><BR/></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71-P-84.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71-P-84.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71-P-84.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71-P-84.jpg", "IsPrimary" : "1", "_SurrogateID" : "102", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2769, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2769", "Disp_Access_No" : "85-P-315", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Self-portrait with Father and Son", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bo Bartlett", "Sort_Artist" : "Bartlett, Bo", "Disp_Dimen" : "11 1/4 x 15 3/4 in. (28.6 x 40 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "15 3/4 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Gallery Label: Born in Georgia, Bartlett studied under Sidney Goodman and other realist painters at the Pennsylvania Academy of the Fine Arts. He later apprenticed under Nelson Shanks, founder of Studio Incamminati in Philadelphia. Bartlett’s work recalls American realist traditions, as defined by artists such as Thomas Eakins and Andrew Wyeth. His preference for the familiar subjects of home, family, and friends prevails in his monumental canvases (see Olney Hall Lobby for three examples) and in this intimate self-portrait as well. ", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85-P-315.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85-P-315.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85-P-315.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85-P-315.jpg", "IsPrimary" : "1", "_SurrogateID" : "204", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3051", "Disp_Access_No" : "91-P-389", "_AccNumSort1" : "", "Disp_Create_DT" : "1838", "_Disp_Start_Dat" : "1838", "_Disp_End_Date" : "1838", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Peale", "Sort_Artist" : "Peale, Rembrandt", "Disp_Dimen" : "17 1/2 x 14 1/2 in. (44.5 x 36.8 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "14 1/2 in.", "Dimen_Extent" : "window opening-oval", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gallery Label: Rembrandt was the second son of Charles Willson Peale. He was born in Bucks County and spent much of his career in Philadelphia. He is best known for the portrait of George Washington he painted as a teenager working alongside his father who was completing a commissioned portrait of the first President. In 1814, Rembrandt opened the first museum in North America designed specifically to exhibit art, known as "Peale's Baltimore Museum and Gallery of Fine Arts.” He painted this relatively informal, intimate self-portrait for his niece and art pupil, Mary, daughter of his brother and fellow-painter Rubens Peale. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91-P-389.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91-P-389.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91-P-389.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91-P-389.jpg", "IsPrimary" : "1", "_SurrogateID" : "254", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/777", "Disp_Access_No" : "11-P-546", "_AccNumSort1" : "", "Disp_Create_DT" : "1871", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1871", "Disp_Title" : "Whistler by the Thames, 1871", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Greaves,Walter", "Sort_Artist" : "Greaves,Walter", "Disp_Dimen" : "23 3/8 x 19 3/8 in. (59.4 x 49.2 cm)", "Disp_Height" : "23 3/8 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "window opening", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>One can imagine James McNeill Whistler posing for this portrait, seated on the balcony of his London flat overlooking the Thames River. But the circumstances surrounding the painting’s origins are shrouded in mystery. During the 1860s and 1870s, Walter and his brother Henry Greaves were ardent students of Whistler, assisting with major commissions such as the Peacock Room. However, their relationship became estranged in the 1880s, and Walter Greaves fell into poverty, though he continued painting portraits of Whistler from memory. Following the discovery of rolls of canvases at a London pawn shop, the Goupil Gallery offered Greaves an exhibition in 1911, requiring him to sign and date many of the paintings retroactively. While the exhibition was a success, the detection that a key painting had been misdated ultimately led to a scandal, raising questions about the chronology as well as authorship of some of the paintings. <BR/><BR/>This was one of 14 paintings by Greaves that were purchased by the Rosenbach Museum co-founder Philip H. Rosenbach in 1911, which he was unable to resell due to the scandal. In 2010, with the approval of its Board of Trustees, Rosenbach Museum and Library deaccessioned all of its paintings by Greaves, auctioning off all except one that they considered the finest, which they gifted to La Salle University. It is a fascinating example of British Aestheticism, highly evocative of Whistler’s work, with an interesting and enigmatic history.<BR/><BR/><SPAN STYLE="font-style:italic">This painting was conserved with support from the Irwin Nat and Marjorie M. Pincus Endowment and the Art Angels in 2011. 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