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It bears an inscription that reads “Droit et Avant”(“Right and Front”), surely a reference to his readiness for battle. Behind him, through an open window, are dark and bil­lowing clouds above the ocean coast. This may refer to the Arundel’s land in West Sussex along the southeast coast of England. <BR/><BR/>This print is one of over 100 from an edition of </SPAN><SPAN STYLE="font-size:10pt;font-style:italic">Icono­graphia.</SPAN><SPAN STYLE="font-size:10pt"> This was a series of portraits that, at Van Dyck’s instigation, was first published between 1626 and 1635. It includes engravings and etchings of famous men, and some women, who achieved greatness as princes and nobles, statesmen and military leaders, or scholars and artists. Although some 20 prints were etched by Van Dyck in his signature sketchy style, the majority, like this print by Pierre Lombart, were engraved in a more traditional way. <BR/><BR/>Kelly Sheehan, '15<BR/></SPAN></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14-G-3658.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14-G-3658.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14-G-3658.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14-G-3658.jpg", "IsPrimary" : "1", "_SurrogateID" : "3675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 377, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/377", "Disp_Access_No" : "08-O-208", "_AccNumSort1" : "", "Disp_Create_DT" : "early 17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1632", "Disp_Title" : "Portrait of a Courtier", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Indian, Mughal School", "Sort_Artist" : "Unknown, Indian, Mughal School", "Disp_Dimen" : "11 3/4 x 10 1/2 in. 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With one line, beginning at the center of the composition on the tip of Christ’s nose and spiraling outward, the printmaker cre­ated the image of the impression made by Christ’s face on St. Veronica’s veil, providing what is thought to be His only authentic portrait. <BR/><BR/>The inscription “Formatur unicus una, non alter” in­forms us that the composition was completed with one line, and dares others to replicate it. 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