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(34.3 x 25.1 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "9 7/8 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>Van Dyck had a successful career in England as well as in his native Flanders, and he was known for his stunning life-size portrait paintings. <BR/><BR/>He produced many portraits of the Arundel family, whose figurehead, Sir Thomas Howard, was one of the artist’s great patrons. This print after a drawing by Van Dyck is a three-quarter length portrait of Henry Fred­erick Howard, the 22nd Earl of Arundel, the son of Sir Thomas. He wears armor reminiscent of his father’s, as captured in a portrait by Van Dyck’s mentor Peter Paul Rubens. His helmet sits on a column to his right. It bears an inscription that reads “Droit et Avant”(“Right and Front”), surely a reference to his readiness for battle. Behind him, through an open window, are dark and bil­lowing clouds above the ocean coast. This may refer to the Arundel’s land in West Sussex along the southeast coast of England. <BR/><BR/>This print is one of over 100 from an edition of </SPAN><SPAN STYLE="font-size:10pt;font-style:italic">Icono­graphia.</SPAN><SPAN STYLE="font-size:10pt"> This was a series of portraits that, at Van Dyck’s instigation, was first published between 1626 and 1635. It includes engravings and etchings of famous men, and some women, who achieved greatness as princes and nobles, statesmen and military leaders, or scholars and artists. Although some 20 prints were etched by Van Dyck in his signature sketchy style, the majority, like this print by Pierre Lombart, were engraved in a more traditional way. <BR/><BR/>Kelly Sheehan, '15<BR/></SPAN></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14-G-3658.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14-G-3658.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14-G-3658.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14-G-3658.jpg", "IsPrimary" : "1", "_SurrogateID" : "3675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2310, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2310", "Disp_Access_No" : "82-D-196", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 19th Century-Early 20th Century", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1932", "Disp_Title" : "Head of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Besnard", "Sort_Artist" : "Besnard, Albert", "Disp_Dimen" : "15 x 12 1/8 in. (38.1 x 30.8 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "12 1/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Black Chalk on white paper - foxed and faded", "Support" : "", "Disp_Medium" : "Black Chalk on white paper - foxed and faded", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82-D-196.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82-D-196.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82-D-196.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82-D-196.jpg", "IsPrimary" : "1", "_SurrogateID" : "1493", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1294", "Disp_Access_No" : "69-G-257", "_AccNumSort1" : "", "Disp_Create_DT" : "1649", "_Disp_Start_Dat" : "1649", "_Disp_End_Date" : "1649", "Disp_Title" : "The Sudarium, or the Veil of St. Veronica", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Mellan", "Sort_Artist" : "Mellan, Claude", "Disp_Dimen" : "16 3/4 x 12 3/4 in. 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With one line, beginning at the center of the composition on the tip of Christ’s nose and spiraling outward, the printmaker cre­ated the image of the impression made by Christ’s face on St. Veronica’s veil, providing what is thought to be His only authentic portrait. <BR/><BR/>The inscription “Formatur unicus una, non alter” in­forms us that the composition was completed with one line, and dares others to replicate it. Mellan’s biographer Pierre Mariette states that others did try but failed.<BR/><BR/>-Irene Martinez, '14<BR/>-Susan Dixon, Associate Professor and Chair, Department of Fine Arts</SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69-G-257.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69-G-257.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69-G-257.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69-G-257.jpg", "IsPrimary" : "1", "_SurrogateID" : "1910", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1239, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1239", "Disp_Access_No" : "67-G-RS-186", "_AccNumSort1" : "", "Disp_Create_DT" : "1669", "_Disp_Start_Dat" : "1669", "_Disp_End_Date" : "1669", "Disp_Title" : "Abbott Bouchu", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "12 3/4 x 10 1/8 in. 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