{ "objects" : [ { "embark_ID" : 92, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/92", "Disp_Access_No" : "02-P-476", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Florentine Lady in Mourning", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian", "Sort_Artist" : "Unknown, Italian", "Disp_Dimen" : "16 1/4 x 14 1/4 in. (41.3 x 36.2 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>The representation of a woman in mourning was a popular theme in Italian painting, particularly Florentine, addressing issues of loss and death which faced women in the early modern period. It is likely that this kind of image was used to feminize a growing number of independent widows, who outnumbered widowers at the time and challenged traditional gender roles. Images like this perpetuated the depiction of the ideal widow, one which has endured into the contemporary age.<BR/><BR/><SPAN STYLE="font-style:italic">This painting was conserved with support from the Stockman Family Foundation in 2012. For details, visit our online conservation exhibit: http://artmuseum.lasalle.edu", "Dedication" : "Purchased with funds provided by Dr. Paul Rahter", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "Italy", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/02-P-476.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/02-P-476.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/02-P-476.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/02-P-476.jpg", "IsPrimary" : "1", "_SurrogateID" : "13", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/110", "Disp_Access_No" : "03-P-491", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "William Penn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gustavus Hesselius", "Sort_Artist" : "Hesselius, Gustavus", "Disp_Dimen" : "41 x 35 in. (104.1 x 88.9 cm)", "Disp_Height" : "41 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Joanne Porter", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/03-P-491.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/03-P-491.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/03-P-491.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/03-P-491.jpg", "IsPrimary" : "1", "_SurrogateID" : "2354", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 112, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/112", "Disp_Access_No" : "03-P-493", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : "William Logan Fisher (1781-1862)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Street", "Sort_Artist" : "Street, Robert", "Disp_Dimen" : "29 1/2 x 24 1/2 in. (74.9 x 62.2 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : " See the interpretive label written by Sarah Seraphin, MSLS, CA, <i>Rare Materials Librarian, Connelly Library</i>, for the exhibition <i>Teaching and Learning in the Art Museum: La Salle University Faculty Selections</i> in the online exhibition <a href="https://digitalcommons.lasalle.edu/faculty_selections_2018/2/">HERE</a>. William Logan Fisher (1781-1862) and his second wife, Sarah Lindley Fisher (1785-1865), lived at Wakefield, which was first the home of his parents Thomas Fisher (1741-1810) and Sarah Logan (1751-1796). Sarah Logan had inherited the northeastern portion of the Stenton Estate, which belonged to her grandfather James Logan, Secretary to William Penn; it was on this very land that Thomas Fisher built the Wakefield mansion in 1798. The house once stood at the northeast corner of Ogontz and Lindley Avenues, but was unfortunately destroyed by fire in 1985. In 1807 William Logan Fisher inherited Wakefield estate from his father and lived there with his family. In 1826, Fisher purchased Belfield from neighbor Charles Willson Peale, and gifted the house to his daughter, Sarah Logan Fisher (1806-1891) upon her marriage to William Wister (1801-1881) that same year. Fisher’s son Thomas Rodman Fisher (1802-1861) built “Little Wakefield” in 1829, which still stands today on La Salle University campus as St. Mutien Hall. ", "Dedication" : "Gift of Michael T. Fox", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/03-P-493.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/03-P-493.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/03-P-493.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/03-P-493.jpg", "IsPrimary" : "1", "_SurrogateID" : "2323", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/113", "Disp_Access_No" : "03-P-494", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : "Sarah Lindley Fisher (1785-1865)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Street", "Sort_Artist" : "Street, Robert", "Disp_Dimen" : "29 1/2 x 24 1/2 in. (74.9 x 62.2 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : " See the interpretive label written by Sarah Seraphin, MSLS, CA, <i>Rare Materials Librarian, Connelly Library</i>, for the exhibition <i>Teaching and Learning in the Art Museum: La Salle University Faculty Selections</i> in the online exhibition <a href="https://digitalcommons.lasalle.edu/faculty_selections_2018/3/">HERE</a>. William Logan Fisher (1781-1862) and his second wife, Sarah Lindley Fisher (1785-1865), lived at Wakefield, which was first the home of his parents Thomas Fisher (1741-1810) and Sarah Logan (1751-1796). Sarah Logan had inherited the northeastern portion of the Stenton Estate, which belonged to her grandfather James Logan, Secretary to William Penn; it was on this very land that Thomas Fisher built the Wakefield mansion in 1798. The house once stood at the northeast corner of Ogontz and Lindley Avenues, but was unfortunately destroyed by fire in 1985. In 1807 William Logan Fisher inherited Wakefield estate from his father and lived there with his family. In 1826, Fisher purchased Belfield from neighbor Charles Willson Peale, and gifted the house to his daughter, Sarah Logan Fisher (1806-1891) upon her marriage to William Wister (1801-1881) that same year. Fisher’s son Thomas Rodman Fisher (1802-1861) built “Little Wakefield” in 1829, which still stands today on La Salle University campus as St. Mutien Hall. ", "Dedication" : "Gift of Michael T. Fox", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/03-P-494.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/03-P-494.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/03-P-494.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/03-P-494.jpg", "IsPrimary" : "1", "_SurrogateID" : "2324", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/186", "Disp_Access_No" : "05-P-518", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Double Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Susan Moore", "Sort_Artist" : "Moore, Susan", "Disp_Dimen" : "16 x 28 in. (40.6 x 71.1 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Gallery Label: Born in Panama, Moore earned a BFA from Indiana University and an MFA from the University of California. She currently teaches at Temple University’s Tyler School of Art. Her favorite subject is the human figure, and she often focuses on certain body parts, especially faces. Although she refers to her subjects as portraits, she divulges little about her sitters’ inner thoughts or personalities. In this <i>Double Portrait</i>, she juxtaposes two mask-like female faces, encouraging the viewer to make comparisons between the two. Because the figures reveal so little about themselves, the viewer is forced to analyze the image’s formal qualities, including paint texture, color, and form. ", "Dedication" : "Gift of Robert Chamberlain", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/05-P-518.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/05-P-518.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/05-P-518.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/05-P-518.jpg", "IsPrimary" : "1", "_SurrogateID" : "43", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 281, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/281", "Disp_Access_No" : "06-P-524", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Portrait of a Youth "Retrato de un Joven"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francisco Peinado", "Sort_Artist" : "Peinado, Francisco", "Disp_Dimen" : "14 x 12 3/8 in. (35.6 x 31.4 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "12 3/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil, ink", "Support" : "canvas", "Disp_Medium" : "Oil, ink on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Lady Isolde Radzinowicz.", "Copyright_Type" : "© 2016 Artists Rights Society (ARS), New York / VEGAP, Madrid", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/06-P-524.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/06-P-524.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/06-P-524.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/06-P-524.jpg", "IsPrimary" : "1", "_SurrogateID" : "49", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 283, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/283", "Disp_Access_No" : "06-P-526", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Portrait of a Lady Seated on a Balcony in a Blue Dress", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rigot", "Sort_Artist" : "Rigot", "Disp_Dimen" : "23 1/2 x 19 1/4 in. (59.7 x 48.9 cm)", "Disp_Height" : "23 1/2 in.", "Disp_Width" : "19 1/4 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the 1850s, a woman’s ideal silhouette consisted of a small waist, drooping shoulders, and a voluminous skirt. The skirt would get bigger as time went on, and by the mid-decade, it was supported by up to seven petticoats underneath. As a result, silk became a popular material for dresses as it was light enough to hold over many petticoats without losing its shape. The wealthy lady in the painting, evidenced by her footstool and lace, likely had her cashmere shawl imported from India, as the country was known for the high quality and expensive feminine accessory. Alternatively, she could have gotten a cheaper imitation shawl ordered from France, England, and Scotland as well. Another mark of the woman’s wealth are the ‘engageantes’— removable white undersleeves that puff and close at the wrist— here trimmed with ornamental green ribbons. Liana Salazar Class of 2022 Curatorial Intern", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/06-P-526.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/06-P-526.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/06-P-526.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/06-P-526.jpg", "IsPrimary" : "1", "_SurrogateID" : "301", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/777", "Disp_Access_No" : "11-P-546", "_AccNumSort1" : "", "Disp_Create_DT" : "1871", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1871", "Disp_Title" : "Whistler by the Thames, 1871", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Greaves,Walter", "Sort_Artist" : "Greaves,Walter", "Disp_Dimen" : "23 3/8 x 19 3/8 in. (59.4 x 49.2 cm)", "Disp_Height" : "23 3/8 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "window opening", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>One can imagine James McNeill Whistler posing for this portrait, seated on the balcony of his London flat overlooking the Thames River. But the circumstances surrounding the painting’s origins are shrouded in mystery. During the 1860s and 1870s, Walter and his brother Henry Greaves were ardent students of Whistler, assisting with major commissions such as the Peacock Room. However, their relationship became estranged in the 1880s, and Walter Greaves fell into poverty, though he continued painting portraits of Whistler from memory. Following the discovery of rolls of canvases at a London pawn shop, the Goupil Gallery offered Greaves an exhibition in 1911, requiring him to sign and date many of the paintings retroactively. While the exhibition was a success, the detection that a key painting had been misdated ultimately led to a scandal, raising questions about the chronology as well as authorship of some of the paintings. <BR/><BR/>This was one of 14 paintings by Greaves that were purchased by the Rosenbach Museum co-founder Philip H. Rosenbach in 1911, which he was unable to resell due to the scandal. In 2010, with the approval of its Board of Trustees, Rosenbach Museum and Library deaccessioned all of its paintings by Greaves, auctioning off all except one that they considered the finest, which they gifted to La Salle University. It is a fascinating example of British Aestheticism, highly evocative of Whistler’s work, with an interesting and enigmatic history.<BR/><BR/><SPAN STYLE="font-style:italic">This painting was conserved with support from the Irwin Nat and Marjorie M. Pincus Endowment and the Art Angels in 2011. For details, visit our online conservation exhibit: http://artmuseum.lasalle.edu", "Dedication" : "Gift of the Rosenbach Museum and Library", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/11-P-546.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/11-P-546.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/11-P-546.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/11-P-546.jpg", "IsPrimary" : "1", "_SurrogateID" : "67", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1262", "Disp_Access_No" : "67-P-18", "_AccNumSort1" : "", "Disp_Create_DT" : "1948", "_Disp_Start_Dat" : "1948", "_Disp_End_Date" : "1948", "Disp_Title" : "Man in the Blue Shirt, Bobby Fields", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Julius Bloch", "Sort_Artist" : "Bloch, Julius", "Disp_Dimen" : "28 x 22 1/8 in. (71.1 x 56.2 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "22 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gallery Label: Bloch was an important social realist artist known for his sympathetic portrayals of poor and oppressed working class people, particularly African Americans. Born in Germany, he immigrated to Philadelphia with his Jewish family in 1893. He worked for the Federal Art Project during the Great Depression and was “widely recognized for his psychological character studies of the Negro,” as noted by distinguished African American educator Alain Locke in 1940. Bloch was influenced by American realist artists such as Thomas Eakins, and he taught painting at the Pennsylvania Academy of the Fine Arts from 1947-1962. This portrait of Bobby Fields belongs to a number of portraits of African Americans that Bloch made during these years, including a portrait of the artist Horace Pippin, who had recently risen to fame. ", "Dedication" : "Gift of the Estate of Julius Bloch", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67-P-18.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67-P-18.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67-P-18.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67-P-18.jpg", "IsPrimary" : "1", "_SurrogateID" : "89", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1264", "Disp_Access_No" : "67-P-21", "_AccNumSort1" : "", "Disp_Create_DT" : "Early 19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1832", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "26 5/8 x 19 7/8 in. (67.6 x 50.5 cm)", "Disp_Height" : "26 5/8 in.", "Disp_Width" : "19 7/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67-P-21.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67-P-21.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67-P-21.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67-P-21.jpg", "IsPrimary" : "1", "_SurrogateID" : "90", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1303, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1303", "Disp_Access_No" : "69-P-56", "_AccNumSort1" : "", "Disp_Create_DT" : "1640", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "Pieter Cornelisz. Hooft (1581-1647)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Michiel Jansz. van Miereveld", "Sort_Artist" : "Miereveld, Michiel Jansz. van", "Disp_Dimen" : "26 1/2 x 22 in. (67.3 x 55.9 cm)", "Disp_Height" : "26 1/2 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69-P-56.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69-P-56.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69-P-56.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69-P-56.jpg", "IsPrimary" : "1", "_SurrogateID" : "96", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1369, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1369", "Disp_Access_No" : "71-P-84", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century (c.1880)", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Portrait of an Artist in Her Studio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Emile-August Carolus-Duran", "Sort_Artist" : "Carolus-Duran, Charles Emile-August", "Disp_Dimen" : "45 1/2 x 34 1/8 in. (115.6 x 86.7 cm)", "Disp_Height" : "45 1/2 in.", "Disp_Width" : "34 1/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>Carolus-Duran was a friend of avant-garde painters, but his more academic style reflects his decision to pursue lucrative commissions as a society portraitist. His work combines elements of contemporary Impressionism with more conventional painting techniques. The artist’s use of quick, loose brushwork owes at least as much, however, to Spanish old masters such as Diego Velásquez, whose work Carolus-Duran greatly admired, as to contemporaries such as Edouard Manet. 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(74.6 x 61.6 cm)", "Disp_Height" : "29 3/8 in.", "Disp_Width" : "24 1/4 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. William Serri", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71-P-85.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71-P-85.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71-P-85.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71-P-85.jpg", "IsPrimary" : "1", "_SurrogateID" : "103", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1446, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1446", "Disp_Access_No" : "72-P-100", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Br. Daniel Bernian, F.S.C.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Hanes", "Sort_Artist" : "Hanes, James", "Disp_Dimen" : "22 1/4 x 17 1/4 in. (56.5 x 43.8 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "17 1/4 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72-P-100_detail.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72-P-100_detail.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72-P-100_detail.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72-P-100_detail.jpg", "IsPrimary" : "1", "_SurrogateID" : "293", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1448, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1448", "Disp_Access_No" : "72-P-95", "_AccNumSort1" : "", "Disp_Create_DT" : "Early 20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1932", "Disp_Title" : "Sketch of Lord Milner", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir William Orpen", "Sort_Artist" : "Orpen, Sir William", "Disp_Dimen" : "10 1/4 x 8 1/4 in. (26 x 21 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "Canvas", "Disp_Medium" : "Oil on Canvas", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72-P-95_detail.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72-P-95_detail.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72-P-95_detail.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72-P-95_detail.jpg", "IsPrimary" : "1", "_SurrogateID" : "292", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1512, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1512", "Disp_Access_No" : "73-P-109", "_AccNumSort1" : "", "Disp_Create_DT" : "1797", "_Disp_Start_Dat" : "1797", "_Disp_End_Date" : "1797", "Disp_Title" : "The Artist Georges Michel and Son, 1797", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Marie Degault", "Sort_Artist" : "Degault, Jean-Marie", "Disp_Dimen" : "9 1/2 x 7 in. 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(105.1 x 74 cm)", "Disp_Height" : "41 3/8 in.", "Disp_Width" : "29 1/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>Pendant portraits like this one of a married couple were very popular at the time. In their original setting, the portraits would have faced one another, perhaps on either side of a fireplace or chimneypiece. Usually, the woman’s portrait would hang at right, the man’s at left. From the sitter’s perspective, this placed the woman on the man’s left-hand, or lesser side, according to theological and social formulas, which prized the right-hand position. 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(91.4 x 76.2 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Artist", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73-P-112.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73-P-112.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73-P-112.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73-P-112.jpg", "IsPrimary" : "1", "_SurrogateID" : "112", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1520, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1520", "Disp_Access_No" : "73-P-122", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : ""Portrait of a Lady", Lady Elizabeth Foster, later Duchess of Devonshire", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard, R.A. 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(75.2 x 62.5 cm)", "Disp_Height" : "29 5/8 in.", "Disp_Width" : "24 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73-P-122.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73-P-122.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73-P-122.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73-P-122.jpg", "IsPrimary" : "1", "_SurrogateID" : "115", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1521, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1521", "Disp_Access_No" : "73-P-124", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "George Roberts Barratt", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Henry Harlow", "Sort_Artist" : "Harlow, George Henry", "Disp_Dimen" : "29 1/2 x 24 5/8 in. (74.9 x 62.5 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "24 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73-P-124.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73-P-124.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73-P-124.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73-P-124.jpg", "IsPrimary" : "1", "_SurrogateID" : "116", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1528, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1528", "Disp_Access_No" : "73-P-133", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century-20th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1999", "Disp_Title" : "Portrait of a Boy (Portrait of a Small Boy)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, French", "Sort_Artist" : "Unknown, French", "Disp_Dimen" : "18 1/2 x 15 in. (47 x 38.1 cm)", "Disp_Height" : "18 1/2 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "Unframed", "Medium" : "Oil", "Support" : "Canvas", "Disp_Medium" : "Oil on Canvas", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73-P-133.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73-P-133.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73-P-133.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73-P-133.jpg", "IsPrimary" : "1", "_SurrogateID" : "123", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1565, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1565", "Disp_Access_No" : "74-P-140", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Portait of a Woman with Brooch", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Cornelis de Vos", "Sort_Artist" : "Vos, Cornelis de", "Disp_Dimen" : "22 1/4 x 17 3/4 in. 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(39.4 x 29.2 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. David Souser", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90-P-366.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90-P-366.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90-P-366.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90-P-366.jpg", "IsPrimary" : "1", "_SurrogateID" : "235", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3009, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3009", "Disp_Access_No" : "90-P-371", "_AccNumSort1" : "", "Disp_Create_DT" : "1792", "_Disp_Start_Dat" : "1792", "_Disp_End_Date" : "1792", "Disp_Title" : "David Gelston", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Willson Peale", "Sort_Artist" : "Peale, Charles Willson", "Disp_Dimen" : "25 5/8 x 21 5/8 in. 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The 47-year-old Gelston was a member of the New York State Senate when he commissioned Peale to paint his and his wife and child's portraits in 1792.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90-P-371.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90-P-371.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90-P-371.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90-P-371.jpg", "IsPrimary" : "1", "_SurrogateID" : "238", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3012, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3012", "Disp_Access_No" : "90-P-374", "_AccNumSort1" : "", "Disp_Create_DT" : "Early 19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1832", "Disp_Title" : "Ann Emily Rush", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Peale", "Sort_Artist" : "Peale, James", "Disp_Dimen" : "29 x 24 5/8 in. 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Over the years he gradually gave hundreds of paintings, prints, and sculptures to the La Salle University Art Museum. In addition, he set up the Benjamin D. Bernstein Acquisition Fund to enable the Art Museum to purchase further works. In gratitude for his generosity, the University gave him an honorary degree and the Art Museum named its 20th Century Gallery after him. In this portrait, Bernstein sits in front of the print, <i>Le Matador</i>, by Joan Miró, which he donated to the Art Museum in 2001. ", "Dedication" : "Gift of Benjamin D. 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In 1965, following an Honors Convocation where famed American painter Andrew Wyeth and art collector Lessing J. Rosenwald received honorary degrees, Br. Daniel announced the College’s intention to build a permanent art collection. Over the years, he bought carefully, accepted gifts of artwork, and traded up wisely—developing the art collection to serve the educational needs of a “teaching” museum. The artist, James Hanes, was a founding member of La Salle’s Fine Arts Department. He was also instrumental in growing La Salle’s art collection. He served as an early acquisitions advisor, and often arranged funding and donations for the collection. 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(10.8 x 8.3 cm)", "Disp_Height" : "4 1/4 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "Frame", "Medium" : "Watercolor", "Support" : "Ivory", "Disp_Medium" : "Watercolor on Ivory", "Info_Page_Comm" : "Probably Jules Desnoyers (1800-1887)", "Dedication" : "Purchased with funds provided by John D. Rilling ('87) and Maureen Ryan Rilling ('88) in honor of Brother Daniel Burke, F.S.C.", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15-P-577.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15-P-577.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15-P-577.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15-P-577.jpg", "IsPrimary" : "1", "_SurrogateID" : "3493", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15-P-577_reverse.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15-P-577_reverse.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15-P-577_reverse.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15-P-577_reverse.jpg", "IsPrimary" : "0", "_SurrogateID" : "3494", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5093", "Disp_Access_No" : "15-P-585", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Portrait of Helena Lawrence Holmes Penington (1769-1852)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sarah Miriam Peale", "Sort_Artist" : "Peale, Sarah Miriam", "Disp_Dimen" : "24 x 17 1/2 in. 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In 1824, Sarah and Anna became the first two female members of the Pennsylvania Academy of the Fine Arts. <BR/><BR/>This portrait was probably painted by Sarah at a young age, and was possibly painted together with Anna and instruction from their father.<SPAN STYLE="font-family:'Book Antiqua';font-size:16pt"><BR/></SPAN></SPAN>", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15-P-585.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15-P-585.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15-P-585.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15-P-585.jpg", "IsPrimary" : "1", "_SurrogateID" : "5217", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }