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(16.5 x 10.2 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Ink wash", "Support" : "blue paper", "Disp_Medium" : "Ink wash on blue paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Pat Wells", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/05-D-419.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/05-D-419.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/05-D-419.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/05-D-419.jpg", "IsPrimary" : "1", "_SurrogateID" : "1419", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 146, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/146", "Disp_Access_No" : "05-G-3285", "_AccNumSort1" : "", "Disp_Create_DT" : "1790", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1790", "Disp_Title" : "Contemplation (Portrait of Elizabeth Stanhope)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Caroline Watson", "Sort_Artist" : "Watson, Caroline", "Disp_Dimen" : "10 1/4 x 8 1/4 in. (26 x 21 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "Image", "Medium" : "Stipple Engraving", "Support" : "", "Disp_Medium" : "Stipple Engraving", "Info_Page_Comm" : " Caroline Watson was likely the first British female professional engraver. She studied under her father, James Watson (c. 1739 – 1790), an Irish engraver, and was appointed ‘Engraver to the Queen’ by Queen Charlotte in 1785.", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/05-G-3285.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/05-G-3285.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/05-G-3285.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/05-G-3285.jpg", "IsPrimary" : "1", "_SurrogateID" : "964", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/186", "Disp_Access_No" : "05-P-518", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Double Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Susan Moore", "Sort_Artist" : "Moore, Susan", "Disp_Dimen" : "16 x 28 in. (40.6 x 71.1 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Gallery Label: Born in Panama, Moore earned a BFA from Indiana University and an MFA from the University of California. She currently teaches at Temple University’s Tyler School of Art. Her favorite subject is the human figure, and she often focuses on certain body parts, especially faces. Although she refers to her subjects as portraits, she divulges little about her sitters’ inner thoughts or personalities. In this <i>Double Portrait</i>, she juxtaposes two mask-like female faces, encouraging the viewer to make comparisons between the two. Because the figures reveal so little about themselves, the viewer is forced to analyze the image’s formal qualities, including paint texture, color, and form. ", "Dedication" : "Gift of Robert Chamberlain", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/05-P-518.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/05-P-518.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/05-P-518.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/05-P-518.jpg", "IsPrimary" : "1", "_SurrogateID" : "43", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/261", "Disp_Access_No" : "06-G-3400", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Portrait of Iwar von Lücken", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Oskar Kokoschka", "Sort_Artist" : "Kokoschka, Oskar", "Disp_Dimen" : "28 x 22 in. (71.1 x 55.9 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "Image", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Ann Chahbandour and Jay Robert Stiefel", "Copyright_Type" : "© 2016 Fondation Oskar Kokoschka / Artists Rights Society (ARS), New York / ProLitteris, Zürich", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/06-G-3400.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/06-G-3400.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/06-G-3400.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/06-G-3400.jpg", "IsPrimary" : "1", "_SurrogateID" : "2900", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 281, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/281", "Disp_Access_No" : "06-P-524", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Portrait of a Youth "Retrato de un Joven"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francisco Peinado", "Sort_Artist" : "Peinado, Francisco", "Disp_Dimen" : "14 x 12 3/8 in. (35.6 x 31.4 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "12 3/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil, ink", "Support" : "canvas", "Disp_Medium" : "Oil, ink on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Lady Isolde Radzinowicz.", "Copyright_Type" : "© 2016 Artists Rights Society (ARS), New York / VEGAP, Madrid", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/06-P-524.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/06-P-524.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/06-P-524.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/06-P-524.jpg", "IsPrimary" : "1", "_SurrogateID" : "49", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 283, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/283", "Disp_Access_No" : "06-P-526", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Portrait of a Lady Seated on a Balcony in a Blue Dress", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rigot", "Sort_Artist" : "Rigot", "Disp_Dimen" : "23 1/2 x 19 1/4 in. (59.7 x 48.9 cm)", "Disp_Height" : "23 1/2 in.", "Disp_Width" : "19 1/4 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the 1850s, a woman’s ideal silhouette consisted of a small waist, drooping shoulders, and a voluminous skirt. The skirt would get bigger as time went on, and by the mid-decade, it was supported by up to seven petticoats underneath. As a result, silk became a popular material for dresses as it was light enough to hold over many petticoats without losing its shape. The wealthy lady in the painting, evidenced by her footstool and lace, likely had her cashmere shawl imported from India, as the country was known for the high quality and expensive feminine accessory. Alternatively, she could have gotten a cheaper imitation shawl ordered from France, England, and Scotland as well. Another mark of the woman’s wealth are the ‘engageantes’— removable white undersleeves that puff and close at the wrist— here trimmed with ornamental green ribbons. Liana Salazar Class of 2022 Curatorial Intern", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/06-P-526.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/06-P-526.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/06-P-526.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/06-P-526.jpg", "IsPrimary" : "1", "_SurrogateID" : "301", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 308, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/308", "Disp_Access_No" : "07-G-3406", "_AccNumSort1" : "", "Disp_Create_DT" : "1905", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1905", "Disp_Title" : "Denise Holding Her Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Cassatt", "Sort_Artist" : "Cassatt, Mary", "Disp_Dimen" : "8 1/8 x 5 3/4 in. (20.6 x 14.6 cm)", "Disp_Height" : "8 1/8 in.", "Disp_Width" : "5 3/4 in.", "Dimen_Extent" : "Image", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/07-G-3406.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/07-G-3406.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/07-G-3406.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/07-G-3406.jpg", "IsPrimary" : "1", "_SurrogateID" : "1708", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 544, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/544", "Disp_Access_No" : "09-G-3463", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "Robert Holding a Cat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Cassatt", "Sort_Artist" : "Cassatt, Mary", "Disp_Dimen" : "6 1/2 x 5 in. (16.5 x 12.7 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "Image", "Medium" : "Drypoint, printed", "Support" : "Van Gelder", "Disp_Medium" : "Drypoint, printed on Van Gelder", "Info_Page_Comm" : "", "Dedication" : "Purchased with Marjorie and Irwin Nat Pincus Funds and Art Angel Funds", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/09-G-3463.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/09-G-3463.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/09-G-3463.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/09-G-3463.jpg", "IsPrimary" : "1", "_SurrogateID" : "1036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/562", "Disp_Access_No" : "09-G-3481", "_AccNumSort1" : "", "Disp_Create_DT" : "2006", "_Disp_Start_Dat" : "2006", "_Disp_End_Date" : "2006", "Disp_Title" : "Lincoln 1861-1865", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mauricio Lasansky", "Sort_Artist" : "Lasansky, Mauricio", "Disp_Dimen" : "36 x 23 1/2 in. (91.4 x 59.7 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "color intaglio -- etching, drypoint, soft ground, mezzotint, aquatint, and color pencil", "Support" : "", "Disp_Medium" : "color intaglio -- etching, drypoint, soft ground, mezzotint, aquatint, and color pencil", "Info_Page_Comm" : "", "Dedication" : "Gift of Joseph Czestochowski in honor of Brother McGinness, F.S.C.", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/09-G-3481.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/09-G-3481.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/09-G-3481.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/09-G-3481.jpg", "IsPrimary" : "1", "_SurrogateID" : "2901", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 567, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/567", "Disp_Access_No" : "10-G-3484", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "Portrait of Dr. Edwin Williams", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Benton Murdoch Spruance", "Sort_Artist" : "Spruance, Benton Murdoch", "Disp_Dimen" : "18 x 13 3/4 in. 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(22.2 x 15.9 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "Image", "Medium" : "lithograph", "Support" : "", "Disp_Medium" : "lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Pia Gallo in honor of Madeleine Viljoen", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/10-G-3494.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/10-G-3494.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/10-G-3494.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/10-G-3494.jpg", "IsPrimary" : "1", "_SurrogateID" : "1040", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/777", "Disp_Access_No" : "11-P-546", "_AccNumSort1" : "", "Disp_Create_DT" : "1871", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1871", "Disp_Title" : "Whistler by the Thames, 1871", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Greaves,Walter", "Sort_Artist" : "Greaves,Walter", "Disp_Dimen" : "23 3/8 x 19 3/8 in. (59.4 x 49.2 cm)", "Disp_Height" : "23 3/8 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "window opening", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>One can imagine James McNeill Whistler posing for this portrait, seated on the balcony of his London flat overlooking the Thames River. But the circumstances surrounding the painting’s origins are shrouded in mystery. During the 1860s and 1870s, Walter and his brother Henry Greaves were ardent students of Whistler, assisting with major commissions such as the Peacock Room. However, their relationship became estranged in the 1880s, and Walter Greaves fell into poverty, though he continued painting portraits of Whistler from memory. Following the discovery of rolls of canvases at a London pawn shop, the Goupil Gallery offered Greaves an exhibition in 1911, requiring him to sign and date many of the paintings retroactively. While the exhibition was a success, the detection that a key painting had been misdated ultimately led to a scandal, raising questions about the chronology as well as authorship of some of the paintings. <BR/><BR/>This was one of 14 paintings by Greaves that were purchased by the Rosenbach Museum co-founder Philip H. Rosenbach in 1911, which he was unable to resell due to the scandal. In 2010, with the approval of its Board of Trustees, Rosenbach Museum and Library deaccessioned all of its paintings by Greaves, auctioning off all except one that they considered the finest, which they gifted to La Salle University. It is a fascinating example of British Aestheticism, highly evocative of Whistler’s work, with an interesting and enigmatic history.<BR/><BR/><SPAN STYLE="font-style:italic">This painting was conserved with support from the Irwin Nat and Marjorie M. Pincus Endowment and the Art Angels in 2011. For details, visit our online conservation exhibit: http://artmuseum.lasalle.edu", "Dedication" : "Gift of the Rosenbach Museum and Library", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/11-P-546.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/11-P-546.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/11-P-546.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/11-P-546.jpg", "IsPrimary" : "1", "_SurrogateID" : "67", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/824", "Disp_Access_No" : "12-G-3528", "_AccNumSort1" : "", "Disp_Create_DT" : "2012", "_Disp_Start_Dat" : "2012", "_Disp_End_Date" : "2012", "Disp_Title" : "Etching for Greta in the Green Dress", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Galuszka", "Sort_Artist" : "Galuszka, Frank", "Disp_Dimen" : "11 3/4 x 8 1/2 in. (29.8 x 21.6 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Frank Galuszka", "Copyright_Type" : "© the artist/and La Salle University Art Museum", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/12-G-3528.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/12-G-3528.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/12-G-3528.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/12-G-3528.jpg", "IsPrimary" : "1", "_SurrogateID" : "1240", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 825, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/825", "Disp_Access_No" : "12-G-3529", "_AccNumSort1" : "", "Disp_Create_DT" : "2012", "_Disp_Start_Dat" : "2012", "_Disp_End_Date" : "2012", "Disp_Title" : "Etching for Greta in the Green Dress #2", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Galuszka", "Sort_Artist" : "Galuszka, Frank", "Disp_Dimen" : "11 3/4 x 8 1/2 in. (29.8 x 21.6 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Frank Galuszka", "Copyright_Type" : "© the artist/and La Salle University Art Museum", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/12-G-3529.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/12-G-3529.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/12-G-3529.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/12-G-3529.jpg", "IsPrimary" : "1", "_SurrogateID" : "1241", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 913, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/913", "Disp_Access_No" : "13-D-447", "_AccNumSort1" : "", "Disp_Create_DT" : "Mid 17th century", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1666", "Disp_Title" : "Italian Sanguine Drawing (Portrait Studies),", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian", "Sort_Artist" : "Unknown, Italian", "Disp_Dimen" : "8 x 9 1/2 in. (20.3 x 24.1 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "Mat Opening", "Medium" : "Sanguine drawing", "Support" : "Italian wove paper", "Disp_Medium" : "Sanguine drawing on Italian wove paper", "Info_Page_Comm" : "", "Dedication" : "Estate of Nessa Forman", "Copyright_Type" : "", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "Italy", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13-D-447.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13-D-447.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13-D-447.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13-D-447.jpg", "IsPrimary" : "1", "_SurrogateID" : "1762", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 936, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/936", "Disp_Access_No" : "13-G-3550", "_AccNumSort1" : "", "Disp_Create_DT" : "1634-1637", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1637", "Disp_Title" : "Atabalipa Rex Peruviae (Atahualpa, Incan Emperor), from the series Bustes Philosphes et de Rois", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jérôme David", "Sort_Artist" : "David, Jérôme", "Disp_Dimen" : "8 3/4 x 7 1/8 in. (22.2 x 18.1 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "7 1/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>Atahualpa was the last Sapa Inca (all-powerful emper­or) to rule over the mighty Inca Empire (present-day Peru, Ecuador, Bolivia, Colombia and Chile). His death in 1533 marked the end of the Inca Empire and the be­ginning of Spanish colonization in South America. It is highly unlikely that the artist had ever seen a por­trait of the emperor, and he represented Atahualpa in an idealized and romanticized manner. Atahualpa looks resignedly over his right shoulder. He wears an elaborate feathered headdress only loosely-based on those record­ed by 16th-century Spanish and Incans. Although gold often formed the base of the crown, here the front piece is bejeweled in a European manner. The ostrich feathers in the crown were fashionable in 17th-century France. <BR/><BR/>This print is one of 36 illustrations, many of which de­picted historical non-European leaders who were defeat­ed by Europeans. Their demise marked the expansion of European power. They include the Patagonian chief Paracoussi, the Ottoman sultan Saladin, and the Alge­rian pasha Hayreddin. The prints’ issue in 1635, at a time when France was creating colonial territories in the Caribbean, suggests a misguided curiosity and exoticized view of other cultures. <BR/><BR/>Kelly Sheehan, '15</SPAN><SPAN STYLE="font-family:'Goudy Oldstyle Std';font-size:10pt"><BR/></SPAN><SPAN STYLE="font-family:'Goudy Oldstyle Std'"><BR/></SPAN></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13-G-3550.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13-G-3550.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13-G-3550.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13-G-3550.jpg", "IsPrimary" : "1", "_SurrogateID" : "826", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 944, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/944", "Disp_Access_No" : "13-G-3558", "_AccNumSort1" : "", "Disp_Create_DT" : "2013", "_Disp_Start_Dat" : "2013", "_Disp_End_Date" : "2013", "Disp_Title" : "Greta I", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Galuszka", "Sort_Artist" : "Galuszka, Frank", "Disp_Dimen" : "11 1/2 x 8 3/4 in. (29.2 x 22.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of the Artist in honor of Dr. Klare Scarborough", "Copyright_Type" : "© the artist/and La Salle University Art Museum", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13-G-3558.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13-G-3558.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13-G-3558.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13-G-3558.jpg", "IsPrimary" : "1", "_SurrogateID" : "2166", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 957, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/957", "Disp_Access_No" : "13-G-3571", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Cowboys and Indians (Annie Oakley)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "36 x 36 in. (91.4 x 91.4 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "bleed", "Medium" : "Screenprint", "Support" : "Lenox Museum Board", "Disp_Medium" : "Screenprint on Lenox Museum Board", "Info_Page_Comm" : "Andy Warhol established his career on Americana subjects, including the Wild West. This print is of Annie Oakley, a popular sharpshooter performer in the Buffalo Bill’s Wild West Show. Despite being from Pennsylvania, the traveling show’s sensationalized version of the Wild West allowed Oakley to become a symbol of the Wild West’s mythology. Her most famous trick was shooting a gun backwards and never missing her target, one of which included a cigarette in the Kaiser of Germany’s mouth. As part of her legacy and mythos, Oakley allegedly asked to shoot a second shot after the Kaiser’s role in WWI. She would later retire due to an injury and advocated for women’s rights, even teaching sharpshooting as self defense. The print colorfully outlines Oakley’s medals, highlighting her accomplishments as a historical and cultural icon. Today we can criticize the inaccurate portrayals of the Western genre and Warhol’s use of the screenprints-- creating flat, vivid, and stylized images- highlights the artifice of the Wild West and Oakley created by pop culture. Liana Rose D. Salazar Curatorial Intern Class of 2022", "Dedication" : "Gift of The Andy Warhol Foundation for the Visual Arts", "Copyright_Type" : "© 2016 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13-G-3571.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13-G-3571.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13-G-3571.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13-G-3571.jpg", "IsPrimary" : "1", "_SurrogateID" : "3345", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/958", "Disp_Access_No" : "13-G-3572", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Hans Christian Anderson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "40 x 40 in. (101.6 x 101.6 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "Image", "Medium" : "Screenprint", "Support" : "Lenox Museum Board", "Disp_Medium" : "Screenprint on Lenox Museum Board", "Info_Page_Comm" : "", "Dedication" : "Gift of The Andy Warhol Foundation for the Visual Arts", "Copyright_Type" : "© 2016 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13-G-3572.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13-G-3572.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13-G-3572.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13-G-3572.jpg", "IsPrimary" : "1", "_SurrogateID" : "2169", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/959", "Disp_Access_No" : "13-G-3573", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Cowboys and Indians (Sitting Bull)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "36 x 36 in. (91.4 x 91.4 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "bleed", "Medium" : "Screenprint", "Support" : "Lenox Museum Board", "Disp_Medium" : "Screenprint on Lenox Museum Board", "Info_Page_Comm" : " See the interpretive label written by Mey-Yen Moriuchi, Ph.D. <i>Assistant Professor of Art History, Department of Art</i>, for the exhibition <i>Teaching and Learning in the Art Museum: La Salle University Faculty Selections</i> in the online exhibition <a href="https://digitalcommons.lasalle.edu/faculty_selections_2018/12/">HERE</a>. ", "Dedication" : "Gift of The Andy Warhol Foundation for the Visual Arts", "Copyright_Type" : "© 2016 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13-G-3573.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13-G-3573.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13-G-3573.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13-G-3573.jpg", "IsPrimary" : "1", "_SurrogateID" : "3346", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1013, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1013", "Disp_Access_No" : "14-G-3613", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Children With Flowers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Catlett", "Sort_Artist" : "Catlett, Elizabeth", "Disp_Dimen" : "25 1/4 x 18 3/4 in. (64.1 x 47.6 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "18 3/4 in.", "Dimen_Extent" : "Image", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : " Label from Elizabeth Catlett: Art for Social Justice, La Salle University Art Museum, March 11 - June 4, 2015: Catlett expands upon themes that were important to her, such as parenthood and music making. Whereas her earlier images typically stressed one ethnic group, her later works seem to be preoccupied with racial mixing and multiculturalism. In Children with Flowers, an older black woman embraces children of different races. Their smiling faces, warm embrace, and brightly patterned clothing produce a lively and celebratory image. ", "Dedication" : "Purchased with funds donated by Mary Morrow-Farrell in memory of Catherine Roth Morrow", "Copyright_Type" : "Art © Catlett Mora Family Trust/Licensed by VAGA, New York, NY ", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14-G-3613.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14-G-3613.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14-G-3613.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14-G-3613.jpg", "IsPrimary" : "1", "_SurrogateID" : "1262", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1054, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1054", "Disp_Access_No" : "14-G-3658", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1665", "Disp_Title" : "Henry Frederick Howard (1608-1652), 15th Earl of Arundel, 5th Earl of Surrey and 2nd Earl of Norfolk", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Lombart", "Sort_Artist" : "Lombart, Pierre", "Disp_Dimen" : "13 1/2 x 9 7/8 in. (34.3 x 25.1 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "9 7/8 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>Van Dyck had a successful career in England as well as in his native Flanders, and he was known for his stunning life-size portrait paintings. <BR/><BR/>He produced many portraits of the Arundel family, whose figurehead, Sir Thomas Howard, was one of the artist’s great patrons. This print after a drawing by Van Dyck is a three-quarter length portrait of Henry Fred­erick Howard, the 22nd Earl of Arundel, the son of Sir Thomas. He wears armor reminiscent of his father’s, as captured in a portrait by Van Dyck’s mentor Peter Paul Rubens. His helmet sits on a column to his right. It bears an inscription that reads “Droit et Avant”(“Right and Front”), surely a reference to his readiness for battle. Behind him, through an open window, are dark and bil­lowing clouds above the ocean coast. This may refer to the Arundel’s land in West Sussex along the southeast coast of England. <BR/><BR/>This print is one of over 100 from an edition of </SPAN><SPAN STYLE="font-size:10pt;font-style:italic">Icono­graphia.</SPAN><SPAN STYLE="font-size:10pt"> This was a series of portraits that, at Van Dyck’s instigation, was first published between 1626 and 1635. It includes engravings and etchings of famous men, and some women, who achieved greatness as princes and nobles, statesmen and military leaders, or scholars and artists. Although some 20 prints were etched by Van Dyck in his signature sketchy style, the majority, like this print by Pierre Lombart, were engraved in a more traditional way. <BR/><BR/>Kelly Sheehan, '15<BR/></SPAN></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14-G-3658.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14-G-3658.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14-G-3658.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14-G-3658.jpg", "IsPrimary" : "1", "_SurrogateID" : "3675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1115, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1115", "Disp_Access_No" : "66-G-18", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Portrait of Sir Henry Layard", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Strang", "Sort_Artist" : "Strang, William", "Disp_Dimen" : "10 1/4 x 8 1/2 in. 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Wood-engravings are cut with burins on the highly polished end-grain of a very dense and refractory wood - in this case, South American boxwood. Shahn has provided the image - Martin has engraved the block and supervised the printing. Both artists have signed the prints. Until the invention of photo-mechanical engraving, all illustrations in newspapers and books were created and printed in this way. In recent times this practice has been almost wholly abandoned. Apart from its artistic value, this print is interesting as a technical experiment and as the revival of an old tradition. Foreseeing the great demand for this print, the edition is drawn in 300. It is available only to members who joined prior to April 1, 1966." 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(37.5 x 28.6 cm)", "Disp_Height" : "14 3/4 in.", "Disp_Width" : "11 1/4 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70-G-272.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70-G-272.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70-G-272.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70-G-272.jpg", "IsPrimary" : "1", "_SurrogateID" : "2841", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1335, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1335", "Disp_Access_No" : "70-G-296", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1634", "_Disp_Start_Dat" : "1629", "_Disp_End_Date" : "1639", "Disp_Title" : "Laughing Man in a Gorget", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Georg van Vliet", "Sort_Artist" : "Vliet, Jan Georg van", "Disp_Dimen" : "8 7/8 x 7 1/2 in. (22.5 x 19.1 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>The man wears a gorget, a metal breastplate with a col­lar that functions as armor. Van Vliet’s portrayal is much like that of the laughing cavalier, or a mounted soldier of a high rank. The cavalier was popular subject in the 17th century. At the time, there was concern about re­turning or off-duty soldiers in civil society. In paintings and prints of the day, the soldier is shown as possessing a devil-may-care attitude. He drinks too much, smokes too much, loses at card games, cheats at card games, se­duces local girls, and visits brothels Van Vliet’s soldier, caught in a spontaneous mid-laugh, conveys something of this attitude. The manic expression might also elicit some anxiety from the 17th-century viewer. The myste­rious shadow serves to deepen that anxiety. <BR/><BR/>The print is one of a series of “tronies” popular in the Baroque period. Van Vliet used a now-lost painted self-portrait of Rembrandt in costume as a model for the head. After this figure was paired with another of Van Vliet’s heads, that of a grieving man, the two earned the title of the Laughing Democritus and the Weeping Her­aclitus, two ancient Greek philosophers.<BR/><BR/>Kelly Sheehan, '15</SPAN><SPAN STYLE="font-family:'Goudy Oldstyle Std';font-size:10pt"><BR/><BR/></SPAN><SPAN STYLE="font-family:'Goudy Oldstyle Std'"><BR/></SPAN></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70-G-296.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70-G-296.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70-G-296.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70-G-296.jpg", "IsPrimary" : "1", "_SurrogateID" : "842", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1354, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1354", "Disp_Access_No" : "71-G-322", "_AccNumSort1" : "", "Disp_Create_DT" : "1778", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1778", "Disp_Title" : "A Dwarf, Sebastián de Morra", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francisco de Goya", "Sort_Artist" : "Goya, Francisco de", "Disp_Dimen" : "8 x 5 3/4 in. 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(115.6 x 86.7 cm)", "Disp_Height" : "45 1/2 in.", "Disp_Width" : "34 1/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>Carolus-Duran was a friend of avant-garde painters, but his more academic style reflects his decision to pursue lucrative commissions as a society portraitist. His work combines elements of contemporary Impressionism with more conventional painting techniques. The artist’s use of quick, loose brushwork owes at least as much, however, to Spanish old masters such as Diego Velásquez, whose work Carolus-Duran greatly admired, as to contemporaries such as Edouard Manet. The model for <SPAN STYLE="font-style:italic">Artist in her Studi</SPAN>o is believed to be the artist’s wife, Pauline Croizette, who declared her profession as an artist on their marriage certificate and continued to exhibit works in the Salon after their marriage.<BR/><BR/><BR/><BR/></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71-P-84.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71-P-84.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71-P-84.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71-P-84.jpg", "IsPrimary" : "1", "_SurrogateID" : "102", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1370, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1370", "Disp_Access_No" : "71-P-85", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Dr. George Joseph Bell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Sir Henry", "Disp_Dimen" : "29 3/8 x 24 1/4 in. 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Merchants, dignitar­ies, immigrants, refugees and slaves from the East would have been familiar sights in Italy, and Italian merchants and travelers returned with stories about other cultures. <BR/><BR/>Holly Michaels, '16, and Rachel Christie, '15</SPAN><SPAN STYLE="font-family:'Goudy Oldstyle Std';font-size:10pt"><BR/></SPAN><SPAN STYLE="font-family:'Goudy Oldstyle Std'"><BR/></SPAN></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82-G-1211.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82-G-1211.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82-G-1211.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82-G-1211.jpg", "IsPrimary" : "1", "_SurrogateID" : "925", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2430, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2430", "Disp_Access_No" : "82-G-1217", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "Robert Bridges", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Rothenstein", "Sort_Artist" : "Rothenstein, William", "Disp_Dimen" : "14 3/4 x 10 1/8 in. 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(39.4 x 29.2 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. David Souser", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90-P-366.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90-P-366.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90-P-366.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90-P-366.jpg", "IsPrimary" : "1", "_SurrogateID" : "235", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3009, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3009", "Disp_Access_No" : "90-P-371", "_AccNumSort1" : "", "Disp_Create_DT" : "1792", "_Disp_Start_Dat" : "1792", "_Disp_End_Date" : "1792", "Disp_Title" : "David Gelston", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Willson Peale", "Sort_Artist" : "Peale, Charles Willson", "Disp_Dimen" : "25 5/8 x 21 5/8 in. (65.1 x 54.9 cm)", "Disp_Height" : "25 5/8 in.", "Disp_Width" : "21 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Charles Willson Peale (1741-1827) - painter, patriot, writer, inventor, farmer, scientist, naturalist, and founder of one of America’s first museums - is one of the best-known past residents of the land now occupied by La Salle University’s campus. Peale resided at his "retirement" home, Belfield estate, in northwest Germantown from 1810 to 1821, and his house still stands on our campus as a National Historic Landmark. David Gelston (1744-1828) was a prominent New York City businessman and politician, who served as a representative from New York in the Continental Congress of 1789, the last under the Articles of Confederation. The 47-year-old Gelston was a member of the New York State Senate when he commissioned Peale to paint his and his wife and child's portraits in 1792.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90-P-371.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90-P-371.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90-P-371.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90-P-371.jpg", "IsPrimary" : "1", "_SurrogateID" : "238", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3012, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3012", "Disp_Access_No" : "90-P-374", "_AccNumSort1" : "", "Disp_Create_DT" : "Early 19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1832", "Disp_Title" : "Ann Emily Rush", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Peale", "Sort_Artist" : "Peale, James", "Disp_Dimen" : "29 x 24 5/8 in. (73.7 x 62.5 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "24 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas, laid down on panel", "Disp_Medium" : "Oil on canvas, laid down on panel", "Info_Page_Comm" : "Gallery Label: James Peale’s early career was interrupted when he was commissioned to serve in the Maryland Regiment during the Revolutionary War. Afterwards, he moved to Philadelphia and worked together with his brother, Charles Willson, creating miniatures while his brother painted large-scale oil portraits. After 1810, failing eyesight forced Peale to abandon miniatures for larger formats. The sitter in this oil portrait is Ann Emily Rush, whose father was Benjamin Rush, a signer of the Declaration of Independence. Peale conveys Ann Emily’s intelligence and self-confidence with her direct gaze and upright posture. ", "Dedication" : "Purchased with funds provided by Philip Reiff, Mansfield W. Williams, and Alexis C. Manice", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90-P-374.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90-P-374.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90-P-374.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90-P-374.jpg", "IsPrimary" : "1", "_SurrogateID" : "241", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3044", "Disp_Access_No" : "91-P-381", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Portrait of Benjamin D. Bernstein", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John W., M.D. Bryfogle", "Sort_Artist" : "Bryfogle, John W., M.D.", "Disp_Dimen" : "35 1/2 x 29 5/8 in. (90.2 x 75.2 cm)", "Disp_Height" : "35 1/2 in.", "Disp_Width" : "29 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gallery Label: A philanthropic collector of modern and contemporary art, Benjamin D. Bernstein was the founder of Quaker Moving and Storage Company. As his business grew, Bernstein traveled extensively, especially in France, Holland and Great Britain, and he developed a deep love of art and a passion for collecting. From the start, he was attracted to the work of young artists, supporting them through art purchases and developing life-long friendships. After amassing a large collection of art, he began donating works to local educational institutions. Over the years he gradually gave hundreds of paintings, prints, and sculptures to the La Salle University Art Museum. In addition, he set up the Benjamin D. Bernstein Acquisition Fund to enable the Art Museum to purchase further works. In gratitude for his generosity, the University gave him an honorary degree and the Art Museum named its 20th Century Gallery after him. In this portrait, Bernstein sits in front of the print, <i>Le Matador</i>, by Joan Miró, which he donated to the Art Museum in 2001. ", "Dedication" : "Gift of Benjamin D. Bernstein", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91-P-381.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91-P-381.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91-P-381.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91-P-381.jpg", "IsPrimary" : "1", "_SurrogateID" : "248", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3051", "Disp_Access_No" : "91-P-389", "_AccNumSort1" : "", "Disp_Create_DT" : "1838", "_Disp_Start_Dat" : "1838", "_Disp_End_Date" : "1838", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Peale", "Sort_Artist" : "Peale, Rembrandt", "Disp_Dimen" : "17 1/2 x 14 1/2 in. (44.5 x 36.8 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "14 1/2 in.", "Dimen_Extent" : "window opening-oval", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gallery Label: Rembrandt was the second son of Charles Willson Peale. He was born in Bucks County and spent much of his career in Philadelphia. He is best known for the portrait of George Washington he painted as a teenager working alongside his father who was completing a commissioned portrait of the first President. In 1814, Rembrandt opened the first museum in North America designed specifically to exhibit art, known as "Peale's Baltimore Museum and Gallery of Fine Arts.” He painted this relatively informal, intimate self-portrait for his niece and art pupil, Mary, daughter of his brother and fellow-painter Rubens Peale. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91-P-389.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91-P-389.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91-P-389.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91-P-389.jpg", "IsPrimary" : "1", "_SurrogateID" : "254", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3130, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3130", "Disp_Access_No" : "92-G-3107", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Portrait of Vincent Van Gogh", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Crawford", "Sort_Artist" : "Crawford, Richard", "Disp_Dimen" : "40 x 27 1/2 in. (101.6 x 69.9 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "27 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "Color Lithograph", "Support" : "", "Disp_Medium" : "Color Lithograph", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92-G-3107.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92-G-3107.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92-G-3107.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92-G-3107.jpg", "IsPrimary" : "1", "_SurrogateID" : "3437", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3136, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3136", "Disp_Access_No" : "92-G-3114(a)", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "By The Gate of The Sacred (Gerard Manley Hopkins)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert F. McGovern", "Sort_Artist" : "McGovern, Robert F.", "Disp_Dimen" : "18 x 10 7/8 in. (45.7 x 27.6 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "10 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92-G-3114(a).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92-G-3114(a).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92-G-3114(a).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92-G-3114(a).jpg", "IsPrimary" : "1", "_SurrogateID" : "2979", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3137", "Disp_Access_No" : "92-G-3114(b)", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Daniel Bettigan- What Ways Might These Be", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert F. McGovern", "Sort_Artist" : "McGovern, Robert F.", "Disp_Dimen" : "17 7/8 x 10 7/8 in. (45.4 x 27.6 cm)", "Disp_Height" : "17 7/8 in.", "Disp_Width" : "10 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92-G-3114(b).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92-G-3114(b).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92-G-3114(b).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92-G-3114(b).jpg", "IsPrimary" : "1", "_SurrogateID" : "2509", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3142, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3142", "Disp_Access_No" : "92-P-392", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David McShane", "Sort_Artist" : "McShane, David", "Disp_Dimen" : "14 7/8 x 14 3/4 in. (37.8 x 37.5 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Oil", "Support" : "museum board", "Disp_Medium" : "Oil on museum board", "Info_Page_Comm" : "", "Dedication" : "Purchased with Anual Funds", "Copyright_Type" : "Artwork © David McShane", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92-P-392.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92-P-392.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92-P-392.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92-P-392.jpg", "IsPrimary" : "1", "_SurrogateID" : "257", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3145, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3145", "Disp_Access_No" : "92-P-395", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Br. Daniel Burke, 1992", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Hanes", "Sort_Artist" : "Hanes, James", "Disp_Dimen" : "43 1/2 x 35 1/2 in. (110.5 x 90.2 cm)", "Disp_Height" : "43 1/2 in.", "Disp_Width" : "35 1/2 in.", "Dimen_Extent" : "Window Opening", "Medium" : "Oil", "Support" : "Canvas", "Disp_Medium" : "Oil on Canvas", "Info_Page_Comm" : "Gallery Label: This painting portrays Br. Daniel Burke first and foremost as a scholar, wearing his ceremonial academic robes. Br. Daniel joined La Salle’s English faculty in 1957. He served as President of La Salle University (then College) from 1969 to 1976, and is acknowledged as the founder of La Salle University Art Museum. Br. Daniel’s lifelong love of art was fostered during weekly visits to the Carnegie Museum in Pittsburgh when he was a young boy. With his love for art steadfast, he introduced the art history major to La Salle’s curriculum in 1963. In 1965, following an Honors Convocation where famed American painter Andrew Wyeth and art collector Lessing J. Rosenwald received honorary degrees, Br. Daniel announced the College’s intention to build a permanent art collection. Over the years, he bought carefully, accepted gifts of artwork, and traded up wisely—developing the art collection to serve the educational needs of a “teaching” museum. The artist, James Hanes, was a founding member of La Salle’s Fine Arts Department. He was also instrumental in growing La Salle’s art collection. He served as an early acquisitions advisor, and often arranged funding and donations for the collection. ", "Dedication" : "", "Copyright_Type" : "Artwork © the artist or artist's estate", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92-P-395.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92-P-395.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92-P-395.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92-P-395.jpg", "IsPrimary" : "1", "_SurrogateID" : "259", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3147", "Disp_Access_No" : "92-P-397", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Portrait of a Boy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugues Taraval", "Sort_Artist" : "Taraval, Hugues", "Disp_Dimen" : "16 1/2 x 13 7/8 in. (41.9 x 35.2 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "13 7/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds provided by the Benjamin D. Bernstein Acquisition Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92-P-397.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92-P-397.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92-P-397.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92-P-397.jpg", "IsPrimary" : "1", "_SurrogateID" : "261", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3231, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3231", "Disp_Access_No" : "94-D-365", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1710", "_Disp_Start_Dat" : "1705", "_Disp_End_Date" : "1715", "Disp_Title" : "Portrait of a Young Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henrietta Johnston", "Sort_Artist" : "Johnston, Henrietta", "Disp_Dimen" : "14 5/8 x 10 5/8 in. (37.1 x 27 cm)", "Disp_Height" : "14 5/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel on paper", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label from</SPAN><SPAN STYLE="font-size:10pt;font-style:italic;color:#222222"> American Originals: Works on Paper from the Permanent Collectio</SPAN><SPAN STYLE="font-size:10pt;color:#222222">n</SPAN><SPAN STYLE="font-size:10pt;font-weight:bold;color:#222222">, </SPAN><SPAN STYLE="font-size:10pt">La Salle University Art Museum, </SPAN><SPAN STYLE="font-size:10pt;color:#222222">December 16, 2015 through March 4, 2016:<BR/><BR/></SPAN><SPAN STYLE="font-size:10pt">Johnston was both the earliest known female artist and the first pastelist in the English colonies of North America. Probably born near Rennes, France, she lived in England and Ireland before moving to Charleston, South Carolina, with her second husband who was a commissary of the Church of England. Johnston supplemented her husband’s limited income by selling modestly-priced portraits in pastel. Only about 40 portraits by Johnston survive, making this </SPAN><SPAN STYLE="font-size:10pt;font-style:italic">Portrait of a Young Woman</SPAN><SPAN STYLE="font-size:10pt"> a rare example. <BR/><BR/>A pastel is a crayon made of loosely-bound powdered pigment bound with a weak adhesive, and part of the pastel portrait’s appeal is its fragility. The French encyclopedist Denis Diderot described the medium as a “precious powder that will fly from its support, half of it scattered in the air and half clinging to Saturn’s long feathers.” Pastel portraits of society’s elites were in high demand in 18th-century France and England, as well as in their colonies. Because of the lack of varnish on their surface, the colors in pastel drawings remain brilliant and fresh, and would have sparkled in 18th-century interiors lit by candlelight and filled with mirrors and gilt furnishings.</SPAN><SPAN STYLE="font-family:'Book Antiqua';font-size:14pt"><BR/></SPAN></SPAN>", "Dedication" : "Gift of Ann Chahbandour and Jay Robert Stiefel", "Copyright_Type" : "", "Disp_Obj_Type" : "DRAWINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94-D-365.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94-D-365.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94-D-365.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94-D-365.jpg", "IsPrimary" : "1", "_SurrogateID" : "5788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3262", "Disp_Access_No" : "95-D-367", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Papal Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pericle Camilletti", "Sort_Artist" : "Camilletti, Pericle", "Disp_Dimen" : "13 1/4 x 9 1/4 in. 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(11.7 x 9.8 cm)", "Disp_Height" : "4 5/8 in.", "Disp_Width" : "3 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Por-T7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Por-T7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Por-T7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Por-T7.jpg", "IsPrimary" : "1", "_SurrogateID" : "4824", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5050", "Disp_Access_No" : "Por-T8", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "William Howard Taft (1857-1930), 27th President of the United States", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown Artist", "Sort_Artist" : "Unknown Artist", "Disp_Dimen" : "4 x 3 in. (10.2 x 7.6 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "3 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "John A. Lowell Bank Note Co. Boston, U.S.A. Copyright 1910", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Por-T8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Por-T8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Por-T8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Por-T8.jpg", "IsPrimary" : "1", "_SurrogateID" : "4825", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5053", "Disp_Access_No" : "Por-T9", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1860-1877", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1877", "Disp_Title" : "Sir Charles Edward Trevelyan, 1st Bt (1807-1886), Governor of Madras", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "D.J. Pound", "Sort_Artist" : "Pound, D.J.", "Disp_Dimen" : "8 3/8 x 6 1/2 in. (21.3 x 16.5 cm)", "Disp_Height" : "8 3/8 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Por-T9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Por-T9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Por-T9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Por-T9.jpg", "IsPrimary" : "1", "_SurrogateID" : "4826", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5057", "Disp_Access_No" : "Por-W11a", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "George Washington (1732-1799), 1st President of the United States ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown Artist", "Sort_Artist" : "Unknown Artist", "Disp_Dimen" : "3 7/8 x 3 in. (9.8 x 7.6 cm)", "Disp_Height" : "3 7/8 in.", "Disp_Width" : "3 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "John A. Lowell Bank Note Co. Boston, U.S.A. Copyright 1910", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Por-W11a.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Por-W11a.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Por-W11a.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Por-W11a.jpg", "IsPrimary" : "1", "_SurrogateID" : "4830", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5059", "Disp_Access_No" : "Por-W13", "_AccNumSort1" : "", "Disp_Create_DT" : "Mid 19th Century", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1866", "Disp_Title" : "John Walter (1818-1894), Newspaper Proprietor and Politician", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "D.J. Pound", "Sort_Artist" : "Pound, D.J.", "Disp_Dimen" : "8 1/2 x 6 5/8 in. (21.6 x 16.8 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "6 5/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Por-W13.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Por-W13.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Por-W13.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Por-W13.jpg", "IsPrimary" : "1", "_SurrogateID" : "4831", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5060, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5060", "Disp_Access_No" : "Por-W14", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Major-General Lewis Wallace (1827-1905), American Civil War Union General", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Chester Buttre", "Sort_Artist" : "Buttre, John Chester", "Disp_Dimen" : "10 7/8 x 8 5/8 in. (27.6 x 21.9 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Por-W14.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Por-W14.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Por-W14.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Por-W14.jpg", "IsPrimary" : "1", "_SurrogateID" : "4832", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5061", "Disp_Access_No" : "Por-W15", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Noah Webster (1758-1843), American Lexicographer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick W. Halpin", "Sort_Artist" : "Halpin, Frederick W.", "Disp_Dimen" : "4 5/8 x 3 5/8 in. (11.7 x 9.2 cm)", "Disp_Height" : "4 5/8 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Por-W15.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Por-W15.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Por-W15.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Por-W15.jpg", "IsPrimary" : "1", "_SurrogateID" : "4833", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5093", "Disp_Access_No" : "15-P-585", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Portrait of Helena Lawrence Holmes Penington (1769-1852)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sarah Miriam Peale", "Sort_Artist" : "Peale, Sarah Miriam", "Disp_Dimen" : "24 x 17 1/2 in. (61 x 44.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>Born in Philadelphia, Sarah Miriam Peale along with her sisters, Margaretta Angelica and Anna Claypoole Peale trained as artists under the tutelage of their father, James Peale, serving as his apprentices. Sarah was known for her portraiture and still-life paintings. She moved to Baltimore for instruction in oil painting and glazing techniques and remained there for 20 years before moving to St. Louis where she was commissioned by various families. She is regarded by many as the first woman in the United States to achieve professional recognition as an artist. In 1824, Sarah and Anna became the first two female members of the Pennsylvania Academy of the Fine Arts. <BR/><BR/>This portrait was probably painted by Sarah at a young age, and was possibly painted together with Anna and instruction from their father.<SPAN STYLE="font-family:'Book Antiqua';font-size:16pt"><BR/></SPAN></SPAN>", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15-P-585.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15-P-585.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15-P-585.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15-P-585.jpg", "IsPrimary" : "1", "_SurrogateID" : "5217", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }