{ "objects" : [ { "embark_ID" : 1516, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1516", "Disp_Access_No" : "73-P-113", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "The Madonna of the Cherries", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joos Van Cleve", "Sort_Artist" : "Van Cleve, Joos", "Disp_Dimen" : "24 3/4 x 18 3/8 in. (62.9 x 46.7 cm)", "Disp_Height" : "24 3/4 in.", "Disp_Width" : "18 3/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Gallery Label: Van Cleve belonged to an important Southern Netherlandish family of painters. Though it is unclear whether the artist spent time in Italy, he absorbed the style and subject matter of a number of his Italian contemporaries, including Leonardo, Raphael and Andrea del Sarto. He was particularly sought after for his depictions of the Virgin and Child, like the one pictured here which owes much to Leonardo. In some instances the original van Cleve painting has been lost, but the type is known through the plentiful replicas created by the artist’s workshop as well as by later copyists. At least five other versions of the Madonna of the Cherries are known in private and public collections. The cherries the child holds hide a deeper meaning: the fruit was related to paradise and linked to Christ’s role as savior. Faculty Written Label: Perception as reality. In the Communication Studies field it is important to check perceptions whenever possible. The baby (Jesus) may be pulling away from an apathetic mother (Madonna), but he may also be holding out the cherries to gain the attention from a fatigued woman. Nonverbal communication provides a context for perception, but we need to check those perceptions by asking questions. This is especially important when the behaviors are enacted by someone we do not know. Perceptions should serve only as a starting point for continued information acquisition. Katie Neary Dunleavy, Ph.D. Assistant Professor, Communication ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73-P-113.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73-P-113.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73-P-113.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73-P-113.jpg", "IsPrimary" : "1", "_SurrogateID" : "113", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2816, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2816", "Disp_Access_No" : "86-P-329", "_AccNumSort1" : "", "Disp_Create_DT" : "15th Century", "_Disp_Start_Dat" : "1400", "_Disp_End_Date" : "1499", "Disp_Title" : "Pieta", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Franco-Flemish", "Sort_Artist" : "Unknown, Franco-Flemish", "Disp_Dimen" : "7 3/4 x 4 3/4 in. 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Ecker", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86-P-329.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86-P-329.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86-P-329.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86-P-329.jpg", "IsPrimary" : "1", "_SurrogateID" : "212", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2953", "Disp_Access_No" : "89-P-356", "_AccNumSort1" : "", "Disp_Create_DT" : "1552", "_Disp_Start_Dat" : "1552", "_Disp_End_Date" : "1552", "Disp_Title" : "Christ at the Column", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marcello Venusti (school of ?)", "Sort_Artist" : "Venusti, Marcello, (school of ?)", "Disp_Dimen" : "17 x 14 in. 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Bernstein", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "Italy", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89-P-356.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89-P-356.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89-P-356.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89-P-356.jpg", "IsPrimary" : "1", "_SurrogateID" : "229", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2849, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2849", "Disp_Access_No" : "87-P-344", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Serving Wine to an Officer in a Guardroom", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Duck", "Sort_Artist" : "Duck, Jacob", "Disp_Dimen" : "40 3/8 x 35 in. 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Bernstein, Mrs. Herbert Morris, Mr. and Mrs. John Shober", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87-P-344.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87-P-344.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87-P-344.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87-P-344.jpg", "IsPrimary" : "1", "_SurrogateID" : "219", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 91, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/91", "Disp_Access_No" : "02-P-475", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Still Life with Peaches, Bread, Wine Glass and Pitcher", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri-Horace Roland de la Porte", "Sort_Artist" : "de la Porte, Henri-Horace Roland", "Disp_Dimen" : "12 3/8 x 15 5/8 in. (31.4 x 39.7 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "15 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds provided by Dr. Paul Rahter", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/02-P-475.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/02-P-475.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/02-P-475.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/02-P-475.jpg", "IsPrimary" : "1", "_SurrogateID" : "12", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2297, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2297", "Disp_Access_No" : "81-P-266", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1740", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1745", "Disp_Title" : "Lady in White Dress", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francis Hayman", "Sort_Artist" : "Hayman, Francis", "Disp_Dimen" : "29 3/8 x 24 3/8 in. (74.6 x 61.9 cm)", "Disp_Height" : "29 3/8 in.", "Disp_Width" : "24 3/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81-P-266.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81-P-266.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81-P-266.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81-P-266.jpg", "IsPrimary" : "1", "_SurrogateID" : "183", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 77, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/77", "Disp_Access_No" : "01-P-471", "_AccNumSort1" : "", "Disp_Create_DT" : "1876", "_Disp_Start_Dat" : "1876", "_Disp_End_Date" : "1876", "Disp_Title" : "A Short Break (at the Barber's)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emile Salome", "Sort_Artist" : "Salome, Emile", "Disp_Dimen" : "24 x 32 3/8 in. (61 x 82.2 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "32 3/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds provided by Joseph Klock Esq. and the late Joseph Simon", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/01-P-471.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/01-P-471.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/01-P-471.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/01-P-471.jpg", "IsPrimary" : "1", "_SurrogateID" : "10", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 933, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/933", "Disp_Access_No" : "13-G-3549M", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1946", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1951", "Disp_Title" : "Brick Makers, from "Mexican People" portfolio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pablo O'Higgins", "Sort_Artist" : "O'Higgins, Pablo", "Disp_Dimen" : "17 1/2 x 15 in. (44.5 x 38.1 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "See comment for 13-G-3549A "The brick-makers and their families live next to their kilns. Sometimes they even live within the kilns themselves. The entire family works together even the smallest child who helps to stack the bricks for drying. The process of making bricks is difficult and complicated and has been handed down from generation to generation for hundreds of years. There are many brick kilns in the Valley of Mexico and in spite of the primitive methods used, these kilns have been able to supply very efficiently the needs of the new modern Mexico City which is undergoing a fever of construction." <i>"El ladrillero y su familia viven junto a su horno, y a veces hacen del horno su casa. Trabajan juntos, hasta el más pequeño niño, él cual amontona los ladrillos para se que sequen. El proceso es difícil y complicado, es proceso heredado durante años. Hay, en el valle de México, muchos ornos de ladrillos y a pesar del método primitivo de hacer los lodrillos, han podido abastecir eficientamente lo necesario para la nueva moderna ciudad de México, que esta pasando una fiebre de construcción."</i> ", "Dedication" : "", "Copyright_Type" : "© 2016 Artists Rights Society (ARS), New York / SOMAAP, Mexico City", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "Mexico", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13-G-3549M.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13-G-3549M.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13-G-3549M.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13-G-3549M.jpg", "IsPrimary" : "1", "_SurrogateID" : "6001", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2687, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2687", "Disp_Access_No" : "84-P-298", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "Mary (La Sainte-Marie)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Ossawa Tanner", "Sort_Artist" : "Tanner, Henry Ossawa", "Disp_Dimen" : "34 1/8 x 42 5/8 in. (86.7 x 108.3 cm)", "Disp_Height" : "34 1/8 in.", "Disp_Width" : "42 5/8 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "<SPAN>Gallery Label:<BR/><BR/>In this unconventional rendering of the Virgin Mary with the Christ child, Mary appears melancholy and lost in thought. The infant is almost completely covered by a shroud-like cloth, suggesting a foreshadowing of Jesus’ death. Tanner paid careful attention to details studied first-hand in Jerusalem, where he first traveled in 1898. Tanner’s style is academic and is distinctive for his use of luminous lighting. The model for Mary was newlywed Tanner’s Swedish-American wife. Tanner studied with Thomas Eakins at the Pennsylvania Academy of Fine Arts in the 1880s before traveling to and eventually settling in Paris, where, from 1894 on, his work appeared in the annual, juried Salon. <SPAN STYLE="font-style:italic">Mary</SPAN> is in its original tabernacle frame with its Salon entry number, 1252, and another label noting Tanner’s previous Salon medal for an earlier painting. While it was common for American artists to travel to Paris to study art and even settle in that art-making capital, Tanner attributed his choice to remain there to the racism he encountered in the United States as an artist of mixed African-, European-, and Native-American ancestry and his ability to be judged simply by his talent in France.<BR/></SPAN>", "Dedication" : "Purchased with funds provided by Regina and Ragan Henry", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84-P-298.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84-P-298.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84-P-298.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84-P-298.jpg", "IsPrimary" : "1", "_SurrogateID" : "196", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3007", "Disp_Access_No" : "90-P-367", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Rue de la Sante and Le Val de Grace", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Luigi Loir", "Sort_Artist" : "Loir, Luigi", "Disp_Dimen" : "16 5/8 x 8 1/2 in. (42.2 x 21.6 cm)", "Disp_Height" : "16 5/8 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds provided by Alexis C. Manice", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90-P-367.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90-P-367.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90-P-367.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90-P-367.jpg", "IsPrimary" : "1", "_SurrogateID" : "236", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 93, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/93", "Disp_Access_No" : "02-P-477", "_AccNumSort1" : "", "Disp_Create_DT" : "1977-1981", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1981", "Disp_Title" : "Man in Black Coat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sidney Goodman", "Sort_Artist" : "Goodman, Sidney", "Disp_Dimen" : "21 7/8 x 27 3/4 in. (55.6 x 70.5 cm)", "Disp_Height" : "21 7/8 in.", "Disp_Width" : "27 3/4 in.", "Dimen_Extent" : "window opening", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gallery Label: Goodman taught at Philadelphia College of Art and the Pennsylvania Academy of the Fine Arts. As a student in the 1950s, the dominant style taught in art schools was Abstract Expressionism, rather than representation. In order to develop his life-study skills, Goodman decided to study illustration and commercial art. The artist arrived at his mature style in the mid-1970s, exemplified in <i>Man in Black Coat</i>, which combines the introspection and atmospheric expressionism of his early work with the cold analytic clarity of his canvases from the 1960s and 1970s. The figure sits, gazing down, eyelids almost closed, surrounded by a blank, neutral background, which accentuates the contemplative, quiet quality of the composition. ", "Dedication" : "Purchased with funds provided by Dr. Paul Rahter", "Copyright_Type" : "© Artists Rights Society (ARS), New York", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/02-P-477.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/02-P-477.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/02-P-477.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/02-P-477.jpg", "IsPrimary" : "1", "_SurrogateID" : "14", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1261", "Disp_Access_No" : "67-P-17", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Tired Travelers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Julius Bloch", "Sort_Artist" : "Bloch, Julius", "Disp_Dimen" : "40 x 50 1/8 in. (101.6 x 127.3 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "50 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gallery Label: Julius Bloch emigrated from Germany to Philadelphia with his Jewish family in 1893. He studied at the Pennsylvania Museum School and later at the Pennsylvania Academy of the Fine Arts. As an immigrant he identified with working class people, many of whom suffered racial discrimination and financial difficulty. Inspired by one of his favorite artists and teachers, Thomas Eakins, Bloch became interested in Social Realism, an artistic Movement which was popular in America during the 1920s and 1930s. Over the course of his life Bloch became close friends with Benjamin Bernstein, an art patron who acquired many of his works and later donated some to the La Salle University Art Museum and other cultural institutions. In Tired Travelers, Bloch illustrates a scene on a crowded train. The weary figures are seated in the train benches. The darkness of the windows and the way the people are dressed suggest that it is early evening and that the subjects are on their way home after a laboring day. The individuals depicted are very diverse in ethnicity, featuring an African American man and an Eastern European immigrant couple. The travelers are wearing the day’s work on their faces, displaying gloomy expressions while sleeping and resting during their travel. - Tricia Sackor, Intern, Class of 2017 ", "Dedication" : "Gift of the Estate of Julius Bloch", "Copyright_Type" : "", "Disp_Obj_Type" : "PAINTINGS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67-P-17.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67-P-17.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67-P-17.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67-P-17.jpg", "IsPrimary" : "1", "_SurrogateID" : "88", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4046, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4046", "Disp_Access_No" : "15-P-570", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Double-sided Icon of the Virgin Hodegetria (“she who points the way”) and St. Nicholas (verso)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Russian", "Sort_Artist" : "Unknown, Russian", "Disp_Dimen" : "9 1/4 x 7 1/8 in. 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