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(44.8 x 31.1 cm)", "Disp_Height" : "17 5/8 in.", "Disp_Width" : "12 1/4 in.", "Dimen_Extent" : "Image", "Medium" : "Chiaroscuro woodcut", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut", "Info_Page_Comm" : " This print by Nicolas Le Sueur is after a fresco by Paolo Farinati in the Marogna family chapel in the church of San Paolo in Campo Marzio, Verona. The image depicts Elijah the prophet lifted up to Heaven in a whirlwind by a chariot of fire and horses (2 Kings 2:3-9). The print has also sometimes been described as depicting Phaeton and Helios (or Apollo) in the chariot of the sun, from Greek Mythology. Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: The Second Book of Kings 2:11 relates how the Old Testament prophet Elijah was speaking with his follower Elisha when “behold, there appeared a chariot of fire, and horses of fire; which parted them both asunder; and Elijah went up by a whirlwind into heaven.” Here, Elijah is represented in a dynamic pose, with his hands clasped together in prayer. He stands behind an angelic driver, who leans forward and lifts his whip to hurry the four horses upwards into the light-filled heavens. 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(34.3 x 25.4 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: According to Greek mythology, after death, mortals are ferried to the Underworld by Charon and brought before the god Hades. In this fiery landscape full of flying demons, tormented individuals hang from trees. Others attempt to flee by commandeering Charon’s boat.", "Dedication" : "Gift of Dr. Klare Scarborough", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "Netherlands", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16-G-4986.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16-G-4986.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16-G-4986.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16-G-4986.jpg", "IsPrimary" : "1", "_SurrogateID" : "9338", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1015", "Disp_Access_No" : "14-G-3615", "_AccNumSort1" : "", "Disp_Create_DT" : "1728", "_Disp_Start_Dat" : "1728", "_Disp_End_Date" : "1728", "Disp_Title" : "Jacob's Ladder, from "Figures de la Bible" by Pieter de Hondt", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernard Picart", "Sort_Artist" : "Picart, Bernard", "Disp_Dimen" : "13 5/8 x 8 1/2 in. 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Rilling ('87) and Maureen Ryan Rilling ('88)", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14-G-3615.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14-G-3615.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14-G-3615.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14-G-3615.jpg", "IsPrimary" : "1", "_SurrogateID" : "969", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1018", "Disp_Access_No" : "14-G-3618", "_AccNumSort1" : "", "Disp_Create_DT" : "1733", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1733", "Disp_Title" : "Phaeton Struck Down by Jupiter's Thunder, from The Temple of the Muses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernard Picart", "Sort_Artist" : "Picart, Bernard", "Disp_Dimen" : "13 3/4 x 10 in. (34.9 x 25.4 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: According to Greek mythology, the sun god Helios (Sol) daily draws the sun across the sky in his golden chariot. One day, his strong-willed son Phaeton borrows his vehicle. But Phaeton loses control of the horses, and the fiery chariot threatens the world below. The sky god Zeus (Jupiter) intervenes and strikes down the wayward youth, who plunges to his death. ", "Dedication" : "Purchased with funds provided by the Art Angels", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14-G-3618.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14-G-3618.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14-G-3618.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14-G-3618.jpg", "IsPrimary" : "1", "_SurrogateID" : "972", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5348, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5348", "Disp_Access_No" : "16-G-3754", "_AccNumSort1" : "", "Disp_Create_DT" : "1733", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1733", "Disp_Title" : "Tantalus's Torment, from The Temple of the Muses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernard Picart", "Sort_Artist" : "Picart, Bernard", "Disp_Dimen" : "13 3/4 x 9 3/4 in. (34.9 x 24.8 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching and Engraving", "Support" : "", "Disp_Medium" : "Etching and Engraving", "Info_Page_Comm" : " See the interpretive label written by Victoria Ketz, Ph.D., <i>Professor and Chair, Department of Global Languages, Literatures, and Perspectives</i>, for the exhibition <i>Teaching and Learning in the Art Museum: La Salle University Faculty Selections</i> in the online exhibition <a href="https://digitalcommons.lasalle.edu/faculty_selections_2018/23/">HERE</a>. Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: After Tantalus steals food from the table of the Olympian gods, Zeus punishes him for his excessive greed. He is doomed to be eternally hungry and thirsty in the lowest regions of the Underworld. 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(34.9 x 25.4 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching and Engraving", "Support" : "", "Disp_Medium" : "Etching and Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: In Greek mythology, King Minos confines the inventor Daedalus (architect of the Labyrinth) and his son Icarus to the island of Crete. Determined to escape, Daedalus crafts handmade wings of feathers bound together with wax. He warns his son to fly midway between the sun and the sea, and he leads the youth upwards into the sky. As Ovid describes in Chapter 8 of his <i>Metamorphoses</i>, “Proud of his success, the foolish Icarus forsook his guide, and, bold in vanity, began to soar, rising upon his wings to touch the skies; but as he neared the scorching sun, its heat softened the fragrant wax that held his plumes.” In this illustration, Icarus falls tragically from the sky, losing feathers as the wax melts from his handmade wings. His astounding flight, and that of his father depicted in the distance, is witnessed by fishermen in their boats. ", "Dedication" : "Gift of Susan M. Dixon", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16-G-3760.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16-G-3760.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16-G-3760.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16-G-3760.jpg", "IsPrimary" : "1", "_SurrogateID" : "6355", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1386, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1386", "Disp_Access_No" : "72-G-347", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Mercure et Argus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adriaen van de Velde", "Sort_Artist" : "Velde, Adriaen van de", "Disp_Dimen" : "6 1/2 x 9 7/8 in. 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(16.8 x 20 cm)", "Disp_Height" : "6 5/8 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching and Engraving", "Support" : "", "Disp_Medium" : "Etching and Engraving", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: A guardian angel accompanies the Old Testament character Tobias on his mission to retrieve resources to help with his family’s financial well-being and his father’s health. In this image, the angel instructs Tobias to catch the fish that will provide medicine for his father Tobit. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80-G-1079(2).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80-G-1079(2).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80-G-1079(2).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80-G-1079(2).jpg", "IsPrimary" : "1", "_SurrogateID" : "909", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2148", "Disp_Access_No" : "80-G-1079(1)", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1641", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1641", "Disp_Title" : "The Story of Tobias, Plate 1: Tobit Blessing Tobias", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van de Velde, II", "Sort_Artist" : "Velde, Jan van de, II", "Disp_Dimen" : "6 1/2 x 7 7/8 in. (16.5 x 20 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching and Engraving", "Support" : "", "Disp_Medium" : "Etching and Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80-G-1079(1).jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80-G-1079(1).jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80-G-1079(1).jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80-G-1079(1).jpg", "IsPrimary" : "1", "_SurrogateID" : "908", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1352", "Disp_Access_No" : "71-G-320", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1621", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1626", "Disp_Title" : "St. Jerome Hearing the Trumpet of the Last Judgement ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jusepe de Ribera", "Sort_Artist" : "Ribera, Jusepe de", "Disp_Dimen" : "12 1/4 x 9 in. (31.1 x 22.9 cm)", "Disp_Height" : "12 1/4 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "Image", "Medium" : "Drypoint, etching", "Support" : "", "Disp_Medium" : "Drypoint, etching", "Info_Page_Comm" : " Label from “Between Heaven and Hades: Journeys in Renaissance and Baroque Prints”, La Salle University Art Museum, September 13 - December 15, 2017: Angels descend from heaven frequently to intervene in mortal life. A trumpet-blowing angel startles St. Jerome, represented here as a hermit in contemplation in the desert. The scene alludes to a passage in St. Jerome’s <i>Commentary</i>, stating that a trumpet will announce the Second Coming of Christ and the Last Judgment. Represented in the lower left corner of the scene is a lion, a symbol often associated with St. Jerome. ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71-G-320.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71-G-320.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71-G-320.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71-G-320.jpg", "IsPrimary" : "1", "_SurrogateID" : "843", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 937, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/937", "Disp_Access_No" : "13-G-3551", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 17th Century", "_Disp_Start_Dat" : "1667", "_Disp_End_Date" : "1699", "Disp_Title" : "Versailles, La grande piece d’eau (The Grand Water Basin)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pérelle Family (Les Perrelles)", "Sort_Artist" : "Pérelle Family (Les Perrelles)", "Disp_Dimen" : "8 x 11 3/4 in. (20.3 x 29.8 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "<SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>This intricately shaped water basin is located on the east/west axis of the garden at Versailles, near King Louis XIV’s palace. Created in 1676 during one of many building campaigns, it is the largest basin in the garden. Its spouts were said to shoot water 60 feet into the air, an amazing feat in that day. A statue of Neptune, which gives the basin its current name, the Neptune Basin, was added in 1740.<BR/> <BR/>The Perelles – father Gabriel and sons Nicolas and Adam -- were known for visually documenting the king’s gar­den, among many sites in and around Paris. Here they chose a high vantage point that creates the illusion that the site is never-ending. The endless vista is character­istic of the Baroque period, and here signals Louis XIV’s aspirations for limitless power. The windmill in the far background refers to the water pumps needed to keep the fountains in operation. Supplying water to the vast garden was a challenge for the hydraulic engineers at the French court.<BR/><BR/>Holly Michaels, '16<BR/></SPAN>", "Dedication" : "Gift of Susan M. Dixon", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13-G-3551.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13-G-3551.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13-G-3551.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13-G-3551.jpg", "IsPrimary" : "1", "_SurrogateID" : "827", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1281, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1281", "Disp_Access_No" : "68-G-239", "_AccNumSort1" : "", "Disp_Create_DT" : "1662", "_Disp_Start_Dat" : "1662", "_Disp_End_Date" : "1662", "Disp_Title" : "Democritus in Meditation", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Salvator Rosa", "Sort_Artist" : "Rosa, Salvator", "Disp_Dimen" : "17 3/4 x 10 1/2 in. (45.1 x 26.7 cm)", "Disp_Height" : "17 3/4 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "Etching, drypoint", "Support" : "", "Disp_Medium" : "Etching, drypoint", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>Democritus was known as the Laughing Philosopher because he mocked his fellow ancient Greeks for their follies. He was critical of their irrational reliance on ma­terial goods. The 17th-century artist Rosa sympathized with Democritus’ beliefs. His depiction of the philoso­pher is unusual, however. Rosa illustrates Democritus as distraught. Democritus sits head in hand, in a melan­cholic attitude. It is difficult to see if he is laughing or crying. He is surrounded by many objects that suggest death and decay. The inscription informs us: “Dem­ocritus the mocker of all things is here stopped by the ending of all things.” A pile of bones and skulls sit atop books and paint brushes, objects dear to Rosa. A broken obelisk and a ruined sarcophagus are nearby. More mys­terious are the owls, which signify wisdom. There are two: one perched in the treetops and another dead on the ground. <BR/><BR/>In this print, Rosa reproduced one of his most famous paintings, now in the Statens Museum in Copenhagen. The symbolic objects are more readable in the print than in the painting, but the print does not convey the somber tone of the original painting. <BR/><BR/>Holly Michaels, '16, and Amanda Martinez, '14</SPAN><SPAN STYLE="font-family:'Segoe UI'"><BR/></SPAN></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68-G-239.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68-G-239.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68-G-239.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68-G-239.jpg", "IsPrimary" : "1", "_SurrogateID" : "1909", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1333, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1333", "Disp_Access_No" : "70-G-294", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Vue Du Chateau de Vaux le Vicomte de cote des jardins", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "7 1/2 x 11 1/8 in. (19.1 x 28.3 cm)", "Disp_Height" : "7 1/2 in.", "Disp_Width" : "11 1/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70-G-294.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70-G-294.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70-G-294.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70-G-294.jpg", "IsPrimary" : "1", "_SurrogateID" : "840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1331, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1331", "Disp_Access_No" : "70-G-292", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Le Theatre D'Eau-Versailles", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "8 1/2 x 11 7/8 in. (21.6 x 30.2 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "11 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70-G-292.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70-G-292.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70-G-292.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70-G-292.jpg", "IsPrimary" : "1", "_SurrogateID" : "838", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1647, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1647", "Disp_Access_No" : "76-B-1(g)5", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1630", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1635", "Disp_Title" : "Judith with the Head of Holofernes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "3 7/8 x 2 5/8 in. (9.8 x 6.7 cm)", "Disp_Height" : "3 7/8 in.", "Disp_Width" : "2 5/8 in.", "Dimen_Extent" : "Image", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>The story of this small print is from the Old Testament’s Book of Judith. Here the elegantly dressed Jewish prin­cess Judith, sword in hand, places the newly severed head of the Assyrian general Holofernes on a charger proffered by her young handmaiden. By this act, Judith courageously freed the Jewish people from persecution. The two women move vigorously in the space, while the general’s decapitated body lays snugly in his tent canopy bed or pavillon, his armor hanging impotently from the ceiling. The story of Judith and Holofernes was a very popular subject in the Baroque period, although one rarely tackled by Callot.<BR/><BR/>A great innovator in etching techniques, Callot used stippling, or a dotting of short lines, made entirely with the etching needle’s point, to create shadow and texture. He abandoned stippling soon after this print in favor of other techniques.<BR/><BR/>Susan Dixon<BR/></SPAN><SPAN STYLE="font-size:10pt">Associate Professor and Chair, Department of Fine Arts</SPAN></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-B-1(g)5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-B-1(g)5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-B-1(g)5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-B-1(g)5.jpg", "IsPrimary" : "1", "_SurrogateID" : "3066", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1796, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1796", "Disp_Access_No" : "76-G-661", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Le Jardin Du Palais Royal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "8 3/8 x 11 7/8 in. (21.3 x 30.2 cm)", "Disp_Height" : "8 3/8 in.", "Disp_Width" : "11 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76-G-661.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76-G-661.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76-G-661.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76-G-661.jpg", "IsPrimary" : "1", "_SurrogateID" : "886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2070, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2070", "Disp_Access_No" : "79-G-857", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Funeral of Phocion", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Herman van Swanevelt", "Sort_Artist" : "Swanevelt, Herman van", "Disp_Dimen" : "7 1/4 x 10 7/8 in. (18.4 x 27.6 cm)", "Disp_Height" : "7 1/4 in.", "Disp_Width" : "10 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Georgette M. Most", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79-G-857.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79-G-857.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79-G-857.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79-G-857.jpg", "IsPrimary" : "1", "_SurrogateID" : "902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2053", "Disp_Access_No" : "79-G-1031", "_AccNumSort1" : "", "Disp_Create_DT" : "1639", "_Disp_Start_Dat" : "1639", "_Disp_End_Date" : "1639", "Disp_Title" : "Adam and Eve", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Simone Cantarini", "Sort_Artist" : "Cantarini, Simone", "Disp_Dimen" : "7 7/8 x 6 7/8 in. (20 x 17.5 cm)", "Disp_Height" : "7 7/8 in.", "Disp_Width" : "6 7/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "<SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>Primarily a painter, Cantarini created 37 etchings over the course of his career.1 This print of Eve handing Adam the apple likely dates to a time when he worked briefly for the Duke of Mantua, Carlo II Gonzaga di Nevers.2 The horses in the center background and the dog in the right foreground allude to the Gonzaga family’s famed love of these animals. The eagle that sits behind Eve is a feature of the Gonzaga coat-of-arms. The dragon-headed snake might refer to the city of Mantua with its renowned Castle of St. George, named after the medi­eval saint who slaughtered a dragon to save a princess. The creatures in the print suggest that the city was much like the Garden of Eden. Cantarini’s efforts at flattering his patron might not have been appreciated. His biographer tells us that Cantarini became ill and died shortly after Duke Carlo II criticized the artist’s work.<BR/><BR/><BR/><BR/></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79-G-1031.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79-G-1031.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79-G-1031.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79-G-1031.jpg", "IsPrimary" : "1", "_SurrogateID" : "901", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2254", "Disp_Access_No" : "81-G-1133", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1653", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1658", "Disp_Title" : "The Empty Jug", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adriaen van Ostade", "Sort_Artist" : "Ostade, Adriaen van", "Disp_Dimen" : "3 3/4 x 3 in. (9.5 x 7.6 cm)", "Disp_Height" : "3 3/4 in.", "Disp_Width" : "3 in.", "Dimen_Extent" : "Image", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "<SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>Two men react as their companion looks disgruntledly into an empty beer tankard. The standing man reaches into his jacket, perhaps in search of coins to pay for a refill. The seated one looks on with interest as he fills his pipe. <BR/><BR/>Van Ostade captures the realities of 17th-century Dutch country folk. In this sparse setting, around a small table next to a boarded window, perhaps in an inn, the men gather to drink and smoke. Some critics read this depic­tion of peasants, with their odd-shaped hats, as ridicul­ing. Others see it as sympathetic, capturing the com­panionship of men after their hard labors.<BR/><BR/>Holly Michaels, '16<BR/><BR/></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81-G-1133.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81-G-1133.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81-G-1133.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81-G-1133.jpg", "IsPrimary" : "1", "_SurrogateID" : "917", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2289, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2289", "Disp_Access_No" : "81-G-1173", "_AccNumSort1" : "", "Disp_Create_DT" : "1647-1650", "_Disp_Start_Dat" : "1647", "_Disp_End_Date" : "1650", "Disp_Title" : "Finding of the Bones of Sts. Peter and Paul", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "12 1/8 x 8 1/4 in. (30.8 x 21 cm)", "Disp_Height" : "12 1/8 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "Image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "<SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>Castiglione’s print of the discovery of the incorrupt bod­ies of the two pillar saints of the Catholic Church was based on an early Christian fresco. Although apocry­phal, it was a popular subject in 17th century Catholic countries in the post-Reformation age. It reflected a de­sire to embrace Paul, who had been appropriated by the Protestants, as Peter’s partner in founding the Church. <BR/><BR/>Castiglione depicts the dank recesses of the ancient cata­combs outside Rome. An intense group of the faithful lean forward, and one figure extends a torch towards the discovery. In the foreground are the two prostate bodies of the saints, that of the elderly bearded Peter clutching his key, and that of the decapitated Paul perhaps gestur­ing the sign of the Holy Trinity. The light bathes their bodies and then reflects upward, creating a wondrous at­mosphere for the miraculous event.<BR/><BR/>Susan Dixon<BR/>Associate Professor and Chair, Department of Fine Arts</SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81-G-1173.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81-G-1173.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81-G-1173.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81-G-1173.jpg", "IsPrimary" : "1", "_SurrogateID" : "924", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1168, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1168", "Disp_Access_No" : "66-G-RS-93", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1630-1640", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1640", "Disp_Title" : "Ecco Homo, Christ Crowned with Thorns", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "10 1/4 x 8 1/4 in. (26 x 21 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "Image", "Medium" : "Etching, restrike", "Support" : "", "Disp_Medium" : "Etching, restrike", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66-G-RS-93.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66-G-RS-93.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66-G-RS-93.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66-G-RS-93.jpg", "IsPrimary" : "1", "_SurrogateID" : "3553", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3293", "Disp_Access_No" : "95-G-3191", "_AccNumSort1" : "", "Disp_Create_DT" : "1641", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1641", "Disp_Title" : "Landscape with a Cottage and Hay Barn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "4 1/2 x 12 1/2 in. (11.4 x 31.8 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "Etching, drypoint", "Support" : "", "Disp_Medium" : "Etching, drypoint", "Info_Page_Comm" : "", "Dedication" : "Gift of Ann Chahbandour and Jay Robert Stiefel", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95-G-3191.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95-G-3191.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95-G-3191.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95-G-3191.jpg", "IsPrimary" : "1", "_SurrogateID" : "933", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1598, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1598", "Disp_Access_No" : "75-G-530", "_AccNumSort1" : "", "Disp_Create_DT" : "1643", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1643", "Disp_Title" : "Holy Family in an Interior", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ferdinand Bol", "Sort_Artist" : "Bol, Ferdinand", "Disp_Dimen" : "7 1/8 x 8 3/8 in. (18.1 x 21.3 cm)", "Disp_Height" : "7 1/8 in.", "Disp_Width" : "8 3/8 in.", "Dimen_Extent" : "Image", "Medium" : "Etching, drypoint", "Support" : "", "Disp_Medium" : "Etching, drypoint", "Info_Page_Comm" : "<SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:<BR/><BR/>Bol’s work exhibits the influence of Rembrandt, from whom Bol learned how to paint.1 This Holy Family in an Interior is similar to some etchings and paintings by Rembrandt.2 The attentive Joseph bends over the seat­ed Mary, who suckles the baby. Both father and mother model behaviors expected of 17th-century Dutch fami­lies.3 The family cat watches from the right foreground. They all occupy a Dutch domestic interior outfitted ap­propriately with a curtained bed, a cradle, and a table covered by a carpet. In front of the bed is a bakermat, a collapsible wicker seat for nursing mothers.<BR/><BR/>The composition is like that of many Dutch 17th-cen­tury interiors, with a window at the far side, providing the only source of light in the darkened room. It creates dramatic and significant highlights on the family, and especially on the divine Child at Mary’s breast, and ob­scures much of the setting in which Bol has placed the Holy Family. <BR/><BR/>Irene Martinez, '14, and Emily Tomlin, '17<BR/><BR/></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75-G-530.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75-G-530.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75-G-530.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75-G-530.jpg", "IsPrimary" : "1", "_SurrogateID" : "850", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1391", "Disp_Access_No" : "72-G-352", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1639", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1644", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "8 1/2 x 11 1/2 in. (21.6 x 29.2 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "Image", "Medium" : "Drypoint, Etching", "Support" : "", "Disp_Medium" : "Drypoint, Etching", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-size:10pt">Label for "Printmakers of the Baroque: 17th-Century Explorations of Space and Light", La Salle University Art Museum, December 16, 2013 – February 28th, 2014:</SPAN><SPAN STYLE="font-size:10pt;font-style:italic"><BR/><BR/>Luke</SPAN><SPAN STYLE="font-size:10pt"> 2: 22-39 narrates the story of Mary and Joseph presenting the Christ Child in the Temple of Jerusalem. This Jewish religious practice required parents to bring a child to the Temple forty days after its birth. Mary and Joseph bring Jesus to the Temple and encounter two in­dividuals often called the last Old Testament prophets. One is the elderly scholar Simeon, who received God’s promise that he would not die until he had met the Mes­siah. The other is an elderly widow Anna, known as the Prophetess, who recognized the Child as the Messiah. <BR/><BR/>Rembrandt’s composition highlights the two prophets in this version of the narrative. In the cavernous architec­tural setting of the Temple, the aged Simeon kneels and holds the Child. He declares to the solemn Mary that she and the Child will know undergo great tribulations in their lives, as the gathered faithful look concerned. The tall Anna, wearing the Judaic prayer shawl, strides towards the group, her hands extended as she recognizes the Messiah. The light emanating from the Holy Spirit, positioned above Anna’s head, spotlights the Child. In the left foreground of the print, untouched by the light, are a Saducee and a Pharisee, deep in argument, and cu­riously, a dog.<BR/><BR/>Rembrandt was a careful reader of the Bible and other religious texts, as his images attest. Like many 17th-century Dutch Christians at the time, he had a special interest in typology, which was the practice of reading the Old Testament as prophesy and the New Testament as fulfillment of that prophesy.2 The Presentation in the Temple, however, illustrates the collision of the Old and New Testament narratives, in which the characters of the first recognize their prophetic work as completed. Rembrandt’s print illustrates the significance of this mo­ment. <BR/><BR/>Kelly Sheehan, '15</SPAN><SPAN STYLE="font-family:'Segoe UI'"><BR/></SPAN></SPAN>", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "PRINTS", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72-G-352.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72-G-352.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72-G-352.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72-G-352.jpg", "IsPrimary" : "1", "_SurrogateID" : "709", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }